after history » easter history (توسيع البحث), matter history (توسيع البحث), later history (توسيع البحث)
After orientalism : critical perspectives on western agency and eastern re-appropriations /
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The debate on Orientalism began some fifty years ago in the wake of decolonization. While initially considered a turning point, Edward Said's Orientalism (1978) was in fact part of a larger academic endeavor - the political critique of "colonial science" - that had already significantly impacted the humanities and social sciences. In a recent attempt to broaden the debate, the papers collected in this volume, offered at various seminars and an international symposium held in Paris in 2010-2011, critically examine whether Orientalism, as knowledge and as creative expression, was in fact fundamentally subservient to Western domination. By raising new issues, the papers shift the focus from the center to the peripheries, thus analyzing the impact on local societies of a major intellectual and institutional movement that necessarily changed not only their world, but the ways in which they represented their world. World history, which assumes a plurality of perspectives, leads us to observe that the Saidian critique applies to powers other than Western European ones - three case studies are considered here: the Ottoman, Russian (and Soviet), and Chinese empires. Other essays in this volume proceed to analyze how post-independence states have made use of the tremendous accumulation of knowledge and representations inherited from previous colonial regimes for the sake of national identity, as well as how scholars change and adapt what was once a hegemonic discourse for their own purposes. What emerges is a new landscape in which to situate research on non-Western cultures and societies, and a road-map leading readers beyond the restrictive dichotomy of a confrontation between West and East. With contributions by: Elisabeth Allès; Léon Buskens; Stéphane A. Dudoignon; Baudouin Dupret; Edhem Eldem; Olivier Herrenschmidt; Nicholas S. Hopkins; Robert Irwin; Mouldi Lahmar; Sylvette Larzul; Jean-Gabriel Leturcq; Jessica Marglin; Claire Nicholas; Emmanuelle Perrin; Alain de Pommereau; François Pouillon; Zakaria Rhani; Emmanuel Szurek; Jean-Claude Vatin; Mercedes Volait
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Original French title: Après l'orientalisme : l'Orient créé par l'Orient.
Includes index. :
1 online resource (xiii, 289 pages) :
Includes bibliographical references and index. :
9789004282537 :
Available to subscribing member institutions only.
Seven Weeks after the Buddha's Enlightenment : Contradictions in Text, Confusions in Art /
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This groundbreaking volume explores a revelatory Andharan style relief recently discovered in Sri Lanka. It adds to the growing body of archaeological evidence of important exchanges between the Buddhists of Sri Lanka and their co-religionists in the Krishna Valley. This relief is the most ancient document attested to date depicting the events that took place during the first seven weeks following the enlightenment of the Buddha. Its unique iconography leads the author to closely examine contradictions between literary evidence and visual representations of what is known as the sambodhi, or 'perfect awakening', of the Buddha. According to the classic Buddhist texts, the Mahāvastu and the Lalitavistara, the Buddha spent seven weeks after his enlightenment near the Bodhi tree. By contrast, the Buddhist canonical text the Vinaya-Pitaka describes this period as only four weeks long. Sri Lankan and Burmese artists have preferred to depict the seven-week account. Furthermore, the 'seven-week' motif depicted in this Andharan relief follows the chronological order given in the important Pāli texts, the Nidānakathā and the Mahābodhi-Vamsa. The textual confusions and artistic contradictions uncovered by this volume present a bigger picture of the complex ways in which the story of the Buddha's life was imagined in the earliest period of recorded Buddhist history. The present study is the first in a series of books by this author on Buddhist art.
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1 online resource (76 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752061
After one hundred years : the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered /
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The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art "a place equal to that of other cultural periods". This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition's historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
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Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004191020 :
Available to subscribing member institutions only.
Preaching after Easter : mid-Pentecost, Ascension, and Pentecost in late antiquity /
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The studies collected in Preaching after Easter examine the festal history and homiletics of Mid-Pentecost, Ascension, and Pentecost in the late antique Mediterranean world. Articles on individual sermons or the work of individual preachers such as John Chrysostom, Augustine of Hippo, Peter Chrysologus, Leo the Great, and Severus of Antioch exhibit the richness of late antique festal preaching. Questions of authenticity, heresiology, and theological, exegetical, or liturgical history are addressed with methodological rigor. Complementary contributions that deal with ancient Jewish-Christian dialogue, art-historical reception, and contemporary liturgical theology illustrate the wide ramifications of ancient Christian festal practice. Students and scholars of these feasts and the interpretive traditions devoted to them will find this volume to be an indispensable source of information and analysis.
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"Papers delivered at a conference with the same title held in Leuven in March 2013." :
1 online resource. :
Includes bibliographical references and index. :
9789004315549 :
0920-623X ; :
Available to subscribing member institutions only.
The Invention of Scientific Conservation : Expert Cultures of Conservation after the Second World War /
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The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation ), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge. Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.
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1 online resource (440 pages) : illustrations. :
Includes bibliographical references and index. :
9789004737303
Was 70 CE a watershed in Jewish history? : on Jews and Judaism before and after the destruction of the Second Temple /
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The destruction of the Temple of Jerusalem in 70 CE, which put an end to sacrificial worship in Israel, is usually assumed to constitute a major caesura in Jewish history. But how important was it? What really changed due to 70? What, in contrast, was already changing before 70 or remained basically - or "virtually" -- unchanged despite it? How do the Diaspora, which was long used to Temple-less Judaism, and early Christianity, which was born around the same time, fit in? This Scholion Library volume presents twenty papers given at an international conference in Jerusalem in which scholars assessed the significance of 70 for their respective fields of specialization, including Jewish liturgy, law, literature, magic, art, institutional history, and early Christianity.
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"This volume presents revised versions of lectures given in January 2009 at a Jerusalem symposium sponsored by Hebrew University's Scholion Center for Interdisciplinary Research in Jewish Studies"--Preface. :
1 online resource (xiii, 548 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004217447 :
Available to subscribing member institutions only.
A History of the Arab Component in Ibero-American Architecture /
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This book examines five centuries of Ibero-American architectural history through the lens of its Arabic architectural component. It seeks to illuminate an integral part of Ibero-American culture-one that is frequently ignored and undervalued as merely an exotic influence. Fernando Martínez Nespral's A History of the Arab Component in Ibero-American Architecture stands as a landmark contribution to our understanding of the region's architectural heritage, inviting us to see the world through new eyes and to embrace the rich tapestry of cultures that have shaped our shared landscape. It is a book that will resonate with scholars and enthusiasts alike, inspiring us to explore the hidden corners of history and celebrate the diversity that lies at the heart of Ibero-America's architectural identity. Fernando Luiz Lara , Professor of Architectural History and Theory at the Weitzman School of Design, University of Pennsylvania.
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1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004756557
On the art in the ancient Near East /
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This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. \'These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection.\' J.C. Exum
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1 online resource. :
Includes bibliographical references and index. :
9789047428459 :
Available to subscribing member institutions only.
Between Point Zero and the Iron Curtain : International Cooperation in Art and the Postwar Moment, 1945-1948 /
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This volume, edited by Éva Forgács, with contributions from art historians from across Europe and the Americas, analyzes the artistic initiatives of the short time span between the end of World War II and the onset of the Cold War. In this moment, a new internationalism was anticipated by retrieving pre-war modernism, as well as creating the new era's new artistic lingua franca. The chapters include in-depth case studies that analyze the complex, often interconnected, projects throughout the world-South America, North Africa, and eastern and western Europe-that were soon ended by the Cold War. See Less
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1 online resource (382 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711280
Golden Excess : Art and the Aesthetics of the Incredible in Neronian Rome /
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Golden Excess: Art and the Aesthetics of the Incredible in Neronian Rome is the first monograph to offer a full art historical synthesis of the rich archaeological and monumental evidence for Nero's remarkable principate. An outsized and innovative artistic program emerges, informed by aesthetics of excess, the grotesque and learned luxury, that rivals the cultural achievements of Rome's first emperor, Augustus and stands in stark contrast to the universally negative and disparaging accounts of Nero in ancient authors. Indeed, Neronian Rome witnessed an astonishing efflorescence in the arts whose lasting effects still resonate.
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1 online resource (680 pages) : illustrations. :
Includes bibliographical references and index. :
9789004702974
Sleep in Renaissance Poland : Bartolomeo Berrecci's Tomb Sculpture and Its Legacy in East Central Europe /
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Focusing on the Italian architect and sculptor Bartolomeo Berrecci, this monograph examines an important subset of his sepulchral works-recumbent statuary-and offers insights into their patronage, reception, and interpretation. Berrecci's exploration of this sculptural type predates its eventual spread beyond Italy, Spain, and Poland. Indeed, he proved so successful that well over 200 statues can still be found in present-day Poland and Lithuania, Latvia, Belarus, Ukraine and Sweden. Although he mainly produced them for Catholic clients, examples of such monuments also exist in Lutheran, Calvinist and Orthodox settings. The volume draws on a vast array of primary sources, visual, textual, and archival, and compares Berrecci's workshop to the Tuscan Quattrocento workshops of Lorenzo Ghiberti, Donatello, Perugino et al. The volume draws on a vast array of primary sources, including artworks and documents. Comparisons are made with similar compositions emanating from Tuscan Quattrocento workshops, including Lorenzo Ghiberti, Donatello and Perugino.
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1 online resource (405 pages) : illustrations. :
Includes bibliographical references and index. :
9789004724938
Ancient Egypt in the Modern Imagination : Art, Literature and Culture
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Cover; Half Title; Title; Copyright; Dedication; Contents; Figures; Contributors; Introduction; Part I The Egyptological Imaginary; Chapter 1 'Wonderful Things' in Kingston upon Hull; Chapter 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; Chapter 3 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art; Chapter 4 Ancient Egypt in William S. Burroughs's Novels; Chapter 5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; Part II Death and Mysticism Chapter 6 Egyptomania, English Pyramids and the Quest for ImmortalityChapter 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; Chapter 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; Chapter 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; Chapter 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell; Part III Gender and Sexuality; Chapter 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture Chapter 12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920Chapter 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; Chapter 14 Egyptian Excesses: Taylor, Burton and Cleopatra; Chapter 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Notes; Introduction; 1 'Wonderful Things' in Kingston upon Hull; 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 4 Ancient Egypt in William S. Burroughs's Novels5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; 6 Egyptomania, English Pyramids and the Quest for Immortality; 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920; 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; 14 Egyptian Excesses: Taylor, Burton and Cleopatra; 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Bibliography; Index
Subversive strategies in contemporary Chinese art
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What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians, Subversive Strategies begins by showing how the art reflects current crises and is working them out through bodies gendered and political. The essays raise the question of Chinese identity in a global world and note a blurring of the boundary between art and everyday life.
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1 online resource. :
Includes bibliographical references and index. :
9789004201477 :
Available to subscribing member institutions only.
Liturgy of Empire: Reading the Mozarabic Rite in Early Modern Europe, 1500-1800 /
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Liturgy of Empire examines the European reception of the neo-Mozarabic rite created under the patronage of the Archbishop of Toledo, Francisco Jimenez de Cisneros (1495-1517), in relation to the history of the Mozarabs of Toledo, the development of bibliophilia and libraries, the scholarly study of medieval liturgy, and the crusading ideology of Spanish expansionism in the Mediterranean. During the emergence of Spain's global empire, the editions of the Mozarabic rite entered collections throughout Europe. The provenance of the copies (studied here for the first time) reveals their mediation of knowledge about Iberian history and the political contexts for their acquisition.
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1 online resource (276 pages) : illustrations. :
Includes bibliographical references and index. :
9789004743878
World history as the history of foundations, 3000 BCE to 1500 CE /
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"In World History as the History of Foundations, 3000 BCE to 1500 CE, Michael Borgolte investigates the origins and development of foundations from Antiquity to the end of the Middle Ages. In his survey foundations emerge not as mere legal institutions, but rather as "total social phenomena" which touch upon manifold aspects, including politics, the economy, art and religion of the cultures in which they emerged. Cross-cultural in its approach and the result of decades of research, this work represents by far the most comprehensive account of the history of foundations that has hitherto been published".
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1 online resource. :
Includes bibliographical references and index. :
9789004415089
tacking and a tacktical methodology : moving towards a different politics for art /
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How can artists (and others) who find themselves in positions of privilege think differently about the way they do what they do in order to create the conditions for better, more just relations to flourish? Finding an answer to that question is at the heart of this book. After critiquing the relationship between contemporary art, race and privilege the author brings together First Nation and feminist philosophies of relationality, the game of string figuring, and her own history as an artist to propose an alternate methodology that puts relation at the centre of practice. She introduces the multivalent concept of "tacking"-a movement at an oblique angle to prevailing winds-in order to traverse the waters of contemporary art to challenge power and create a more just future. See Less
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1 online resource (298 pages) : illustrations. :
Includes bibliographical references and index. :
9789004706958
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317