art chapter » past chapter (توسيع البحث), a chapter (توسيع البحث), text chapter (توسيع البحث)
New chapters in the history of rhetoric /
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This volume gathers over forty papers by leading scholars in the field of the history of rhetoric. It illustrates the current trends in this new area of research and offers a great richness of insights. The contributors are from fourteen different countries in Europe, America and Asia ; the majority of the papers are in English and French, some others in German, Italian, and Spanish. The texts and subjects covered include the Bible, Classical Antiquity, Medieval and Modern Europe, Chinese and Korean civilization, and the contemporary world. Word, speech, language and institutions are addressed from several points of view. One major topic, among many others, is Rhetoric and Religion.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047428473 :
1875-1148 ; :
Available to subscribing member institutions only.
On the art in the ancient Near East /
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This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. \'These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection.\' J.C. Exum
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1 online resource. :
Includes bibliographical references and index. :
9789047428459 :
Available to subscribing member institutions only.
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
Proclus' On the Hieratic Art according to the Greeks : Critical Edition with Translation and Commentary /
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The book is a critical edition of the text with an English translation and commentary of Proclus' On the Hieratic Art according to the Greeks . The Hieratic Art is the Theurgic Art, theurgy, the theurgic union with the divine. Proclus describes the theurgic union, putting an emphasis on a conceptual blending of ritual actions (teletai, e.g. the role of statues, incenses, synthêmata, symbols, purifications, invocations and epiphanies) and philosophical concepts (e.g. union of many powers, 'one and many', symphathy, natural sympathies, attraction, mixing and division).
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1 online resource (218 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697553
The Anthologist's Art : Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr.
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Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it? This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350-429/961-1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr ( The Unique Pearl ), and its sequel, Tatimmat al-Yatīma ( The Completion of the Yatīma ). This book is a direct window on to an anthologist's workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī's selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries' oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
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Description based upon print version of record. :
1 online resource (291 pages) :
References to the Earlier Version of the Yatīma References to Other Works by Thaʿālibī ; Later Additions to the Yatīma ; Authenticity and Misattribution ; Forgotten, Lost, and Inconsistent Material ; Chapter 4. The Sources of Thaʿālibī in Yatīmat al-Dahr and Tatimmat al-Yatīma; Written Sources ; Dīwāns; Books; Other Written Media ; Oral and Aural Sources ; Main Guarantors in the Yatīma ; Main Guarantors in the Tatimma ; Conclusion ; Chapter 5. Material within the Entry; Categorization and Arrangement of Material within Entries ; The Biographical Summary ; Dates; Deaths of Poets. :
9789004317352 :
Available to subscribing member institutions only.
Epigraphy of art : ancient Greek vase-inscriptions and vase-paintings /
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Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. By bringing together, for the first time, an international group of leading scholars in classical art and archaeology who have worked on vase-inscriptions, this book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance. The ten chapters in this book propose original and expert methodological approaches to the study of vase-inscriptions and vase-paintings, while also foregrounding the outstanding but not fully examined importance of the area of vase-inscriptions for current research on ancient Greek visual representations.
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Previously issued in print: 2016. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references and index. :
9781784914875 (ebook) :
Art and architecture of the synagogue in late antique Palestine : in the shadow of the church /
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This study examines the material evidence for synagogues and churches in the Holy Land from the age of Constantine in the fourth century CE to the Arab conquest of the eastern provinces in the seventh century CE. Whereas scholars once viewed the growth of the Byzantine empire as time of persecution, a re-evaluation of the archaeological evidence indicates that Jews prospered along with their Christian neighbours. What influence did Christian art and architecture have on ancient synagogues? In the sixth century, one-third of all known synagogues in Palestine bear features similar to early Byzantine churches: basilical layouts, mosaic floors, apses, and chancel screens. Focusing on these features sheds light on how Jewish communities met the challenges posed by the Church's development into a major religious and political power. This book provides a critical analysis of the archaeological evidence as a basis for our better understanding of Jewish identity and community in late Antique Palestine.
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1 online resource. :
Includes bibliographical references (p. [273]-297) and index. :
9789047418719 :
Available to subscribing member institutions only.
Corinthian and Attic vases in the Detroit Institute of Arts : geometric, black-figure, and red-figure /
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The collection of Greek vases in the Detroit Institute of Arts has been compiled over the course of the twentieth century to reflect the range of painting styles and shapes which characterize the period from the eighth through fourth centuries B.C. This catalogue is the first publication of that collection, comprising those vases from Corinth and Athens with painted decoration. The physical and painted characteristics of each vase are recorded, with an attribution to a painter or group, and a date. The relationship of the painted decoration to other Greek painted vases, religious or social institutions is discussed. The catalogue will be of interest to specialists in Greek vase painting, and those interested in Greek art and its modern collecting.
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1 online resource. :
Includes bibliographical references (p. [67]-69) and index. :
9789047423782 :
Available to subscribing member institutions only.
The art of the Hekatompedon inscription and the birth of the stoikhedon style /
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The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt's influential system of proportions and use of grids will be considered determinative for the very first time.
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Based the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004193277 :
Available to subscribing member institutions only.
South Arabian art : art history in pre-Islamic Yemen /
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"The ancient Kingdoms of South Arabia have been recognized as the cradle of civilization for the Arabian Peninsula and their contribution to the identity of Arabia cannot be underestimated. For the first time, this volume provides scholars and students a coherent synthesis of South Arabian art, from its origins, to its gradual development in a distinctive local art and, finally, to its decline with the advent of Islam. Each chapter provides a historical summary of the period, a review of representative art and a discussion of the distinctive character, stylistic and iconographic originality of South Arabian art, shaped by a creative interpretation of external influences."--Page 4 of cover.
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207 pages : illustrations (some color) ; 24 cm. :
Includes bibliographical references and index. :
9782701803258
270180325X
The arts of ornamental geometry : a Persian compendium on similar and complementary interlocking...
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This collective study focuses on a unique anonymous medieval document on ornamental geometry featuring geometrical constructions and textual instructions in Persian. Selections from the unpublished work of Alpay Özdural (d. 2003) on this subject have been updated with original contributions by Jan P. Hogendijk, Elaheh Kheirandish, Gülru Necipoğlu, and Wheeler M. Thackston. The chapters interpreting this fascinating document are followed, for the first time, by a facsimile, transcription, and translation, as well as drawings of incised construction lines invisible in the photographed facsimile. This publication intersects with the current interest in Islamic geometrical patterning as an inspiration for tessellation and parametrically derived forms in contemporary architecture and the arts. It aims to make this celebrated source more accessible, given its multifaceted relevance to historians of art, architecture, and science, as well as mathematicians, physicists, artists, and architects. For those who wish to obtain a copy of the full, unedited original book manuscript of Alpay Özdural, where he discusses the mathematical properties of all geometrical constructions in the Anonymous Compendium as well as the step-by-step method for drawing each one, his work is available online at https://doi.org/10.6084/m9.figshare.5255416
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1 online resource. :
Includes bibliographical references and index. :
9789004315204 :
Available to subscribing member institutions only.
The unity of the church : a theological state of the art and beyond /
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In contrast to its original name, Ecclesia Reformata, ecclesiology did not develop into a major theme within the Reformed tradition. Notwithstanding the undeniable schismatic tendency and the ecclesial embarrassment about disunity, the unity of the church did not rise to prominence as a theological topic. This volume challenges this traditional low-key attitude towards the unity of the church. It investigates theological aspects that contributed to a weak sensus unitatis, and explores approaches that remedy the disease of division. It discusses the role played by scripture, the sacraments, confessions, and discipline; it searches for the best theological practices within other Christian traditions; it links the unity of the church to the unity of God and reformulates the nature of the church.
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The articles in this volume stem from contributions to the Seventh Biannual Conference of the academic network of International Reformed Theological Institute (IRTI) held in Cluj-Napoca, Romania from 3 to 8 July 2007. :
1 online resource. :
Includes bibliographical references and index. :
9789047443988 :
1571-4799 ; :
Available to subscribing member institutions only.
On the art in the ancient Near East /
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This volume of collected essays brings together for the first time the range of Winter's pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield 'history' in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
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1 online resource. :
Includes bibliographical references and index. :
9789047425847
Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
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1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947