forms function » forms functions (توسيع البحث), form function (توسيع البحث), formes fonctions (توسيع البحث)
art forms » adl forms (توسيع البحث), all forms (توسيع البحث), art faras (توسيع البحث)
plotin » plotinus (توسيع البحث)
Neo-Latin Drama in Early Modern Europe and Beyond /
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Neo-Latin Drama in Early Modern Europe and Beyond addresses the development and transnational circulation of Neo-Latin drama, as well as its interaction with vernacular drama and the role of classical reception. It also suggests ways to further explore the corpus using digital tools. By providing an overview of the history of Neo-Latin drama in its secular, Protestant, or Roman Catholic (especially Jesuit) forms, it offers non-specialists an accessible introduction to this fascinating body of texts, which is central to early modern intellectual culture.
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Includes bibliographical references and index. :
9789004751262
The genres of rhetorical speeches in Greek and Roman antiquity /
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In The Genres of Rhetorical Speeches in Greek and Roman Antiquity , Cristina Pepe offers a complete overview of the concept of speech genre within ancient rhetoric. By analyzing sources dating from the 5th-4th century BC, the author proves that the well-known classification in three rhetorical genres (deliberative, judicial, epideictic), introduced by Aristotle, was rooted in the debate concerning the forms and functions of the art of persuasion in classical Athens. Genres play a leading role in Aristotle's Rhetoric, and the analysis of considerable sections of the treatise shows profound links between the characterization of the rhetorical genres and Aristotelian philosophy as a whole. Finally, the volume explores the developments of the theory of genres in Hellenistic and Imperial rhetoric.
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1 online resource (636 pages) :
Includes bibliographical references and index. :
9789004258846 :
Available to subscribing member institutions only.
Moving in the Margins: Desert Travel and Power in Medieval Central Asia /
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Central Asia has been perceived as a landscape of connections, of Silk Roads; an endless plain across which waves of conquerors swiftly rode on horseback. In reality the region is highly fragmented and difficult to traverse, and overcoming these obstacles led to routes becoming associated with epic travel and high-value trade. Put simply, the inhabitants of these lands became experts in the art of travelling the margins. This volume seeks to unravel some of the myths of long-distance roads in Central Asia, using a desert case-study to put forward a new hypothesis for how medieval landscapes were controlled and manipulated.
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1 online resource (300 pages) : illustrations. :
Includes bibliographical references and index. :
9789004710283
Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /
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This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
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1 online resource (728 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694613
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
The furniture from Tumulus MM /
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The Furniture from Tumulus MM , The Gordion Wooden Objects, volume 1, is a study of the furniture from the largest tomb at Gordion, Turkey, excavated in 1957 by the University of Pennsylvania Museum. The tomb dates to the eighth century BC and is thought to be the burial of the great Phrygian king Midas or his father. The objects, initially misunderstood, are now identified as nine tables, two serving stands, two stools, a chair, and an open log coffin. Three pieces are ornately carved and inlaid with religious symbols and complex geometric motifs. The wooden objects from Gordion are now recognized as the most important collection of well preserved wooden artifacts excavated from the Near East. Included in this volume are new photographs, reconstruction drawings, and eight scientific/technical appendices. Contributors include: Harry Alden, Burhan Aytuğ, Mary W. Ballard, Robert A. Blanchette, Roland Cunningham, Laure Dussubieux, Patrick E. McGovern, Benjamin Held, Walter Hopwood, Joseph Koles, Lynn E. Roller, Krysia Spirydowicz. \'...this work goes well beyond a typical site-specific object catalogue and makes important contributions to a wide range of scholarly fields, both technical and conceptual, from textile and wood analysis to anthropological and religious studies.\' Elizabeth P. Baughan, University of Richmond "The book succeeds in its main aims of making available every scrap of information about the finds, and it illuminates form, techniques, and function in a most convincing and stimulating manner." Catherine M. Draycott, Courtauld Institute of Art
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A two-vol. set. First volume is text; second volume is illustrations. :
1 online resource (2 volumes) : illustrations (some color) :
Includes bibliographical references and index. :
9789047442868 :
1566-2055 ; :
Available to subscribing member institutions only.
Adab and modernity : a "civilising" process? (sixteenth--twenty-first century) /
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Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" ( al-tamaddun ) soon became a leitmotiv . A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores ( akhlāq ). Still, humanism, poetry, and transgression are constants in the history of adab . Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
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Includes index. :
1 online resource. :
9789004415997