dance history » france history (Expand Search), race history (Expand Search), finance history (Expand Search)
middle dance » middle voice (Expand Search), middle age (Expand Search), middle dutch (Expand Search)
art middle » age middle (Expand Search)
The representations of women in the Middle Kingdom tombs of officials : studies in iconography /
:
In The Representations of Women in the Middle Kingdom Tombs of Officials Ľubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudáková examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration.
:
1 online resource. :
Includes bibliographical references and index. :
9789004395824
The encoded Cirebon mask : materiality, flow, and meaning along Java's Islamic northwest coast /
:
In The Encoded Cirebon Mask: Materiality, Flow, and Meaning along Java's Islamic Northwest Coast , Laurie Margot Ross situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask's trajectory from a popular entertainment in Cirebon-once a portal of global exchange-to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia.
:
1 online resource (xvi, 374 pages) :
Includes bibliographical references and index. :
9789004315211 :
Available to subscribing member institutions only.
Theatre of Sexual Attraction and Psychological Destruction : The Myth of Hercules and Omphale in the Visual Arts, 1500-1800 /
:
The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500-1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.
:
1 online resource (528 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694651
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn...
:
Ḥāwī l-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author who was an accomplished singer, lutenist and composer. The first part in 80 chapters deals with compositions; voice production and characteristics, unison and duet singing, taking care of the voice; preludes, ornaments, ṭarab; the importance of tonality; approaches to teaching; musical and extra-musical behavior at the court; names of Syrian Fatimid and Ishshīdid singers. The second part in 22 chapters includes lute manufacturing, frets placement, stringing and tuning; 47 rhythmic ornaments, names and definitions of rhythmic and melodic modes; types of dances; descriptions of 12 instruments.
:
1 online resource. :
Includes bibliographical references and index. :
9789004465497
9789004465466