Neo-Latin Drama in Early Modern Europe and Beyond /
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Neo-Latin Drama in Early Modern Europe and Beyond addresses the development and transnational circulation of Neo-Latin drama, as well as its interaction with vernacular drama and the role of classical reception. It also suggests ways to further explore the corpus using digital tools. By providing an overview of the history of Neo-Latin drama in its secular, Protestant, or Roman Catholic (especially Jesuit) forms, it offers non-specialists an accessible introduction to this fascinating body of texts, which is central to early modern intellectual culture.
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Includes bibliographical references and index. :
9789004751262
In the second degree : paratextual literature in ancient Near Eastern and ancient Mediterranean culture and its reflections in medieval literature /
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To better understand the phenomenon of Literature in the Second Degree - in Jewish and Biblical studies often characterized as parabiblical or Rewritten Bible - the current volume applies the theories of Gerard Genette to ancient and medieval literature from various cultures. Literature in the Second Degree realigns earlier (authoritative) texts to the dynamics of developing cultures and their changing cultural memories. In the case of authoritative base texts, Literature in the Second Degree reaffirms their authority by way of interpretative actualization. In the case of non-authoritative base texts it replaces them to effect cultural forgetting. Far from being just literary forgery (pseudepigraphy), Literature in the Second Degree has an important function in the development of the ancient and medieval cultures.
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1 online resource. :
Includes bibliographical references. :
9789004194199 :
Available to subscribing member institutions only.
Theatre of Sexual Attraction and Psychological Destruction : The Myth of Hercules and Omphale in the Visual Arts, 1500-1800 /
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The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500-1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.
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1 online resource (528 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694651