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The Transformation of Nature in Art /
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The history of art in the Indian subcontinent, indeed, is highly rich in its content, aesthetical value, and ornated in nature. The study of art is one of the most popular themes developed in the scholastic world in the twentieth century. But how the nature of art is studied is something unique in its approach. Coomaraswamy writes in this volume which covers the study of art and how its reconstruction was assessed in Indian contexts. Beginning with the history of art in the theoretical sense, it covers the art forms practiced in Asia such as Hindu, Buddhist, Chinese, Islamic, and others forms in the initial part of the volume. Interestingly, he also discusses the famous medieval German Catholic theologian Meister Eckhart (c.1328) in terms of art in a theoretical sense. This volume covers the perspective of Indian arts, the concept of paroksha, which is an important term applied in Buddhism, and abhasa, or appearance, which is used in Hindu philosophy. The author also compares the Indian concepts of art with Western philosophy and thought, which is the most interesting part. The concluding part of this book covers the origins and usage of images in Indian art.
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1 online resource (252 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752412
Inquisitionis Hispanicae artes /
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The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
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1 online resource. :
Includes bibliographical references and index. :
9789004365766 :
Available to subscribing member institutions only.
The Codex of the Anonimo Magliabechiano : Newly edited with a transcription faithful to the original manuscript and provided with an Introduction /
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This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
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1 online resource (312 pages) : illustrations. :
Includes bibliographical references and index. :
9789004539785
7000 years of Iranian art. : Circulated by the Smithsonian Institution: [to the] National Gallery...
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"Catalogue of the exhibition": pages 53-113.
"The ... task of organizing and circulating this exhibition and of preparing the catalogue was carried out by the Smithsonian Institution Traveling Exhibition Service under the direction of Dr. Annemarie H. Pope."
Introductory note in Persian and English by Mohammad Reza Pahlavi.
Map on lining papers. :
183 pages, plates (pt. color) : map ; 28 cm. :
Bibliography : pages 47-51.
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304
Shades of Meaning: Shadows in Medieval Manuscript Illumination /
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Are there shadows in medieval art? Studies on the role of shadows in art history have either glanced over or ignored the medieval period, yet people of the Middle Ages certainly saw and thought about shadows and recorded their ideas about these phenomena in texts and images. This book examines references to shadows in science, religion, and folklore of the Middle Ages. Through the lens of fifteenth-century manuscript painting, it investigates visual, metaphorical, and supernatural shadows in art to discover what shadows meant to the medieval viewer.
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Includes bibliographical references and index. :
9789004721685
Interpretation and transformation : explorations in art and the self /
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In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
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1 online resource (xii, 154 pages) :
Includes bibliographical references (p. 133-136) and index. :
9789401204200 :
Available to subscribing member institutions only.
Ancient Egypt in the Modern Imagination : Art, Literature and Culture
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Cover; Half Title; Title; Copyright; Dedication; Contents; Figures; Contributors; Introduction; Part I The Egyptological Imaginary; Chapter 1 'Wonderful Things' in Kingston upon Hull; Chapter 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; Chapter 3 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art; Chapter 4 Ancient Egypt in William S. Burroughs's Novels; Chapter 5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; Part II Death and Mysticism Chapter 6 Egyptomania, English Pyramids and the Quest for ImmortalityChapter 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; Chapter 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; Chapter 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; Chapter 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell; Part III Gender and Sexuality; Chapter 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture Chapter 12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920Chapter 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; Chapter 14 Egyptian Excesses: Taylor, Burton and Cleopatra; Chapter 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Notes; Introduction; 1 'Wonderful Things' in Kingston upon Hull; 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 4 Ancient Egypt in William S. Burroughs's Novels5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; 6 Egyptomania, English Pyramids and the Quest for Immortality; 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920; 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; 14 Egyptian Excesses: Taylor, Burton and Cleopatra; 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Bibliography; Index
The Narrowest Path : Antinomies of Self-Determination in Four Aesthetic Studies /
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A strategic reconstruction of modern German thought from the standpoint of aesthetic theory, The Narrowest Path reveals the characteristically modern, revolutionary project of freedom-as-autonomy to be unresolvably antinomic. Basing himself on four seminal texts by Kleist, Hegel, Marx, and Adorno, Mehrgan develops four basic figures: the literary, the person, the republic, and the artwork. All flourished during the long period between the French Revolution and the aftermath of the Second World War in Europe. The key antagonist is the rule of capital, paradoxically enabling self-determination and thwarting it. Still present in contemporary revolutionary experiments, this daunting conflict, the book argues, shows itself best in the aesthetic - but the resolution lies elsewhere. See Less
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1 online resource (284 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711150
Caliphs and kings : the art and influence of Islamic Spain /
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"Al-Andalus (Islamic Spain), like no other region of the Islamic world evokes a nostalgic perception of a lost paradise : For many, it provides a model of medieval cultural and religious tolerance, intellectual endeavor, and artistic excellence. Caliphs and Kings : The Art and Influence of Islamic Spain explores the magnificent artistic achievements of al-Andalus from the seventh to fifteenth centuries, and its lasting influence on European Christiandom and Jewry." "Caliphs and Kings celebrates the centenary anniversary of The Hispanic Society of America, a unique institution dedicated to the study of the cultural and artistic traditions of Spain. For the first time, the splendid Islamic collections of the society, rarely made available to the public, have been assembled into a single exhibition and volume, supplemented with a small number of objects from the collections of the Smithsonian Institution. Caliphs and Kings provides a window into Islamic empire of the west, and its place in Spanish art and history." -- BOOK JACKET.
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"Selections from the Hispanic Society of America, New York."
"Exhibition held at the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D. C. , May 8-October 17, 2004" -- Colophon. :
xiii, 177 pages : illustrations (chiefly color), color maps ; 28 cm. :
Includes bibliographical references (pages 170-174) and index. :
029598421X
Lorenzo Gambara's Caprarola and On Poetic Composition : Text, Translation and Commentary /
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In 1569, Lorenzo Gambara published a long verse description of the Farnese palace at Caprarola, which was dedicated to Cardinal Alessandro Farnese. Twelve years later, this poem was thoroughly revised and considerably lengthened. In the meantime, the aged poet had repudiated the compositions of his youth and repented his lascivious verse. This dramatic change of heart is documented in a Latin treatise in which poets are encouraged to eschew pagan and classical themes in favor of Christian subject matter. This volume presents the first English translation with commentary of the revised poem and the treatise, which is newly ascribed to the Jesuit polymath Antonio Possevino.
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1 online resource (390 pages) : illustrations. :
Includes bibliographical references and index. :
9789004126671
Studies in New Testament language and text : essays in honour of George D. Kilpatrick on the occasion of his sixty-fifth birthday /
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English, French, or German. :
1 online resource (x, 400 pages) : portrait. :
Bibliography of works by G. Kilpatrick: pages [4]-13.
Includes bibliographical references. :
9789004266551 :
Available to subscribing member institutions only.
American Gothic: Reflections on Gothic Architectural Scholarship in America, 1925-2025 /
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This book chronicles the contributions of American scholars to the study of European Gothic architecture. It traces this history through a series of biographical case studies of major figures ranging from Arthur Kingsley Porter to Robert Branner and Jean Bony to Caroline Bruzelius, calling attention to their influence as mentors and to the character of their professional networks. These biographical chapters are supplemented by thematic essays and a roundtable discussion of current issues in the field. Altogether, the book explains how working from overseas presents both significant challenges and valuable perspectives, allowing American scholars to enrich dialog in the field. Contributors are: Robert Bork, Caroline Bruzelius, Meredith Cohen, S. Diane Daussy, Jennifer M. Feltman, Erin Hulbert, Maile Hutterer, Matthew Reeve, Lisa Reilly, Rebecca Smith, Zachary Stewart, Kyle Sweeney, Kristine Tanton, Sarah Thompson, Arnaud Timbert, and Joseph Williams.
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1 online resource (428 pages) : illustrations. :
Includes bibliographical references and index. :
9789004731677