theater history » later history (توسيع البحث), treatment history (توسيع البحث)
art theater » arts theater (توسيع البحث), a theater (توسيع البحث), war theater (توسيع البحث)
Staging China: Jesuit Theater and the End of an Empire /
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This book represents the first monograph study of Jesuit religious theater in China and its connections to the commemoration of the Society's martyrs of the late Qing. It considers the Society's efforts to rehabilitate the Western imagination of China and the Jesuit aim of stirring emotional responses to stage performances that inculcate Catholic and Western sensibilities. By connecting the religious underpinnings of the Spiritual Exercises to the sumptuous Baroque expressions of Jesuit drama performed on China's stages, this important work explores an entirely new area of research that weaves together several modes of analysis - visual, cultural, and nationalistic.
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1 online resource (240 pages) : illustrations. :
Includes bibliographical references and index. :
9789004727403
Performance in Greek and Roman theatre /
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In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
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1 online resource (ix, 591 pages) :
Includes bibliographical references and index. :
9789004245457 :
Available to subscribing member institutions only.
Inscriptional records for the dramatic festivals in Athens : IG II2 2318-2325 and related texts /
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IG II2 2318-2325 represent the most substantial surviving body of evidence for the institutional history of the Athenian dramatic festivals from their establishment at the end of the 6th century BCE to their disappearance sometime in the mid- to late 100s. Millis and Olson offer a completely updated text of the inscriptions, based on a close study of the stones themselves; detailed explanations of the restorations of the dimensions and organization of the original records, with numerous redatings and the like; and new - and in some cases radically different - reconstructions of the monuments on which they were inscribed. The volume also includes substantial interpretative essays on each set of records, a full epigraphic and prosopographic commentary, and several indices.
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1 online resource (xii, 238 pages) :
9789004232013 :
Available to subscribing member institutions only.
Modern and Contemporary Political Theater from the Levant : A Critical Anthology /
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In Modern and Contemporary Political Theater from the Levant, A Critical Anthology , Robert Myers and Nada Saab provide a sense of the variety and complexity of political theater produced in and around the Levant from the 1960s to the present within a context of wider discussions about political theater and the histories and forms of performance from the Islamic and Arab worlds. Five major playwrights are studied, ʿIsam Mahfuz, from Lebanon; Muhammad al-Maghut and Saʿd Allah Wannus, from Syria; Jawad al-Asadi, from Iraq, Syria and Lebanon; and Raʾida Taha, from Palestine. The volume includes translations of their plays The Dictator , The Jester , The Rape , Baghdadi Bath and Where Would I Find Someone Like You, ʿAli? , respectively.
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1 online resource. :
Includes bibliographical references and index. :
9789004385832 :
Available to subscribing member institutions only.
Indigeneity on the Oceanic Stage : Intimations of the Local in a Globalised World /
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This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a "Multi-Perspective Culturally Sensitive Researcher." To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau'ofa's notion of "a sea of islands." Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai'i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an "imparative" model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression.
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1 online resource (339 pages) : illustrations. :
Includes bibliographical references and index. :
9789004703360
La Carrière de Molière : Entre protecteurs et éditeurs /
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A new interpretation of Molière's work, drawn from contemporary archival sources, showing for the first time how he shaped an independent career between the opposing pressures of aristocratic patrons and mercantile publishers. Exploiting the alternate roles of actor and courtier, he progressed from social success to artistic achievement but, to the dissatisfaction of his royal patrons, Molière put the priorities of his own authorial status before the notion of service at Court; important new bibliographical material illustrates his long war in defence of his authorial rights against a cartel of unscrupulous publishers. The six chapters of this absorbing study challenge the current orthodoxy of a programmatic ideology in Molière's work. Raising basic questions about the writer's perception of her/himself, and about the French cult of classicism, this work will interest all specialists of seventeenth-century French theatre and social history. Une carrière qui se définit lentement, cherchant un point d'équilibre entre les demandes opposées de ses protecteurs à la Cour d'une part et celles des éditeurs peu scrupuleux de la Communauté des libraires de l'autre. S'appuyant sur des sources d'époque, l'auteur présente une étude neuve qui éclaire pour la première fois un conflit d'intérêt majeur mais peu documenté dans la carrière de Molière. Ayant savamment exploité ses talents d'acteur et de courtisan afin d'atteindre les limites de son art, le chef de la troupe du Roi finit par affirmer des priorités indépendantes et peu appréciées à la Cour, celles de son propre statut d'auteur. Présentée en six chapitres, soulevant des questions fondamentales sur le statut de l'écrivain au 17e siècle et sur la nature même du classicisme (si mal compris en dehors de la France), cette étude intéressera tous les spécialistes du théâtre et de l'histoire sociale du 17e siècle français. See Less
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1 online resource (228 pages) : illustrations. :
Includes bibliographical references and index. :
9789004657137
Theatrum Arbitri : theatrical elements in the Satyrica of Petronius /
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Theatrum Arbitri is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and fabula Atellana ) on the surviving fragments of Petronius' Satyrica . The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the Satyrica , and a comprehensive account of the theatre of the mimes and its main features.
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Revision of the author's thesis (Ph. D.--University of Glasgow, 1993). :
1 online resource (xxv, 225 pages) :
Includes bibliographical references (p. 197-207) and indexes. :
9789004329515 :
0169-8958 ; :
Available to subscribing member institutions only.
The Cornucopian Stage : Performing Commerce in Early Modern China /
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The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building-both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems-the merchant and his money-to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage , Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive-as the basis for new subject positions, new kinds of communities, and new modes of art. See Less
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Includes bibliographical references and index. :
9780674293755
9781684176816
A social history of late Ottoman women : new perspectives /
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In A Social History of the Late Ottoman Women: New Perspectives , Duygu Köksal and Anastasia Falierou bring together new research on women of different geographies and communities of the late Ottoman Empire. Making use of archives, literary works, diaries, newspapers, almanacs, art works or cartoons, the contributors focus particularly on the ways in which women gained power and exercised agency in late Ottoman Empire and early Republican Turkey. The articles convincingly show that women's agency cannot be unearthed without narrating how women were involved in shaping their own and others' lives even in the most unexpected areas of their existence. The women's activities described here do not simply reflect modernizing trends or westernizing attitudes-or their defensive denial. They provide an array of local responses where 'the local' can never be found (and should never be conceptualized) in its initial, unchanged, or authentic state.
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1 online resource (xiv, 348 pages) : illustrations. :
Includes bibliographical references and index. :
9789004255258 :
Available to subscribing member institutions only.
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Bohemian Bolsheviks : Dispatches from the Culture and History of the Left /
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The rubric, 'Bohemian Bolsheviks,' captures Alan Wald's sustained fascination with persistent contradictions between the image of Left political commitment and the actuality of experience, especially in relation to cultural work and cultural workers. Marxist political alignment engages a welter of intimate and biographical factors enriching the record of a varied history of fiction, poetry, literary criticism, and other intellectual practices. Exploring a field of study marked by enduring paradoxes of modernity, this volume is a sharp reminder that historical narrative not only shapes our sense of the terrain under our feet-but also the horizon in front of us.
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1 online resource (658 pages) : illustrations. :
Includes bibliographical references and index. :
9789004729490
Brill's companion to Hellenistic epigram : down to Philip /
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Important research in recent decades, along with the publication of P.Mil.Vogl. VIII 309 ('the Milan Posidippus papyrus') in 2001, have reinvigorated the study of Hellenistic epigram. Yet, scholarship on this genre often remains fragmented according to disciplinary sub-specialty and approach: some scholars focus on poets of Meleager's Garland, others on Philip's; some on inscriptional epigram, others on literary; each approaching the genre with different motives and questions. In this volume, expert scholars offer those less familiar with the genre an introduction to all aspects of Hellenistic epigram-from models and forms inherited from inscriptional epigram to poetology, sub-genera, epigrammatic intertexts, and ancient and modern reception. Even specialists will find here fresh explorations of epigram, along with new directions for scholarship.
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1 online resource (656 pages) :
Includes bibliographical references (p. 585-622) and indexes. :
9789047419402 :
1872-3357 :
Available to subscribing member institutions only.
Playing with Plays: Drama and Early Modern Chinese Media Ecologies /
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How was drama experienced in early modern China? It was not tied to a single medium such as the page or the stage, but operated in a media ecology-an environment in which it integrated other arts and media while being refashioned in a variety of arts and media. This book explores a wide range of cultural experimentation, collectively termed "playing with plays:" the theatricality embedded in commentary, the poetic and visual imagination arising from drama illustrations, the interactions between reading and singing arias, the imbrication of reading plays and practicing religion, and the ludic act of writing playful essays on drama. Through engaging these disparate phenomena with media studies, the book advances a new model for thinking about drama history, and shows the entwinement of plays and different forms of media in shaping perception, molding experience, and enabling new subject positions to emerge in early modern China.
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1 online resource (270 pages) : illustrations. :
Includes bibliographical references and index. :
9789004731295
Poet of Jordan: The Political Poetry of Muhammad Fanatil Al-Hajaya.
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In Poet of Jordan , William Tamplin presents two decades' worth of the political poetry of Muhammad Fanatil al-Hajaya, a Bedouin poet from Jordan and a public figure whose voice channels a popular strain of popular Arab political thought. Tamplin's footnoted translations are supplemented with a biography, interviews, and pictures in order to contextualize the man behind the poetry. The aesthetics and politics of vernacular Arabic poetry have long gone undervalued. By offering a close study of the life and work of Hajaya, Tamplin demonstrates the impact that one poet's voice can have on the people and leaders of the contemporary Middle East.
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1 online resource. :
9789004372801