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Japanese Rinzai Zen Buddhism : Myōshinji, a living religion /
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Zen Buddhist ideas and practices in many ways are unique within the study of religion, and artists, poets and Buddhists practitioners worldwide have found inspiration from this tradition. Until recent years, representations of Zen Buddhism have focussed almost entirely on philosophical, historical or "spiritual" aspects. This book investigates the contemporary living reality of the largest Japanese Rinzai Zen Buddhist group, Myōshinji. Drawing on textual studies and ethnographic fieldwork, Jørn Borup analyses how its practitioners use and understand their religion, how they practice their religiosity and how different kinds of Zen Buddhists (monks, nuns, priest, lay people) interact and define themselves within the religious organization. Japanese Rinzai Zen Buddhism portrays a living Zen Buddhism being both uniquely interesting and interestingly typical for common Buddhist and Japanese religiosity.
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Includes bibliographical references (p. [299]-312) and index. :
1 online resource. :
9789047433095 :
Available to subscribing member institutions only.
History Painting Crossing Borders, A Transnational History of Modern Art in Early Twentieth-Century China and Japan /
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This book explores the transcultural relationship between China and Japan as it was negotiated through the practice of history painting from the 1890s to the 1940s. During this period, ancient China was reimagined to be an idealized cultural entity that accommodated divergent views on conceptualizing East Asian identities. Focusing on two pioneering artists in Japan and China, Nakamura Fusetsu (1866-1943) and Xu Beihong (1895-1953), this book highlights how historical connections across East Asia led to modern nations and artistic traditions. By comparing two artists through the lens of genre, this book has connected art practice and historiography in new ways.
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1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004733022
Tarjuma-yi Kitāb al-Nijāra : Dar handasa-yi ʿamalī /
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Abu ʼl-Wafāʾ Būzjānī (d. 388/998) was a mathematician and astronomer and a native of Būzjān near Nishapur. He studied arithmetic with two of his uncles, probably in Būzjān. When he was nineteen years old he went to Baghdad. There he further developed himself to become one of the leading scientists of his age, working at the Buyid court. He was a contemporary and protector of the chronicler of intellectual and artistic life in Baghdad at the time, Abū Ḥayyān al-Tawḥīdī (d. ca. 414/1023). In the bibliographical literature more than twenty works are ascribed to him, many of which were lost. The present work was originally written in Arabic under the title Kitāb fī mā yaḥtāj ilayhi ʼl-ṣāniʿ fī aʿmāl al-handasa . It is a groundbreaking work in that Būzjānī was the first to write a monograph on practical geometry as justified by the rules of theoretical geometry. Medieval Persian and French translation, with introductions and notes.
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1 online resource. :
9789004405646
9789648700992
Treasures of knowledge : an inventory of the Ottoman Palace Library (1502/3-1503/4) /
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The subject of this two-volume publication is an inventory of manuscripts in the book treasury of the Topkapı Palace in Istanbul, commissioned by the Ottoman sultan Bayezid II from his royal librarian ʿAtufi in the year 908 (1502-3) and transcribed in a clean copy in 909 (1503-4). This unicum inventory preserved in the Oriental Collection of the Library of the Hungarian Academy of Sciences (Magyar Tudományos Akadémia Könyvtára Keleti Gyűjtemény, MS Török F. 59) records over 5,000 volumes, and more than 7,000 titles, on virtually every branch of human erudition at the time. The Ottoman palace library housed an unmatched encyclopedic collection of learning and literature; hence, the publication of this unique inventory opens a larger conversation about Ottoman and Islamic intellectual/cultural history. The very creation of such a systematically ordered inventory of books raises broad questions about knowledge production and practices of collecting, readership, librarianship, and the arts of the book at the dawn of the sixteenth century. The first volume contains twenty-eight interpretative essays on this fascinating document, authored by a team of scholars from diverse disciplines, including Islamic and Ottoman history, history of science, arts of the book and codicology, agriculture, medicine, astrology, astronomy, occultism, mathematics, philosophy, theology, law, mysticism, political thought, ethics, literature (Arabic, Persian, Turkish/Turkic), philology, and epistolary. Following the first three essays by the editors on implications of the library inventory as a whole, the other essays focus on particular fields of knowledge under which books are catalogued in MS Török F. 59, each accompanied by annotated lists of entries. The second volume presents a transliteration of the Arabic manuscript, which also features an Ottoman Turkish preface on method, together with a reduced-scale facsimile.
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1 online resource. :
Includes bibliographical references. :
9789004402508 :
0921-0326 ;
Japanese Art - Transcultural Perspectives /
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The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as "center vs. periphery" and "high vs. low," calling into question the classical canon of Japanese art history. See Less
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1 online resource (420 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704176
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Experimental Practices in Interdisciplinary Art : Engaging the Margins /
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Experimental Practices in Interdisciplinary Art presents the work of contemporary artists who are committed to experimenting in the marginal areas where artmaking, practice-based research, and scholarship intersect. Some work in laboratory settings, some in studios, and some in wild landscapes or abandoned buildings. But all are committed to interrogating the way that art is created and positioned in a culture that continues to marginalize artists working across disciplinary boundaries. Their projects range from inquiries into the way surveillance technologies are used to reinforce power structures to collaboratories that help us to re-envision our relationship with the natural world and with each other. In reflecting on their wide-ranging explorations and unusual methods, these unique artists provide fruitful insights for bringing creativity to bear on issues of public import. See Less
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1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004708174