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Experimental Practices in Interdisciplinary Art : Engaging the Margins /
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Experimental Practices in Interdisciplinary Art presents the work of contemporary artists who are committed to experimenting in the marginal areas where artmaking, practice-based research, and scholarship intersect. Some work in laboratory settings, some in studios, and some in wild landscapes or abandoned buildings. But all are committed to interrogating the way that art is created and positioned in a culture that continues to marginalize artists working across disciplinary boundaries. Their projects range from inquiries into the way surveillance technologies are used to reinforce power structures to collaboratories that help us to re-envision our relationship with the natural world and with each other. In reflecting on their wide-ranging explorations and unusual methods, these unique artists provide fruitful insights for bringing creativity to bear on issues of public import. See Less
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1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004708174
Tarjuma-yi Kitāb al-Nijāra : Dar handasa-yi ʿamalī /
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Abu ʼl-Wafāʾ Būzjānī (d. 388/998) was a mathematician and astronomer and a native of Būzjān near Nishapur. He studied arithmetic with two of his uncles, probably in Būzjān. When he was nineteen years old he went to Baghdad. There he further developed himself to become one of the leading scientists of his age, working at the Buyid court. He was a contemporary and protector of the chronicler of intellectual and artistic life in Baghdad at the time, Abū Ḥayyān al-Tawḥīdī (d. ca. 414/1023). In the bibliographical literature more than twenty works are ascribed to him, many of which were lost. The present work was originally written in Arabic under the title Kitāb fī mā yaḥtāj ilayhi ʼl-ṣāniʿ fī aʿmāl al-handasa . It is a groundbreaking work in that Būzjānī was the first to write a monograph on practical geometry as justified by the rules of theoretical geometry. Medieval Persian and French translation, with introductions and notes.
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1 online resource. :
9789004405646
9789648700992
Japanese Art - Transcultural Perspectives /
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The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as "center vs. periphery" and "high vs. low," calling into question the classical canon of Japanese art history. See Less
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1 online resource (420 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704176
