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Experimental Practices in Interdisciplinary Art : Engaging the Margins /
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Experimental Practices in Interdisciplinary Art presents the work of contemporary artists who are committed to experimenting in the marginal areas where artmaking, practice-based research, and scholarship intersect. Some work in laboratory settings, some in studios, and some in wild landscapes or abandoned buildings. But all are committed to interrogating the way that art is created and positioned in a culture that continues to marginalize artists working across disciplinary boundaries. Their projects range from inquiries into the way surveillance technologies are used to reinforce power structures to collaboratories that help us to re-envision our relationship with the natural world and with each other. In reflecting on their wide-ranging explorations and unusual methods, these unique artists provide fruitful insights for bringing creativity to bear on issues of public import. See Less
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1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004708174
Ancient Egypt transformed : the Middle Kingdom /
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The Middle Kingdom (ca. 2030-1700 B.C.), the second great era of ancient Egyptian culture, was a transformational period during which the artistic conventions, cultural principles, religious beliefs, and political systems formed during earlier dynasties were developed and reimagined. This comprehensive volume presents a detailed picture of the art and culture of the Middle Kingdom, arguably the least known of Egypt's three kingdoms yet a time of remarkable prosperity and unprecedented change. International specialists present new insights into how Middle Kingdom artists refined existing forms and iconography to make strikingly original architecture, statuary, tomb and temple relief decoration, and stele. Thematic sections explore art produced for different strata of Egyptian society, including the pharaoh, royal women, the elite, and the family, while other chapters provide insight into Egypt's expanding relations with foreign lands and the themes of Middle Kingdom literature. More than 250 objects from major collections around the world are sumptuously illustrated, many with new photography undertaken specifically for this catalogue.
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Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 12, 2015-January 24, 2016. :
xix, 379 pages : illustrations (some color), color maps ; 31 cm. :
Includes bibliographical references (pages 337-367) and index. :
1588395642
9781588395641
Golden Excess : Art and the Aesthetics of the Incredible in Neronian Rome /
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Golden Excess: Art and the Aesthetics of the Incredible in Neronian Rome is the first monograph to offer a full art historical synthesis of the rich archaeological and monumental evidence for Nero's remarkable principate. An outsized and innovative artistic program emerges, informed by aesthetics of excess, the grotesque and learned luxury, that rivals the cultural achievements of Rome's first emperor, Augustus and stands in stark contrast to the universally negative and disparaging accounts of Nero in ancient authors. Indeed, Neronian Rome witnessed an astonishing efflorescence in the arts whose lasting effects still resonate.
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1 online resource (680 pages) : illustrations. :
Includes bibliographical references and index. :
9789004702974
Sleep in Renaissance Poland : Bartolomeo Berrecci's Tomb Sculpture and Its Legacy in East Central Europe /
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Focusing on the Italian architect and sculptor Bartolomeo Berrecci, this monograph examines an important subset of his sepulchral works-recumbent statuary-and offers insights into their patronage, reception, and interpretation. Berrecci's exploration of this sculptural type predates its eventual spread beyond Italy, Spain, and Poland. Indeed, he proved so successful that well over 200 statues can still be found in present-day Poland and Lithuania, Latvia, Belarus, Ukraine and Sweden. Although he mainly produced them for Catholic clients, examples of such monuments also exist in Lutheran, Calvinist and Orthodox settings. The volume draws on a vast array of primary sources, visual, textual, and archival, and compares Berrecci's workshop to the Tuscan Quattrocento workshops of Lorenzo Ghiberti, Donatello, Perugino et al. The volume draws on a vast array of primary sources, including artworks and documents. Comparisons are made with similar compositions emanating from Tuscan Quattrocento workshops, including Lorenzo Ghiberti, Donatello and Perugino.
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1 online resource (405 pages) : illustrations. :
Includes bibliographical references and index. :
9789004724938
The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593
Facts and artefacts : art in the Islamic world : festschrift for Jens Kröger on his 65th birthday /
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The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kröger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
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1 online resource. :
"Jens Kröger's list of publications": pages [xix]-xxvii.
Includes bibliographical references and indexes. :
9789047422815 :
Available to subscribing member institutions only.
Mani's pictures : the didactic images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China /
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The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings-the Book of Pictures -to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani's canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.
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1 online resource (xix, 535 pages) :
9789004308947 :
Available to subscribing member institutions only.
The wall paintings from the monastery on Kom H in Dongola /
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The volume is a complete pubication of a set of 144 religious paintings from the 11th through the 13th-14th centuries discovered by Polish archaeologists in Dongola, the capital of the Christian Nubian kingdom of Makuria, which existed in the valley of the Middle Nile from the 6th through the 14th century. The murals come from the monastic enclosure on Kom H, from a church, but also from an ascetic monk's cell turned chapel, and two substantial architectural complexes of the Northwest and Southwest Annexes. The author discusses this religious painting assemblage in thematical order, presenting Biblical and apocryphal scenes taken from the Old and New Testament, representations of holy figures including archangels and saints, images of Nubian church and royal dignitaries, and figures of donors that also appeared among the murals. Finally, she deals with compositions, like the unique prothesis and coronation scenes, as well as individual ornamental motifs. The catalogue takes a topographical approach, describing the paintings in detail and illustrating each item as richly as possible. A selection of perspective views of individual buildings, rooms, and walls facilitates quick understanding of the painting decoration systems in the various monastery buildings and annexes, and gives grounds for evaluation of the state of preservation, artistic quality, and iconography of particular paintings.--Page [4] of cover.
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"Catalogue of wall paintings" : pages 268-278.
"Institute of Mediterranean and Oriental Cultures, Polish Academy of Sciences."
Accompanying DVD-ROM contains all 144 religious paintings discussed in the print volume.
Title on DVD : The catalogue. :
281 pages, 1 unnumbered folded leaf of plates : illustrations (chiefly color), plans ; 31 cm + 1 DVD-ROM. :
Includes bibliographical references (pages 9-30) and indexes. :
8323509239
9788323509233