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Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
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1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947
Manichaeism in Central Asia and China /
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The discovery of genuine Manichaean texts from sites like Turfan and Tun-huang since the beginning of the century has greatly increased our knowledge of the teaching of Manichaeism and of its amazing geographical spread in pre-Islamic times. This volume brings together the contributions by a leading authority on the subject including a long survey article on the history of the discovery of the texts from Central Asia as well as articles focusing on some of these texts and on the incredible history of adaptation and survival of the sect in China proper. The studies include many Chinese texts on Manichaeism made available for the first time in their original scripts and in translation. The volume also contains the first ever working catalogue of all Manichaean texts (in western as well as oriental languages) published up to 1997.
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1 online resource. :
Includes bibliographical references and index. :
9789004439832
9789004104051
Central Asia in the Sixteenth Century /
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The book relates to the Uzbegs and provides an account of their origin, antecedents, early exploits, conquests and finally the occupation of Central Asia in the sixteenth century. Since three kingdoms namely the Mughals of India, the Safavids of Persia and the Uzbegs of Turan had been established simultaneously, their mutual relations are a natural part of the study in this book. The tripartite relations among these powers indicate how the medieval diplomacy rehearsed what was to follow in the shape of a Big Game in the later centuries. Due to the lack of adequate material on the Uzbeg history and its culture, even their cultural heritage and contribution to the fine arts had been passed off as being a Persian legacy. The present work presents this warrior group with all their mundane aspirations and medieval imperialist achievements along with a depiction of their keen interest in the sphere of culture. The ruling dynasty of the Uzbegs produced men of talent who possessed command over the sword and the pen alike. Even well-known warriors from amongst them had excelled in mastering and patronizing various fine arts. The florescence of art, learning and culture as ensured by the Uzbegs in the best traditions of Central Asia has also been described in this work alongside their battles and annexations. It is the first work on the history and culture of the Uzbegs in English language published in this country. It is primarily based on original, contemporary and later sources though most of the available modern works in Persian, English, Russian, Uzbeg and French have also been drawn upon.
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1 online resource (424 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753976
Moving in the Margins: Desert Travel and Power in Medieval Central Asia /
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Central Asia has been perceived as a landscape of connections, of Silk Roads; an endless plain across which waves of conquerors swiftly rode on horseback. In reality the region is highly fragmented and difficult to traverse, and overcoming these obstacles led to routes becoming associated with epic travel and high-value trade. Put simply, the inhabitants of these lands became experts in the art of travelling the margins. This volume seeks to unravel some of the myths of long-distance roads in Central Asia, using a desert case-study to put forward a new hypothesis for how medieval landscapes were controlled and manipulated.
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1 online resource (300 pages) : illustrations. :
Includes bibliographical references and index. :
9789004710283
Timur and the princely vision : Persian art and culture in the fifteenth century /
: "Exhibition itinerary, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., April 16-July 6, 1989, Los Angeles County Museum of Art, August 13-November 5, 1989" -- title pages verso. : 395 pages : illustration (some color) ; 32 cm. : Includes bibliographical references. : 0874747066
From Bactria to Taprobane : Selected Works of Osmund Bopearachchi. Volume II: Art History and Maritime Trade /
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The second volume of Osmund Bopearachchi has articles and monographs on Central Asian and Indian art, South Indian and Sri Lankan art and finally maritime trade in the Indian Ocean. While documenting thousands of coins in the Pakistani markets from 1992 onwards, Bopearachchi realised that one has to go beyond the traditional approach of simply cataloguing coins, and as a result he has made an attempt to link numismatics with sculptural and pictorial iconography. His studies on Utpalavarnā, the courtesan who later became a bhiksunī (Buddhist nun) and on the earliest iconography of Hindu gods like Śiva, Brahmā, Vi]s]nu and Varāha have revolutionised our knowledge of these domains. His writings giving the results of the archaeological excavations and explorations carried out by the Department of Archaeology and the French Archaeological Mission in Sri Lanka along the estuaries and rivers provide substantial evidence to indicate that in ancient times large ships could cast anchor in the sea close to river mouths and commodities were taken to inland markets using the rivers and waterways. His work also shows how the movements caused by these human activities have amalgamated local traditions with foreign identities and created new forms of art and belief. His research on sculptures imported to the island from Amarāvatī-Nāgārjunakonda deals with the inspiration of these schools of art over the early forms of Buddhist sculpture in Sri Lanka. The different architectural aspects of the royal palace complex of Sigiriya, built by King Kassapa (477-95 CE) clearly demonstrate that various external ideas and concepts were used to convert this huge lofty rock into a more elaborate harmonious whole, in another words, a paradise or an Alakmanda.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752146
Mani's pictures : the didactic images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China /
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The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings-the Book of Pictures -to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani's canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.
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1 online resource (xix, 535 pages) :
9789004308947 :
Available to subscribing member institutions only.
Four Central Asian Shrines : A Socio-Political History of Architecture /
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In Central Asia, Muslim shrines have served as community centers for centuries, particularly the large urban shrines that seem, in many cases, to have served as the inspiration as well for a city's architectural development. In Four Central Asian Shrines: A Socio-Political History of Architecture R. D. McChesney documents the histories of four such long-standing shrines-Gur-i Mir at Samarqand, Khwajah Abu Nasr Parsa Mazar at Balkh, the Noble Rawzah at Mazar-i Sharif, and the Khirqat al-Nabi at Qandahar. In all four cases the creation and evolution of the architecture of these shrines is traced through narratives about their social and political histories and in the past century and a half, through the photographic record.
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1 online resource. :
Includes bibliographical references and index. :
9789004459595
9789004459588
From Bactria to Taprobane : Selected Works of Osmund Bopearachchi. Volume I: Central Asian and Indian Numismatics /
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The first volume comprises Osmund Bopearachchi's most important articles on the numismatics of Central Asia and India, particularly of pre-Bactrian, Graeco-Bactrian, Indo-Greek, Indo-Parthian and Kushan coins. There are 36 articles on numismatics and 3 on the destruction of Afghanistan's cultural heritage during the period of Civil War. It is well known that from the time of Theodore Bayer, the reconstruction of the history of Greek settlers of Alexander the Great in Bactria and India and their nomadic successors, Scythians, Parthians, and Kushans, has depended mainly on coins. It is only in the light of these coins that the rare ancient texts and the limited archaeological evidence can be used for writing their history. Since the publication of Bopearachchi's first book, Monnaies grécobactriennes et indo-grecques, Catalogue raisonné (1991), nearly half a million coins have surfaced in Afghanistan and Pakistan as a result of accidental finds and illegal excavations. His research is mainly based on these new discoveries. Through his work he has brought to light new kings, coin types, monograms, overstrikes and coin hoards. Bopearachchi has also shown that the history of Greeks and their successors in Central Asia and India can no longer be written based solely on numismatics. He has taken into consideration other forms of human activities such as architecture, sculpture, epigraphy, ceramics and artefacts and shows it amply in his writings based on his own investigations and the contributions of eminent archaeologists, historians, numismatists, epigraphists and art historians of Central Asia and India.
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1 online resource (716 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752139
L'art du livre en Asie centrale de la fin du xvie siècle au début du xxe siècle : Étude des...
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Dans L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou met en lumière le riche patrimoine manuscrit de cette région encore mal connue. Traditionnellement rattaché au seul monde iranien, il apparaît au confluent de riches transferts culturels et de vastes circuits d'échanges, où émerge le rôle majeur de l'Inde du Nord et d'importantes spécificités locales. Grâce à l'analyse méticuleuse des manuscrits coraniques de l'Institut Al Bīrūnī, Marie Efthymiou décrit les mutations des techniques de fabrication du livre, renouvelant la connaissance du papier de Samarcande et révélant le dynamisme de Kokand comme centre de production. Un questionnement novateur des usages du livre en restitue la place dans la société et les pratiques de dévotion. In L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou sheds light on the rich cultural heritage of Central Asia, a still relatively unknown region. Traditionally considered part of a single Persian cultural domain, it in fact bears witness to a rich convergence of cultural transmissions and trade routes, with strong external influences from North India as well as strong local characteristics. By a meticulous analysis of the Quranic manuscripts of the Al Bīrūnī Institute of Oriental Studies, Marie Efthymiou depicts the technical changes of bookmaking, providing new evidence on Samarcand paper and revealing Kokand as a major centre of production. An innovative approach of the manuscripts' uses traces their place in society and in the everyday life of worshippers.
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1 online resource (271 pages) : color illustrations, photographs. :
Includes bibliographical references and index. :
9789004284012 :
1877-9964 ;
1877-9964 :
Available to subscribing member institutions only.
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art /
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Published in conjunction with the reopening of the Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1, 2011. :
xiii, 431 p. : ill. (some col.), col. map ; 29 cm. :
Includes bibliographical references and index. :
9780300175851
9781588394347
1588394344
Studies in Manichaean Literature and Art /
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This volume consists of two sections, written by the two authors. The first section contains a study by Manfred Heuser on The Manichaean Myth According to Coptic Sources . This is the first systematic presentation of the basic myth as reflected in Coptic material. The second part is a collection of essays on Manichaeism by Hans-Joachim Klimkeit. The essays are concerned, inter alia, with Manichaean art and symbolism, including newly found examples of Manichaean art from Central Asia.
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1 online resource. :
Includes bibliographical references and index. :
9789004440432
9789004107168
Hindu-Buddhist Architecture in Southeast Asia /
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Hinduism and Buddhism have in Southeast Asia prompted impressive architecture, including Angkor Vat and the Borubodur, with a lasting influence on the architecture of the area. This book is the first stylistic history of Hindu-Buddhist architecture in the area from the beginning until today. The contrasts and similarities described between the religious structures of the different countries shed light on the religious history of the area.
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1 online resource (437 pages) : illustrations. :
Includes bibliographical references and index. :
9789004644960