a reference » _ reference (Expand Search), _ references (Expand Search)
bani a » bani al (Expand Search), vani a (Expand Search), bani _ (Expand Search)
The Amorites : A Political History of Mesopotamia in the Early Second Millennium BCE /
:
This study of the political history of Mesopotamia - today's Iraq and Syria - in the Old Babylonian period (ca. 2000-1600 BCE) is the first comprehensive historical synthesis of this kind published in English after many decades. Based on numerous written sources in Sumerian and Akkadian - royal inscriptions, letters, law collections, economic records, etc. - and on up-to-date research, it presents the region's political history in a meticulous geographic and chronological manner. This allows the interested academic and non-academic reader an in-depth view into the scene of ancient Mesopotamia ruled by competing dynasties of West Semitic (Amorite) origin, with a complex web of political and tribal connections between them.
:
1 online resource (597 pages) : illustrations. :
Includes bibliographical references and index. :
9789004547315
Historical and archaeological aspects of Egyptian funerary culture : religious ideas and ritual practice in Middle Kingdom elite cemeteries /
: ix, 389 pages, 12 unnumbered pages of plates : illustrations (some color), plans ; 25 cm. : Includes bibliographical references (pages 316-350) and index. : 9789004274983 (hardback : acid-free paper)
Bharatanatyam Evolves : From Temple to Theatre and Back Again /
:
Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs.
:
1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004754010