codex bibliography » coda bibliography (توسيع البحث), index bibliography (توسيع البحث), model bibliography (توسيع البحث)
code bibliography » coda bibliography (توسيع البحث), model bibliography (توسيع البحث), rome bibliography (توسيع البحث)
The place of the law in the religion of ancient Israel /
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Over a hundred years ago, Wellhausen's revolutionary aim in his \'Prolegomena\' was to prove that the Priestly legal sections of the Pentateuch reflect postexilic Judaism and must be considered a deviation from the prophetic religion which preceded it. The present study points out the biased assumptions underlying Wellhausen's theory and the fallacies in this thesis. A strong case is made for the antiquity of the Priestly Code and its antedating the Book of Deuteronomy in light of many parallels between the Priestly Law and ritual texts from the Ancient Near East, and an examination of the mythic outlook in P which distinguishes it from both Deuteronomy and Second Isaiah.
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1 online resource. :
Includes bibliographical references (p. [125]-137) and indexes. :
9789047402954 :
0083-5889 ; :
Available to subscribing member institutions only.
Machines intimes : de Baudelaire à Barthes (en passant par Proust et Bataille) /
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Le retour spectaculaire du refoulé est l'un des déterminants du rythme particulier de la modernité. La machine y a aussi sa part. Quand les désirs et les peurs liés à la machine, abandonnés, silencieux, cachés derrière le voile du progrès, émergent, ils créent une sorte de phénoménologie de la machine, qui pendant de nombreuses décennies constitue un point de référence pour des activités littéraires et artistiques. La machine s'y trouve, pour ainsi dire, intériorisée ; inextricablement liée aux affects et aux désirs, elle devient ce que je me propose d'appeler machine intime. Ce processus est étudié ici à travers les œuvres de Baudelaire, Proust, Bataille, Barthes, et quelques autres, dont Roussel, Artaud, Didi-Huberman, ainsi que dans la littérature érotique contemporaine. The spectacular return of the repressed is one of the determinants of the particular rhythm of modernity. The machine also plays its part. When the desires and fears linked to the machine, abandoned, silent, hidden behind the veil of progress, emerge, they create a kind of phenomenology of the machine, which for many decades constituted a point of reference for literary and artistic activities. The machine is, so to speak, interiorised; inextricably linked to affects and desires, it becomes what I propose to call an intimate machine. This process is explored here through the works of Baudelaire, Proust, Bataille, Barthes and others, including Roussel, Artaud and Didi-Huberman, as well as in contemporary erotic literature.
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1 online resource (315 pages) : illustrations. :
Includes bibliographical references and index. :
9789004742734
Divining Disaster. Signs of Catastrophe in Ancient Greek Culture /
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In a world riddled with earthquakes and plagued by epidemics, how did the ancient Greeks cope with, and make sense of, disaster? As our present-day environment is perceived to be increasingly perilous, this book includes the ancient Greek world in the longue durée of disaster discourse. Drawing on anthropological disaster studies, ecocriticism, and cognitive studies, this study considers disaster as a semiotic phenomenon marked by uncertainty. Divining disaster, then, functions as a hermeneutic form of disaster management that alleviates uncertainty and assigns agency, not only in religious practices such as oracle consultation but also in historical and mythological narratives.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004739581
Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
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1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947