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Toward the Scientific Defence of Historical Materialism : Basic Elements of the Historical View...
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Written under conditions of tsarist censorship, Basic Elements of the Historical View of Nature appears to be a dispassionate account of nature, life, the psyche, and society, based on the most up-to-date science, but, in fact, it has a Marxist goal: to defend the idea of historical materialism. After developing a thoroughly materialist, determinist view of reality, Bogdanov explains how forms of social labour determine the forms of human ideology. Cognition from the Historical Point of View explains the causal connections between labour, forms of cognition, and ideological constructs. Finally, The Science of Social Consciousness , written after the relaxation of censorship, presents a history of European ideological development from an explicitly Marxist point of view.
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1 online resource (752 pages) : illustrations. :
Includes bibliographical references and index. :
9789004745209
Aristotle and the Rehabilitation of Homonymy : A Metaphysical Journey through Words and Things /
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Aristotle argued that scientific investigation depends on well-established genera, from which are revealed fundamental properties. However, the core elements of his philosophy are based on non-generic unities. Being is not a genus; it is divided into ten categories or supreme genera. Being serves as the primary concept in metaphysics, also known as first philosophy. Motion, on the other hand, is categorized into four types and is the central concept in physics, or second philosophy. Similarly, the concept of the good can be understood in multiple categories, just like being, and it forms the central idea of practical philosophy. Aristotle must confront the issue of homonymy at the very foundation of his philosophy. The stakes are high, as he believes that it is things, not words, that are homonymous. This study explores the intriguing route Aristotle takes to justify attributing homonymy to things.
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1 online resource (587 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712195
The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593