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The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593
Pottery, pavements, and paradise : iconographic and textual studies on late antiquity /
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These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.
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1 online resource (xxii, 582 pages) : illustrations (some color) :
Includes bibliographical references (p. 435-459) and index. :
9789004256934 :
Available to subscribing member institutions only.
Living water : images, symbols, and settings of early Christian baptism /
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This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study's second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..
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1 online resource (xxiv, 305 pages) : illustrations. :
Includes bibliographical references (p. 283-297) and index. :
9789004189089 :
0920-623X ; :
Available to subscribing member institutions only.
Images of cosmology in Jewish and Byzantine art : God's blueprint of creation /
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Does the design of the Tabernacle in the wilderness correspond to God's blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the "pattern" revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements "after their pattern, which is being shown thee on the Mount." (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
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1 online resource (xxi, 318 pages) :
Includes bibliographical references and index. :
9789004252196 :
Available to subscribing member institutions only.
Studies in Jewish and Christian history /
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Elias J. Bickerman, who passed away a quarter of a century ago, was one of the twentieth century's great historians of the ancient world. His innovative genius and breathtaking erudition are evident in his writings, many of which are now considered classics. Bickerman's contributions to the history of ancient Judaism and early Christianity remain particularly significant but his three volume collection, Studies in Jewish and Christian History , has been out of print for some time. Thus, the publication of this new edition of Studies, now entirely in English, along with Bickerman's most famous book, The God of the Maccabees , is designed to bring Bickerman's central studies on ancient Judaism and early Christianity to a new generation of students and scholars.
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English, French, and German. :
1 online resource. :
Includes bibliographical references and indexes. :
9789047420729 :
Available to subscribing member institutions only.
Late antique images of the Virgin Annunciate spinning : allotting the scarlet and the purple /
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In Late Antique Images of the Virgin Annunciate Spinning: allotting the scarlet and the purple , Catherine Gines Taylor traces the way early Christians assimilated the symbolism of spinning into images of the Annunciation. Taylor offers an art historical and interdisciplinary look at the earliest images of Mary spinning, underscoring the iconographic model of idealized matronage consistent with lay piety and the cult of Mary. The personal and domestic nature of this motif is evidence toward popular Mariological devotion that preceded the exclusive, semi-divine presentation of the Theotokos , and stands in contrast with traditional ascetic models for Mary.
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1 online resource (242 pages) :
Includes bibliographical references and index. :
9789004362703 :
2213-0039 ; :
Available to subscribing member institutions only.
The Literary Coptic manuscripts in the A.S. Pushkin State Fine Arts Museum in Moscow /
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This volume contains the first complete publication of the collection of Coptic literary manuscripts now in the A.S. Pushkin Fine Arts Museum, Moscow. The collection formed in 1870-1908 by Vladimir Golenischev is of great value since it covers almost the entire field of early Christian literature in Egypt and substantially aids to fill up serious lacunae in many well-known literary works, to say nothing of the texts hitherto unknown. Important is also the fact that Coptica Golenischeviana largely derives from the library of St. Shenoute's monastery at Sohag, this virtual National Library of Christian Egypt, the source of the riches of the museums and libraries of Paris, Vienna, Berlin et cetera.
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Includes facsimiles of original manuscripts, translations, and commentary. :
1 online resource (vii, 527 pages, 192 pages of plates) : illustrations. :
Includes bibliographical references and indexes. :
9789004312845 :
0920-623X ; :
Available to subscribing member institutions only.
The Torah ark in Renaissance Poland : a Jewish revival of classical antiquity /
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The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
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1 online resource (xxviii, 240 pages) :
Includes bibliographical references and index. :
9789004244405 :
Available to subscribing member institutions only.
Jewish historiography and iconography in early and Medieval Christianity /
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Series: Compendia Rerum Iudaicarum ad Novum Testamentum Section 1 - The Jewish people in the first century Historical geography, political history, social, cultural and religious life and institutions Edited by S. Safrai and M. Stern in cooperation with D. Flusser and W.C. van Unnik Section 2 - The Literature of the Jewish People in the Period of the Second Temple and the Talmud Section 3 - Jewish Traditions in Early Christian Literature
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1 online resource (xviii, 307 pages) : illustrations. :
Includes bibliographical references (p. 265-277) and indexes. :
9789004275157 :
Available to subscribing member institutions only.
David Jones : a Christian modernist? : new approaches to his art, poetry and cultural theory /
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David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a 'Christian modernism'. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones's development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.
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1 online resource. :
Includes bibliographical references and index. :
9789004356993 :
1877-3192 ; :
Available to subscribing member institutions only.
Christus Medicus in der frühchristlichen Sarkophagskulptur : ikonographische Studien der Sepulkralkunst des späten vierten Jahrhunderts /
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This study deals with the representation of Christ's Healing Miracles in early Christian sepulchral art from Provence and Northern Italy. It sees the imagery through the contemporary exegetical writings and tries thus to uncover new strata of symbolic significance in early Christian art. The aim of the work is to reveal the complex theological concepts reflected in the relief decoration of a small number of late fourth-century sarcophagi and to cast thus light upon the spiritual climate of the sphere the persons who commissioned them were part of. It also links the narrative structure of representations of medical treatment and miracle scenes in ancient art with the Christian images and establishes new formal and iconographic connexions.
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1 online resource (xv, 212 pages, [32] pages of plates) : illustrations. :
Includes bibliographical references (p. 196-204) and index. :
9789004313040 :
0920-623X ; :
Available to subscribing member institutions only.
Adventus Domini : eschatological thought in 4th-century apses and catecheses /
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Translation of: Kristus på keisertronen.
Translated from the Norwegian. :
1 online resource (xxiv, 309 pages, [37] pages of plates) : illustrations. :
Includes bibliographical references (p. 286-304) and index. :
9789004304208 :
0920-623X ; :
Available to subscribing member institutions only.
Iconoclasm and iconoclash : struggle for religious identity /
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This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: 'images of God', 'images of the others', and 'images of the self.' Moreover, in the struggle for religious identity these 'images' were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the 'iconoclash' of physical, mental and verbal images on the construction of religious identity.
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"Second conference of church historians Utrecht; University of Tilburg, faculty of Catholic Theology, Theology Department of Utrecht University." :
1 online resource. :
Includes bibliographical references and index. :
9789047422495 :
Available to subscribing member institutions only.
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.
The Social Worlds of Ancient Jews and Christians : Essays in Honor of L. Michael White /
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This volume contains fifteen essays in honor of L. Michael White, whose work has been influential in exploring the social histories of ancient Jews and Christians within the Graeco-Roman world. Following an introduction that highlights some of White's main scholarly contributions, the essays are grouped into three topic areas: Paul and his Legacy, Social Relations, and Material Culture. The essays are united by an interest in reconstructing the social worlds of ancient Jews and Christians through careful analysis of literary sources and material culture in their most precise ancient contexts.
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1 online resource :
Includes bibliographical references and index. :
9789004523913
9789004524866
Imagination and Art: Explorations in Contemporary Theory /
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This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise this volume propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms. Imagination and Art: Explorations in Contemporary Theory explores the complex nuances, paradoxes, and aporias related to the plethora of artistic mediums in which the human imagination manifests itself. As a fundamental attribute of our species, which other organisms also seem to possess with varying degrees of sophistication, imagination is the very fabric of what it means to be human into which everything is woven. This edited collection demonstrates that imagination is the resin that binds human civilization together for better or worse.
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1 online resource. :
9789004436350
9789004435162
Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /
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This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
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1 online resource (728 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694613