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The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593
Images of cosmology in Jewish and Byzantine art : God's blueprint of creation /
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Does the design of the Tabernacle in the wilderness correspond to God's blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the "pattern" revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements "after their pattern, which is being shown thee on the Mount." (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
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1 online resource (xxi, 318 pages) :
Includes bibliographical references and index. :
9789004252196 :
Available to subscribing member institutions only.
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Les éléments décoratifs sur les peintures de la Cathédrale de Faras /
: Title on added title pages : Motywy dekoracyjne, ornamenty i wzory na malowidłach ściennych Katedry w Faras. : 128 pages, [103] pages of plates : illustrations (some color) ; 30 cm. : Includes bibliographical references and index. : 830101301X : 0137-6454 ;
The Torah ark in Renaissance Poland : a Jewish revival of classical antiquity /
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The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
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1 online resource (xxviii, 240 pages) :
Includes bibliographical references and index. :
9789004244405 :
Available to subscribing member institutions only.
Iconoclasm and iconoclash : struggle for religious identity /
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This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: 'images of God', 'images of the others', and 'images of the self.' Moreover, in the struggle for religious identity these 'images' were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the 'iconoclash' of physical, mental and verbal images on the construction of religious identity.
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"Second conference of church historians Utrecht; University of Tilburg, faculty of Catholic Theology, Theology Department of Utrecht University." :
1 online resource. :
Includes bibliographical references and index. :
9789047422495 :
Available to subscribing member institutions only.
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.
Les elements decoratifs sur les peintures de la Cathedrale de Faras /
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Title on added t.p.: Motywy dekoracyjne, ornamenty i wzory na malowidach sciennych Katedry w Faras. :
128 pages, [103] pages of plates : illustrations (some color) ; 30 cm. :
Includes bibliographical references and index. :
830101301X
9788301013011 :
0137-6454 ;
The Social Worlds of Ancient Jews and Christians : Essays in Honor of L. Michael White /
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This volume contains fifteen essays in honor of L. Michael White, whose work has been influential in exploring the social histories of ancient Jews and Christians within the Graeco-Roman world. Following an introduction that highlights some of White's main scholarly contributions, the essays are grouped into three topic areas: Paul and his Legacy, Social Relations, and Material Culture. The essays are united by an interest in reconstructing the social worlds of ancient Jews and Christians through careful analysis of literary sources and material culture in their most precise ancient contexts.
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1 online resource :
Includes bibliographical references and index. :
9789004523913
9789004524866
The Literary Coptic manuscripts in the A.S. Pushkin State Fine Arts Museum in Moscow /
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This volume contains the first complete publication of the collection of Coptic literary manuscripts now in the A.S. Pushkin Fine Arts Museum, Moscow. The collection formed in 1870-1908 by Vladimir Golenischev is of great value since it covers almost the entire field of early Christian literature in Egypt and substantially aids to fill up serious lacunae in many well-known literary works, to say nothing of the texts hitherto unknown. Important is also the fact that Coptica Golenischeviana largely derives from the library of St. Shenoute's monastery at Sohag, this virtual National Library of Christian Egypt, the source of the riches of the museums and libraries of Paris, Vienna, Berlin et cetera.
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Includes facsimiles of original manuscripts, translations, and commentary. :
1 online resource (vii, 527 pages, 192 pages of plates) : illustrations. :
Includes bibliographical references and indexes. :
9789004312845 :
0920-623X ; :
Available to subscribing member institutions only.
Imagination and Art: Explorations in Contemporary Theory /
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This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise this volume propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms. Imagination and Art: Explorations in Contemporary Theory explores the complex nuances, paradoxes, and aporias related to the plethora of artistic mediums in which the human imagination manifests itself. As a fundamental attribute of our species, which other organisms also seem to possess with varying degrees of sophistication, imagination is the very fabric of what it means to be human into which everything is woven. This edited collection demonstrates that imagination is the resin that binds human civilization together for better or worse.
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1 online resource. :
9789004436350
9789004435162
Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /
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This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
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1 online resource (728 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694613
Die Darstellung "der zwölfjährige Jesus unter den Schriftgelehrten" im Wandel der Zeiten /
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Es wurde nachgewiesen, das theologische Schriften, die in der Zeit der Entstehung der besprochenen Werke entstanden sind, die Ikonographie beeinflusst haben. Ein ähnlicher Einfluss hat auch in den historischen Geschehnissen der entsprechenden Zeit Spuren hinterlassen. Die christlich-jüdische Disputation, die Verfolgung des Talmuds, der Puritanismus, das Tridentinum, die Überlegungen über das Verhältnis zwischen Jesus und seiner Kirche, die wachsende Bedeutung der Teilnahme an der Sonntagsmesse und andere historische und geistesgeschichtliche Phänomene wurden aufgezeigt, die für die Darstellung von Bedeutung sind. Sogar für kleine Details, wie z.B. das Anlehnen von Jesus an einer Säule, wurden für diese Art der Darstellung Beweise gefunden. It has been proved that theological essays written in the time of the creation of those images influenced the iconography. The same influence has been traced in historic events of the relevant time. The Christian/Jewish disputations, the persecution of the Talmud, the Puritanism, the Tridentinum, the reflection on the relationship between Jesus and his church, the increasing importance of the attendance of the Sunday mass and many other historical and spiritual sources have been shown as relevant for the concepts of these works of art. Even for small details, as for instance the leaning Jesus at a column, a historic-theological source could be detected.
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Based on the author's thesis--Universität Wien, 2007, presented under the title: Der zwölfjährige Jesus unter den Schriftgelehrten. :
1 online resource. :
Includes bibliographical references (p. [156]-163) and index. :
9789004188464 :
0928-0731 ; :
Available to subscribing member institutions only.
The praised and the virgin /
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In The Praised and the Virgin , Rusmir Mahmutćehajić provides an extended theologically and philosophically informed meditation on relations between the Muslim and Christian traditions, through the persons of Muhammad (the Praised) and Mary (the Virgin), as complementary bearers of God's Word. He traces their presence in the extended encounter of the Abrahamic traditions that is Bosnia's past and present, demonstrating how these traditions inform each other, while simultaneously preserving their difference and uniqueness. He lays fundamental groundwork for a more authentic dialogue, based on identity and difference in history under God, that is also a critique of inhumane ideologies and a modernity that has forsaken God and Man, again as reflected in the historical experiences of the Bosnian people.
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1 online resource (xxxix, 848 pages) :
Includes bibliographical references and index. :
9789004279407 :
2210-481X ; :
Available to subscribing member institutions only.
Playing with Leviathan : interpretation and reception of monsters from the biblical world /
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Since ancient times Leviathan and other monsters from the biblical world symbolize the life-threatening powers in nature and history. They represent the dark aspects of human nature and political entities and reveal the supernatural dimensions of evil. Ancient texts and pictures regarding these monsters reflect an environment of polytheism and religious pluralism. Remarkably, however, the biblical writings and post-biblical traditions use these venerated symbols in portraying God as being sovereign over the entire universe, a theme that is also prominent in the reception of these texts in subsequent contexts. This volume explores this tension and elucidates the theological and cultural meaning of 'Leviathan' by studying its ancient Near Eastern background and its attestation in biblical texts, early and rabbinic Judaism, Christian theology, Early Modern art, and film.
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1 online resource (xxviii, 315 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004337961 :
Available to subscribing member institutions only.