image bibliography » usage bibliography (توسيع البحث), imamate bibliography (توسيع البحث), ages bibliography (توسيع البحث)
christian image » christian usage (توسيع البحث), christian age (توسيع البحث), christian imaging (توسيع البحث)
Jesus as Guru : the Image of Christ among Hindus and Christians in India.
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People in India form images of Jesus Christ that link up with their own culture. Hindus have given Jesus a place among the teachers and gods of their own religion, seeing in his life something of the wisdom and mysticism that is so central to Hinduism. Christians in India also make use of the concepts provided by Hinduism when they wish to express the meaning of Christ. Thus, in any case, Jesus is-for Hindus and Christians-a guru, a teacher of wisdom who speaks with divine authority. But for many Hindu philosophers and Christian theologians there is much more that can be said about him within the Indian framework. He can be described as an avatara , a divine descent, or linked to the Brahman, the all-encompassing Reality. This study looks at both Hindu and Christian views of Christ, starting with that of the Hindu reformer Rammohan Roy at the beginning of the nineteenth century, as well as those of the first Christian theologians of India. The views of Mahatma Gandhi and the monks of the Ramakrishna Mission are discussed, and those of influential Christian schools such as the Ashram movement and dalit theology. Five intermezzos indicate how artists in India portray Jesus Christ.
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1 online resource (323 pages) :
9789401206198 :
Available to subscribing member institutions only.
Images of rebirt h cognitive poetics and transformational soteriology in the Gospel of Philip and the Exegesis on the Soul /
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This book offers fresh readings of the Gospel of Philip (NHC II.3) and the Exegesis on the Soul (NHC II.6) from new theoretical and historical perspectives. Eschewing the category of "Gnosticism" and challenging common categorisations, the book analyses the preserved Coptic texts as coherent Christian compositions contemporary with the production and use of the Nag Hammadi Codices. A methodological framework based on Cognitive Poetics is outlined and applied to illuminate how the texts present a soteriology of transformation through religious rituals and practices using complex conceptual and intertextual blends with important polemical and paraenetic functions. The analysis highlights the use of metaphors and allusions in (re-)interpretations of authoritative Scripture, ritual and dogma. Complete Coptic texts and translations are included.
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Appendix contains the texts of the Exegesis on the Soul and the Gospel of Philip in Coptic, with English translations on facing pages.
Revised version of the author's thesis (doctoral)--University of Bergen, 2007. :
1 online resource. :
Includes bibliographical references (pages 541-576) and index. :
9789004216501 :
Available to subscribing member institutions only.
Images of cosmology in Jewish and Byzantine art : God's blueprint of creation /
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Does the design of the Tabernacle in the wilderness correspond to God's blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the "pattern" revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements "after their pattern, which is being shown thee on the Mount." (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
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1 online resource (xxi, 318 pages) :
Includes bibliographical references and index. :
9789004252196 :
Available to subscribing member institutions only.
Late antique images of the Virgin Annunciate spinning : allotting the scarlet and the purple /
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In Late Antique Images of the Virgin Annunciate Spinning: allotting the scarlet and the purple , Catherine Gines Taylor traces the way early Christians assimilated the symbolism of spinning into images of the Annunciation. Taylor offers an art historical and interdisciplinary look at the earliest images of Mary spinning, underscoring the iconographic model of idealized matronage consistent with lay piety and the cult of Mary. The personal and domestic nature of this motif is evidence toward popular Mariological devotion that preceded the exclusive, semi-divine presentation of the Theotokos , and stands in contrast with traditional ascetic models for Mary.
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1 online resource (242 pages) :
Includes bibliographical references and index. :
9789004362703 :
2213-0039 ; :
Available to subscribing member institutions only.
Living water : images, symbols, and settings of early Christian baptism /
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This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study's second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..
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1 online resource (xxiv, 305 pages) : illustrations. :
Includes bibliographical references (p. 283-297) and index. :
9789004189089 :
0920-623X ; :
Available to subscribing member institutions only.
Intangible spirits and graven images : the iconography of deities in the pre-Islamic Iranian world /
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Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images , Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.
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Revision of the author's thesis--Hebrew University of Jerusalem, 2013. :
1 online resource (xxii, 392 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004281493 :
Available to subscribing member institutions only.
The Virgin Goddess, Studies in the Pagan and Christian Roots of Mariology.
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The contemporary search for the feminine face of God is requiring a re-examination of the relationship of Christianity to the pagan world in which it came to birth. Stephen Benko approaches this study as both an historian and a Christian believer. Inquiring into extra-biblical sources of Marian piety, belief and doctrine, he proposes 'that there is a direct line, unbroken and clearly discernible, from the goddess-cults of the ancients to the reverence paid and eventually the cult accorded to the Virgin Mary.' Chapter by chapter he seeks to establish his conclusion that 'in Mariology the Christian genius preserved and transformed some of the best and noblest ideas that paganism developed. Rather than being a 'regression' into Paganism, Mariology is a progression toward a clearer and better understanding of the feminine aspect of the divine and the role of the female in the history of salvation.' This publication has also been published in hardback, please click here for details.
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1 online resource. :
9789047412588
St. Augustine and Plotinus : the human mind as image of the divine /
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In Augustine and Plotinus: the Human Mind as Image of the Divine Laela Zwollo provides an inside view of two of the most influential thinkers of late antiquity: the Christian Augustine and the Neo-Platonist Plotinus. By exploring the finer points and paradoxes of their doctrines of the image of God (the human soul/intellect), the illustrious church father's complex interaction with his most important non-biblical source comes into focus. In order to fathom Augustine, we should first grasp the beauty in Plotinus' philosophy and its attractiveness to Christians. This monograph will contribute to a better understanding of the formative years of Christianity as well as later ancient philosophy. It can serve as a handbook for becoming acquainted with the two thinkers, as well as for delving into the profundity of their thought.
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1 online resource. :
Includes bibliographical references and index. :
9789004387805 :
0920-623X ;
The imperial cult and the development of church order : concepts and images of authority in paganism and early Christianity before the Age of Cyprian /
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Recent studies have re-assessed Emperor worship as a genuinely religious response to the metaphysics of social order. Brent argues that Augustus' revolution represented a genuinely religious reformation of Republican religion that had failed in its metaphysical objectives. Against this backcloth, Luke, John the Seer, Clement, Ignatius and the Apologists refashioned Christian theology as an alternative answer to that metaphysical failure. Callistus and Pseudo-Hippolytus gave different responses to Severan images of imperial power. The early, Monarchian theology of the Trinity was thus to become a reflection of imperial culture and its justification that was later to be articulated both in Neo-Platonism, and in Cyprian's view of episcopal Order. Contra-cultural theory is employed as a sociological model to examine the interaction between developing Pagan and Christian social order.
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1 online resource (xxii, 369 pages) : illustrations. :
Includes bibliographical references (p. 331-343) and indexes. :
9789004313125 :
0920-623X ; :
Available to subscribing member institutions only.
Brill's companion to Propertius /
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The present volume provides a comprehensive guide to one of the most difficult authors of classical antiquity. All the major aspects of Propertius' work, its themes, the poetical technique, its sources and models, as well as the history of Propertian scholarship and the vexed problems of textual criticism, are dealt with in contributions by Joan Booth, James Butrica, Francis Cairns, Elaine Fantham, Paolo Fedeli, Adrian Hollis, Peter Knox, Robert Maltby, Tobias Reinhardt and Richard Tarrant; due space is also given to the reception of the author from antiquity and the renaissance (Simona Gavinelli) up to the modern age (Bernhard Zimmermann). At the centre stands an interpretation of the four transmitted books by Gesine Manuwaldt, Hans-Peter Syndikus, John Kevin Newman and Hans-Christian Günther.
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1 online resource (ix, 476 pages) :
Includes bibliographical references and index. :
9789047404835 :
Available to subscribing member institutions only.
F.C. Baur's synthesis of Bohme and Hegel : redefining Christian theology as a gnostic philosophy of religion /
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In this book, Professor Simuț shows how Christian theology started to be understood as a Gnostic philosophy of religion in the thought of the 19th-century scholar F. C. Baur. Although Baur was seen traditionally as a theologian and biblical exegete, Simuț argues that he was in fact a philosopher of religion, and it was his philosophical reading of Christian theology that informed his biblical preoccupations. Specifically, Baur's perspective on Christian theology was heavily influenced by Jakob Böhme's esoteric theosophy and Hegel's religious philosophy in some key issues such as creation, Lucifer, dualism and the connection between spirit and matter coupled with that between philosophy and religion.
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1 online resource (viii, 362 pages) :
Includes bibliographical references and index. :
9789004275218 :
Available to subscribing member institutions only.
The Apostles in Early Christian Art and Poetry /
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The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ's stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.
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Revision of the author's thesis (Ph. D.--Radboud Universiteit Nijmegen, 2014). :
1 online resource. :
Includes bibliographical references and index. :
9789004309746 :
Available to subscribing member institutions only.
Christian identity amid Islam in medieval Spain /
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In Christian Identity amid Islam in Medieval Spain Charles L. Tieszen explores a small corpus of texts from medieval Spain in an effort to deduce how their authors defined their religious identity in light of Islam, and in turn, how they hoped their readers would distinguish themselves from the Muslims in their midst. It is argued that the use of reflected self-image as a tool for interpreting Christian anti-Muslim polemic allows such texts to be read for the self-image of their authors instead of the image of just those they attacked. As such, polemic becomes a set of borders authors offered to their communities, helping them to successfully navigate inter-religious living.
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1 online resource (x, 296 pages) :
Includes bibliographical references and index. :
9789004192294 :
Available to subscribing member institutions only.
The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593