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Machiavelli's Art of Politics.
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In Machiavelli's Art of Politics Alejandro Bárcenas offers a reexamination of Niccolò Machiavelli's political thought in order to propose a concise and historically accurate portrayal of his ideas and intellectual context. This study provides a nuanced view of the complexities of Machiavelli's thought by analyzing his classical background, taking into particular consideration the influence of Xenophon, and his view of the ideal ruler as someone who creates the conditions for a flourishing human life. In addition, Bárcenas explains why Machiavelli defends a republican political order that encourages citizens to live according to their own laws while serving a common good and revises his legacy through the writings of Leo Strauss, Eric Voegelin and Maurizio Viroli.
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Description based upon print version of record. :
1 online resource (173 pages) :
9789004298026 :
Available to subscribing member institutions only.
Art, intellect and politics : a diachronic perspective /
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The volume explores the relationship of artists and intellectuals from ancient Greece to modern times. Special attention is paid to Plato, Augustan poets (including the reception), Soviet art (Mayakowsky) and Jewish intellectuals. Non European contexts (China, Turkey) are treated as well.
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1 online resource (xv, 634 pages) :
9789004242203 :
1877-0029 ; :
Available to subscribing member institutions only.
Interaction between Judaism and Christianity in history, religion, art and literature /
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This volume contains a variety of essays that deal with the complex relationships between Judaism and Christianity. From the Jewish side, particularly in Orthodox circles, there is a position maintaining the independence of Judaism from outside influences including Christianity. Traditional Christian theology, on the other hand, held a supercessionist view in which Judaism was seen merely as a historical preparation for the later revelation of Christianity. Was there no real interaction? When and how did Judaism and Christianity become two distinct religions? When did the 'parting of ways\' take place, if indeed there really was such a parting of ways? The present volume takes a bold step forward by assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as a polemical rejection or as tacit appropriation.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047424826 :
Available to subscribing member institutions only.
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
Jewish historiography and iconography in early and Medieval Christianity /
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Series: Compendia Rerum Iudaicarum ad Novum Testamentum Section 1 - The Jewish people in the first century Historical geography, political history, social, cultural and religious life and institutions Edited by S. Safrai and M. Stern in cooperation with D. Flusser and W.C. van Unnik Section 2 - The Literature of the Jewish People in the Period of the Second Temple and the Talmud Section 3 - Jewish Traditions in Early Christian Literature
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1 online resource (xviii, 307 pages) : illustrations. :
Includes bibliographical references (p. 265-277) and indexes. :
9789004275157 :
Available to subscribing member institutions only.
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
The Armenian apocalyptic tradition : a comparative perspective : essays presented in honor of Professor Robert W. Thomson on the occasion of his eightieth birthday /
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The Armenian Apocalyptic Tradition: A Comparative Perspective comprises a collection of essays on apocalyptic literature in the Armenian tradition. This collection is unprecedented in its subject and scope and employs a comparative approach that situates the Armenian apocalyptic tradition within a broader context. The topics in this volume include the role of apocalyptic literature and apocalypticism in the conversion of the Armenians to Christianity, apocalyptic ideology and holy war, the significance of the Book of Daniel in Armenian thought, the reception of the Apocalypse of Ps.-Methodius in Armenian, the role of apocalyptic literature in political ideologies, and the expression of apocalypticism in the visual arts.
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Papers presented at two international conferences. The first was held at the Hebrew University of Jerusalem in June, 2007; the second was held in Ann Arbor, Michigan, in October, 2008. :
1 online resource (xx, 797 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004270268 :
0169-8125 ; :
Available to subscribing member institutions only.
Plants and literature : essays in critical plant studies.
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Myth, art, literature, film, and other discourses are replete with depictions of evil plants, salvific plants, and human-plant hybrids. In various ways, these representations intersect with "deep-rooted" insecurities about the place of human beings in the natural world, the relative viability of animalian motility and heterotrophy as evolutionary strategies, as well as the identity of organic life as such . Plants surprise us by combining the appearance of harmlessness and familiarity with an underlying strangeness. The otherness of vegetal life poses a challenge to our ethical, philosophical, and existential categories and tests the limits of human empathy and imagination. At the same time, the resilience of plants, their adaptability, and their integration with their habitat are a perennial source of inspiration and wisdom. Plants and Literature: Essays in Critical Plant Studies examines the manner in which literary texts and other cultural products express our multifaceted relationship with the vegetable kingdom. The range of perspectives brought to bear on the subject of plant life by the various authors and critics represented in this volume comprise a novel vision of ecological interdependence and stimulate a revitalized sensitivity to the relationships we share with our photosynthetic brethren.
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1 online resource (270 pages) : color illustrations. :
Includes bibliographical references at the end of each chapters and index. :
9789401209991 :
Available to subscribing member institutions only.
Values of literature /
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Why we read literature and why we should read literature are age-old questions that have, in recent years, gained unprecedented scope and intensity, against the backdrop of what has been perceived as a world-wide crisis in the humanities. While scholars frequently discuss different types of value separately, in this volume values of literature are approached in the plural: we argue that the ethical, aesthetic, cognitive, affective, social, historical, and existential values of literature should be explored in connection with each other. The three parts of the book explore the relationship between ethics and aesthetics; the cognitive, affective, and social values of literature; and the construction and questioning of literary values in society. Throughout the book, we discuss the different things literature can do - ranging from affirmation of social dogmas to its capacities for self-questioning and challenging of moral certainties - through the dynamic interplay of its ethical and aesthetic, cognitive and affective aspects. Literature not only reflects and draws on the values of the historical world from which it stems; it also actively addresses, challenges, and transforms those values and explores new ways to understand value. Through these complementary processes, literature engages in its own distinctively literary forms of value inquiry.
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1 online resource (vi, 222 pages) :
Includes bibliographical references and index. :
9789401212052 :
0929-8436 ; :
Available to subscribing member institutions only.
Egypt, Canaan and Israe l history, imperialism, ideology and literature : proceedings of a conference at the University of Haifa, 3-7 May 2009 /
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The proceedings of the conference "Egypt, Canaan and Israel: History, Imperialism, Ideology and Literature" include the latest discussions about the political, military, cultural, economic, ideological, literary and administrative relations between Egypt, Canaan and Israel during the Second and First Millennia BC incorporating texts, art, and archaeology. A diverse range of scholars discuss subjects as wide-ranging as the Egyptian-Canaanite relations in the Second Intermediate Period, the ideology of boundary stelae, military strategy, diplomacy and officials of the New Kingdom and Late Period, the excavations of Beth-Shean and investigations into the Aruna Pass, and parallels between Biblical, Egyptian and Ancient Near Eastern texts. Such breadth in one volume offers a significant contribution to our understanding of the interactions between the civilizations of the ancient Near East.
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1 online resource. :
Includes bibliographical references and index. :
9789004210691 :
Available to subscribing member institutions only.
The Narrowest Path : Antinomies of Self-Determination in Four Aesthetic Studies /
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A strategic reconstruction of modern German thought from the standpoint of aesthetic theory, The Narrowest Path reveals the characteristically modern, revolutionary project of freedom-as-autonomy to be unresolvably antinomic. Basing himself on four seminal texts by Kleist, Hegel, Marx, and Adorno, Mehrgan develops four basic figures: the literary, the person, the republic, and the artwork. All flourished during the long period between the French Revolution and the aftermath of the Second World War in Europe. The key antagonist is the rule of capital, paradoxically enabling self-determination and thwarting it. Still present in contemporary revolutionary experiments, this daunting conflict, the book argues, shows itself best in the aesthetic - but the resolution lies elsewhere. See Less
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1 online resource (284 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711150
Shades of Meaning: Shadows in Medieval Manuscript Illumination /
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Are there shadows in medieval art? Studies on the role of shadows in art history have either glanced over or ignored the medieval period, yet people of the Middle Ages certainly saw and thought about shadows and recorded their ideas about these phenomena in texts and images. This book examines references to shadows in science, religion, and folklore of the Middle Ages. Through the lens of fifteenth-century manuscript painting, it investigates visual, metaphorical, and supernatural shadows in art to discover what shadows meant to the medieval viewer.
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Includes bibliographical references and index. :
9789004721685
Al-Suyūṭī, a polymath of the Mamlūk period : proceedings of the themed day of the First Conference...
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This volume is a collection of several papers devoted to Jalāl al-Dīn al-Suyūṭī (d. 911/1505), presented on the First Conference of the School of Mamlūk Studies (held at Ca' Foscari University,Venice, from June 23 to June 25, 2014). It aims to contribute to a reassessment of the scholarly profile of the controversial but fascinating polymath and intellectual, and, more generally, to a deeper understanding of the cultural, political and academic life of the last period of the Mamlūk empire. Jalāl al-Dīn al-Suyūṭī's bibliography ranges from law to theology, and from linguistics to history. It includes medicine and geography. This polymath felt that his mission was to preserve the rich cultural heritage of the past, and knowledge in general, from widespread ignorance and decline. Considered for a long time to be an author devoid of any originality and a "simple" compiler, he was in fact an excellent teacher and a rigorous scholar who had a meticulous and accurate working method. With contributions by: Christopher D. Bahl; Mustafa Banister; Joel Blecher; S. R. Burge; Daniela Rodica Firanescu; Éric Geoffroy; Antonella Ghersetti; Francesco Grande; Jaakko Hämeen-Anttila; Takao Ito; Judith Kindinger; Christian Mauder; Aaron Spevack.
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Includes index. :
1 online resource (240 pages) :
9789004334526 :
Available to subscribing member institutions only.
Why look at plants? : the botanical emergence in contemporary art /
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Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
Toppling Things as Memorial Contestation : Spectacle and Affect of Monument Removal /
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Following the murder of George Floyd in 2020, monuments became a focal point: protestors toppled or spray-painted them, even danced on them. These politically, visually, and emotionally potent events may have looked instantaneous, yet frequently sprang from years of activism, as well as protracted political and academic debate. Toppling Things challenges stereotypical notions monument topplings as riotous, spontaneous, or irrational. Bringing together the ideas and emotions, the uncertainty and convictions, of artists, activists, and academics, the volume rejects a neatly tied-up, distant narrative. As it sheds light on the global, personal, immediate, and historical processes around the fall of a monument, the volume engages directly with the complexity of toppling activism and monument removal as a form of lived experience.
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1 online resource (320 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712645
Shusterman's pragmatism : between literature and somaesthetics /
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This book is the first essay collection on Richard Shusterman, the foremost representative of contemporary pragmatist aesthetics, a philosopher whose books have been translated into more than fifteen languages. The 12 essays, which cover the wide-ranging scope of Shusterman's pragmatist thought, divide into three sections: Literary Theory and Philosophy of Art; Epistemology, Metaphysics, Ethics, and Politics; and Somaesthetics. Written by an international group of authors from different philosophical perspectives, the book's essays not only provide a good introduction to Shusterman's innovative pragmatist theories, but show their useful applications to important and controversial topics in philosophy, politics, religious and gender studies, the arts, and somaesthetics. The book also includes two new texts by Shusterman: an introductory essay in which he explains the trajectory of his intellectual development and a detailed response to the other contributors, which closes the book.
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1 online resource (vi, 236 pages) :
Includes bibliographical references and index. :
9789401207638 :
0929-8436 ; :
Available to subscribing member institutions only.
Hellenizing art in ancient Nubia, 300 BC-AD 250, and its Egyptian model s a study in "acculturation" /
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Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and "hybrid" elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
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1 online resource. :
Includes bibliographical references and index. :
9789004211292 :
Available to subscribing member institutions only.
David Jones : a Christian modernist? : new approaches to his art, poetry and cultural theory /
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David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a 'Christian modernism'. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones's development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.
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1 online resource. :
Includes bibliographical references and index. :
9789004356993 :
1877-3192 ; :
Available to subscribing member institutions only.
Modernism, Christianity and apocalypse /
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Modernism, Christianity and Apocalypse stages an encounter between the fields of 'Modernism and Christianity' and 'Apocalypse Studies'. The modernist impulse to 'make it new', to transform and reform culture, is an incipiently apocalyptic one, poised between imaginative representations of an Old Era or civilization and the experimental promise of the New. Christianity figures in formative tension with the 'new', but its apocalyptic paradigms continued to impact modernist visions of cultural revitalization. In three sections tracing a rough chronology from the late nineteenth century fin de siècle, via interwar conflicts and the rise of 'political religions', to post-1945 anxieties such as the Bomb, this thematic is explored in nineteen far-ranging scholarly contributions, outlining a distinctive and fresh interdisciplinary field of study.
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1 online resource (407 pages) : illustrations. :
Includes bibliographical references at the end of each chapters and index. :
9789004282285 :
1877-3192 ;
1877-3192 :
Available to subscribing member institutions only.
Roman Ingarden's philosophy of literature : phenomenological account /
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In Roman Ingarden's Philosophy of Literature Wojciech Chojna discusses Ingarden's theory of literary works and develops a phenomenological account of identity which accommodates differences in interpretations and value judgments without succumbing to relativism. The latter is overcome not through falling back on essentialism but from within relativism. Literature offers us diverse experiences changing our perceptions of ourselves and the worlds we live inches Absolutism proclaiming unmitigated access to the meaning of literary texts is intolerant of differences and leads to violence in life. Conversely, relativism, in the illusory spirit of radical tolerance, turns meanings and values into historically contingent, incompatible interpretations, where communication and reconciliation is impossible, thus justifying ideological conflicts and violence.
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1 online resource (181 pages) :
Includes bibliographical references and index. :
9789004357181 :
Available to subscribing member institutions only.