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Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
Reading by Example: Valerius Maximus and the Historiography of Exempla /
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Long regarded as a sycophantic producer of overblown moral platitudes, Valerius Maximus emerges from a series of studies as an independent thinker capable of challenging his readers through the material he has collected: he makes them think about real moral dilemmas and grants to non-Roman societies a remarkable equivalence to Rome. Through his silences as much as his sermons he decodes the value- and political-system of his day. Valerius is talented as a reader of others and himself was read appreciatively in the Later Empire and even more so by Christians in Medieval Europe.
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1 online resource. :
Includes bibliographical references and index. :
9789004499423
9789004499409