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Religious diversity in Asia /
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The religious landscape in Asia has long been diverse, with various forms of syncretic traditions and pragmatic practices continuously having been challenged by centrifugal forces of differentiation. This anthology explores representations and managements of religious diversity in Japan, China, South Korea, Vietnam, the Philippines, Indonesia, Sri Lanka, India and diaspora religions originating in these countries, seen through the lenses of history, identity, state, ritual and geography. In addition to presenting empirical cases, the chapters also address theoretical and methodological reflections using Asia as a laboratory for further comparative research of the relevance and use of 'religious diversity'. Religious Diversity in Asia was made possible by a framework grant from the Danish Agency for Science, Technology and Innovation allowing the grant holder (Jørn Borup) and two colleagues (Marianne Q. Fibiger and Lene Kühle) to host a workshop at Aarhus University and to co-arrange workshops in Delhi and Nagoya. We would like to thank professors Arshad Alam and Michiaki Okuyama for hosting these latter workshops at Jawaharlal Nehru University and Nanzan University, and we would like to thank Professor Chong-Suh Kim for the invitation for Jørn Borup to visit Seoul National University. We would also like to extend our gratitude to all the scholars who participated in the workshops and to all the authors we subsequently invited to contribute to our endeavor to create this academically relevant volume.
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Includes index. :
1 online resource. :
9789004415812
Faire théâtre contemporain des textes littéraires (XVIe-XIXe siècles) : Regards croisés sur les pratiques au Québec et en Europe /
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Les classiques continuent de fasciner les artistes de la scène, qui ne cessent de s'interroger sur la manière dont ces œuvres sont susceptibles de rejoindre le public. En inscrivant ce livre à l'enseigne de la célèbre formule « faire théâtre de tout » du metteur en scène français Antoine Vitez, nous désirons montrer la persistance d'une problématique qui oblige à tenir compte de l'évolution des formes dramatiques mais aussi du régime culturel plus vaste, numérique en ce qui concerne le XXIe siècle, au sein duquel s'insère la transposition de ces œuvres sur la scène. Les études rassemblées dans ce volume jettent un regard croisé sur les pratiques scéniques contemporaines qui recourent à des textes littéraires au Québec et en Europe, tout en éclairant plusieurs enjeux théoriques et méthodologiques. Classics from prior centuries continue to fascinate theatre artists. They never stop thinking of ways to stage these works to reach actual audiences. By referring, in the title of our book, to French director Antoine Vitez's famous quote "make theatre with everything", we want to point out the persistence of a problematic causing artists to not only take into account the evolution of dramatic forms, but also the broader cultural regime, digital for the 21st Century, within which these transpositions take place. The studies gathered in this volume bring a fresh perspective to the contemporary performing practices in Quebec and in Europe using literary texts, and illuminate many theoretical and methodological issues in the process.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004726178