perspective creating » perspective updating (توسيع البحث), perspective imaging (توسيع البحث), perspective making (توسيع البحث)
creating place » meeting place (توسيع البحث), healing place (توسيع البحث)
Probing the depths of evil and good : multireligious views and case studies /
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In the few years since the attack on the World Trade Center on September 11, 2001, evil has become a central theme in the media and human consciousness: the evil of terrorism, the evil of secular culture, concern for poverty, and climate change... Yet different cultures and religious traditions have different ideas of what evil is and what its root causes are. Although there is no massive clash of cultures, many disagreements and also conflicts in the world arise from the deep differences in views of evil. This volume explores religious views of evil. Scholars from different religions and from various parts of the world describe how people probe the depths of evil-and by necessity that of good-from their own background in various worldviews. In their explorations, almost all address the need to go beyond morality, and beyond legalistic definitions of evil and of good. They point to the radical depths of evil in the world and in human society and reinforce our intuition that there is no easy solution. But if we can gain a better understanding of what people from other worldview traditions and cultures consider evil, we are that much closer to a more peaceful world.
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1 online resource (377 pages) :
Includes bibliographical references and indexes. :
9789401204620 :
Available to subscribing member institutions only.
Indigeneity on the Oceanic Stage : Intimations of the Local in a Globalised World /
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This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a "Multi-Perspective Culturally Sensitive Researcher." To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau'ofa's notion of "a sea of islands." Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai'i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an "imparative" model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression.
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1 online resource (339 pages) : illustrations. :
Includes bibliographical references and index. :
9789004703360
The Locations of (World) Literature /
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Location matters, for critics, readers and texts. This book explores the notion of location not simply as geographical, historical, or cultural context but as a standpoint, a position, an orientation, a necessarily partial and particular perspective, however ample it may be, from which writers represent and imagine their worlds. However, the constraint of location in the form of a reductive geographical marker has been felt most acutely by writers of the Global South. This book explores how modern and contemporary writers from Africa and South Asia consider their place in the world, in world literature, and in the wider geographical regions or national literary histories to which their work is identified with. What worlds do these literatures simultaneously inhabit and create? What networks do writers and institutions, specific genres and works of literature, but also circuits of readership, translation and publishing, produce? And what are the imagined or discrepant geographies, the different cosmopolitanisms, that may be invented in the process? This ground-up approach - from Lagos, Algier, Niamey, Addis Ababa or Allahabad; in English and in French but also in Swahili, Malayalam, Amharic, Urdu, Arabic, Persian, or Pulaar - can pluralize a map whose entanglements and complexities face the risk of being ironed out by reified conceptualizations of literature within global macro-systems.
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1 online resource (250 pages) : illustrations. :
Includes bibliographical references and index. :
9789004705814
The technique of Islamic bookbinding : methods, materials and regional varieties /
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The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
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1 online resource (xi, 428 pages) : illustrations (chiefly color) :
Includes bibliographical references (p. 413-423), appendices, glossary, and index. :
9789004291119 :
1877-9964 ; :
Available to subscribing member institutions only.