composing oral » composing al (توسيع البحث), composing double (توسيع البحث)
oral reference » brill reference (توسيع البحث), a reference (توسيع البحث), art reference (توسيع البحث)
The scriptural tale in the fourth gospel : with particular reference to the prologue and a syncretic (oral and written) poetics /
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A more nuanced view of the Fourth Gospel's media nature suggests a new and promising paradigm for assessing expansive and embedded uses of scripture in this work. The majority of studies exploring the Fourth Evangelist's use of scripture to date have approached the Fourth Gospel as the product of a highly gifted writer, who carefully interweaves various elements and figures from scripture into the canvas of his completed document. The present study attempts to calibrate a literary approach to the Fourth Gospel's use of scripture with an appreciation for oral poetic influences, whereby an orally-situated composer's use of traditional references and compositional strategy could be of one and the same piece. Most importantly, pre-formed story-patterns-thick with referential meaning-were used in the construction of new works. The present study makes the case that the Fourth Evangelist has patterned his story of Jesus after a retelling of the story of Adam andamp; Israel in two interrelated ways: first in the prologue, and then in the body of the Gospel as a whole.
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1 online resource. :
Includes bibliographical references and index. :
9789004326552 :
0928-0731 ; :
Available to subscribing member institutions only.
Orality, literacy and performance in the ancient world : orality and literacy in the ancient world, volume 9 /
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The ninth meeting in the international Orality and Literacy in the Ancient World series - in the fiftieth year since the publication in 1960 of Albert Lord's The Singer of Tales - took as its theme 'Composition and Performance'. This volume contains a selection of those papers, several of which illustrate methodologically innovative approaches to the act of composition, the nature of performance, and vocalization in text. Under consideration are Homer, Hesiod, Plato, Isocrates, the orators of the Second Sophistic, and Proclus. Cross-cultural studies include, amongst others, South Slavic epic and a text from the Sanskrit archive.
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1 online resource (xviii, 268 pages) :
Includes bibliographical references and index. :
9789004217751 :
0169-8958 ; :
Available to subscribing member institutions only.
Orality and literacy in the Demotic tales /
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In Orality and Literacy in the Demotic Tales , Jacqueline E. Jay extrapolates from the surviving ancient Egyptian written record hints of the oral tradition that must have run alongside it. The monograph's main focus is the intersection of orality and literacy in the extremely rich corpus of Demotic narrative literature surviving from the Greco-Roman Period. The many texts discussed include the tales of the Inaros and Setna Cycles, the Myth of the Sun's Eye , and the Dream of Nectanebo . Jacqueline Jay examines these Demotic tales not only in conjunction with earlier Egyptian literature, but also with the worldwide tradition of orally composed and performed discourse.
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Includes index. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004323070 :
1566-2055 ; :
Available to subscribing member institutions only.
Authorship and Greek song : authority, authenticity, and performance /
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Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.
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Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song. :
1 online resource. :
Includes bibliographical references and index. :
9789004339705 :
0169-8958 ; :
Available to subscribing member institutions only.
The Dead Sea scrolls : transmission of traditions and production of texts /
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How were Jewish texts produced and transmitted in late antiquity? What role did scribal practices play in the shaping of both scriptural and interpretive traditions, which are-as the Scrolls show so decisively-intimately intertwined? How were texts assembled from a variety of earlier sources, both oral and written? Why were they often attributed to pseudonymous authors from the remote past such as Moses and David? How did the composers of these texts understand the enterprise in which they were engaged? This volume furthers current debates about Qumran Scribal Practice and the transmission of traditions in Jewish Antiquity. It is published with the conviction that the transmission of traditions and the details of scribal practices-so often treated separately-should be considered in conversation with each other.
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"This volume originated at a co-organized conference in November of 2009 in Toronto, Ontario. This was in conjunction with the exhibit 'Words that Changed the World' held at the Royal Ontario Museum and co-sponsored by the Israel Antiquities Authority"--Introd. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004190795 :
0169-9962 ; :
Available to subscribing member institutions only.
Būluṣ ibn Rajāʾ : The Fatimid Egyptian Convert Who Shaped Christian Views of Islam /
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Būluṣ ibn Rajāʾ (ca. 955-ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Rajāʾ later converted to Christianity and composed The Truthful Exposer ( Kitāb al-Wāḍiḥ bi-l-Ḥaqq ) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qurʾan's origins, Muḥammad's life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Rajāʾ's life, along with an Arabic edition and English translation of The Truthful Exposer.
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In eleventh-century Egypt, the Christian convert Būluṣ ibn Rajāʾ composed The Truthful Exposercritiquing Islam. This publication includes a study of Ibn Rajāʾ's biography, his impact on Christian approaches to Islam, and an Arabic edition with English translation of his work. :
1 online resource. :
Includes bibliographical references and index. :
9789004517400
9789004517394
Bichitra Ramayana : A Voice from Wilderness /
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The first-ever Ramayana to be written in a regional language, the Bichitra Ramayana claims a special place in the larger tradition of Ramayana writing as much for its independent retelling practice as for its indigenous, secular distinctiveness. Originally written in Odia in the mid-fifteenth century by Siddheswar Das (later known as Sarala Das), it owes its origins to the 'Uttarakanda' of Valmiki Ramayana . Its great departure and divergence from the master text shows that it has an agenda and politics of its own, demonstrated so powerfully that it makes the original invisible. Rich with folklore and legends and composed in the oral tradition, the Bichitra declares itself as a text for the layman. The voice of the common people supercedes the voice of the wise; the natural replaces the rational; the religious paradigm is substituted by a secular identity, and the mind is overtaken by the heart. The chief attraction of the Bichitra is the issue related to the position of women in a patriarchal society and the relationship between the two sexes. Siddheswar offers them freedom on a silver platter. He makes Sita the central character who is not merely a moral or socio-cultural touchstone. He fills the cowherd woman with courage to fight for her individual liberty, even if it leads to licentiousness. He allows Kausalya to rebuke Rama harshly for his misdemeanour. Written by a Shudra poet with an humble background and no formal education, the Bichitra Ramayana is a classic of Odia literature.
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1 online resource (400 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752481