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Islamic art and culture : timeline and history /
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The artistic achievements of the Islamic world chronicled over fourteen centuries.
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Originally published as: The Timeline History of Islamic Art and Architecture. -- Worth Press Ltd, 2005.
Includes semi-detached compass card following p. 186.
Dar el Kutub no.: 4356/08. :
186 p. : col. ill. ; 33 cm. :
Includes bibliographical references (p. 180-182) and index.
Islamic Art and Visual Culture : An Anthology of Sources /
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"This edition first published 2011." :
ix, 186 pages : illustrations ; 26 cm :
Includes bibliographical references and index. :
9781405154017 (hardcover : alk. paper)
1405154012 (hardcover : alk. paper)
9781405154024 (pbk. : alk. paper)
1405154020 (pbk. : alk. paper)
Islamic art, architecture and material culture : new perspectives /
: "This collection of papers sprang from a workshop hosted in 2007 by the Centre for Advanced Study of the Arab World (CASAW) at the University of Edinburgh."--page iii. : vii, 147 pages : illustrations, maps, plans, facsimiles ; 30 cm. : Includes bibliographical references. : 9781407310350
Performative Identities in Culture : From Literature to Social Media /
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This book's primary task is to test the contemporary value of performance and performativity. Performative Identities in Culture: From Literature to Social Media undertakes this task via a host of chapters on a vast spectrum of performativity-related topics such as: literature (British, American, Welsh), film, art, social media, and sports. Within these contexts, the book raises a number of questions relevant today. How is minority culture constructed and performed in literature? How can one manifest identity in multicultural contexts? How has performativity been transformed in audiovisual media, like film, video games and social media? And, can the digital itself be performative?
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1 online resource (255 pages) : illustrations. :
Includes bibliographical references and index. :
9789004703858
Art and Material Culture in the Byzantine and Islamic Worlds : Studies in Honour of Erica Cruikshank Dodd /
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"Dedicated to Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds offers new perspectives on the Christian and Muslim communities of the east Mediterranean from medieval to contemporary times. The contributors examine how people from diverse religious backgrounds adapted to their changing political landscapes and show that artistic patronage, consumption, and practices are interwoven with constructed narratives. The essays consider material and textual evidence for painted media, architecture, and the creative process in Byzantium, Crusader-era polities, the Ottoman empire, and the modern Middle East, thus demonstrating the importance of the past in understanding the present"--
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1 online resource. :
Includes bibliographical references and index. :
9789004457140
9789004457133
Religious Narratives in Contemporary Culture : Between Cultural Memory and Transmediality /
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Religious Narratives in Contemporary Culture: Between Cultural Memory and Transmediality analyses the meaning and role of religion in western cultural practices in the twenty-first century. This inquiry situates itself at the intersection between cultural memory studies and the transmedial study of narrative and art. Contributors focus on genres which have yet to receive significant critical attention within the field, including speculative fiction films and television series, autobiographical prose and poetry, action-adventure video games and heavy metal music. In this time of crisis, where traces of religious thinking still persist in the presence or absence of religious faith, this volume's collective look into some of their cultural embodiments is necessary and timely. The volume is addressed primarily to scholars and students interested in intersections between religious and cultural studies, revisions of traditional religious narratives, literature as a space of reflection on today's world, contemporary media studies and remediation.
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1 online resource. :
Includes bibliographical references and index. :
9789004453821
9789004453746
Visual culture, heritage and identity : using rock art to reconnect past and present /
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This text presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
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Also issued in print: 2021. :
1 online resource (150 pages) : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781789698473 (PDF ebook) :
Muqarnas : an annual on the visual cultures of the Islamic world.
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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. Muqarnas 26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
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"Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts." :
1 online resource. :
Includes bibliographical references. :
9789047429333 :
Available to subscribing member institutions only.
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
9781784530402
1784530409
The Hidden Hand of Underwater Cultural Heritage : Submerged Intelligence for Global Omens /
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This book acts as a cautionary tale, urging society to proactively invest in forging a path towards the future by drawing upon the insights gleaned from the past. Underwater cultural heritage is not merely a collection of broken ruins on the ocean floor; it holds the potential to provide strategic intelligence into global security challenges and future uncertainties. By understanding and valuing the unknown force of underwater cultural heritage, we can anticipate and navigate potential future challenges, harnessing its hidden power to shape the course of history. See Less
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1 online resource (287 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711990
The Lie Became Great : The Forgery of Ancient Near Eastern Cultures /
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The Lie Became Great explores the closed society of international plunderers and forgers which thrives as a subculture of the Art World. These multi-cultural denizens include antiquity dealers, collectors, museum curators, forgers working in conjunction with auction houses, museums and galleries. Forgeries are made to be sold, and a great number pass into the Art World - collections, exhibitions, catalogues, and popular and scholarly journals - complete with their fabricated stories of excavation, and how they were found. The Lie Became Great documents the success and activities of one small corner of this vast network - artifacts form the Ancient Near East - with hundreds of detailed catalogue entries of forgeries. The participants in this society gain money, prestige, power, position as they distort and irretrievably damage the true story of our cultural heritage. STYX PUBLICATIONS.
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1 online resource. :
Includes bibliographical references and index. :
9789004502147
9789056930417
Cultures in contact : from Mesopotamia to the Mediterranean in the second millennium B.C. /
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"Most of the essays published in this volume were presented at "The Raymond and Beverly Sackler Symposium: Beyond Babylon: art, trade and diplomacy in the second millennium B.C." held on December 18 and 19, 2008 and "The Friends of Inanna scholars' day workshop" held on February 4, 2009 ... held at The Metropolitan Museum of Art, New York"-- Title page verso.
"The Metropolitan Museum of Art Symposia". :
xvii, 354 pages : illustrations (some color), maps (some color) ; 26 cm. :
Includes bibliographical references (p. 320-352). :
9780300185034
0300185030