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La guerre dans le Proche-Orient médiéval : état de la question, lieux communs, nouvelles approches /
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OCLC 904949541
Papers from a colloquium held in Damascus, November 2010. :
478 pages : illustrations (some color), maps (some color), plans ; 24 cm. :
Includes bibliographical references (p. 421-475). :
9782724706604
Les voyages des empereurs dans l'Orient romain : époques antonine et sévérienne /
: Papers from three conferences held in Paris, France, in June 2010, Febr., and Sept 2011. : 303 pages : illustrations (some color), color map ; 24 cm. : Includes bibliographical references. : 9782877725156
La crucifixion sans crucifié dans l'art éthiopien : recherches sur la survie de l'iconographie chrétienne de l'antiquité tardive /
: Revision of thesis (doctoral) -- University of Uppsala, 1993. : x, 187 pages : illustrations (some color) ; 31 cm. : Includes bibliographical references (pages 139-[172]) and index. : 8390180944
Le statut du musicien dans la Méditerranée ancienne : Égypte, Mésopotamie, Grèce, Rome : actes de...
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"The question of the status of musicians transcends chronological and cultural boundaries and demands a twofold approach, combining anthropology and history. This topic ... is approached here from an interdisciplinary and comparative angle. The International Round Table held at Lyon in 2008 addressed the figure of the musician in Egypt, Mesopotamia, Greece and Rome from the fourth millennium BC up to the beginnings of Christianity."--Page [4] of cover. :
322 pages : illustrations (some color) ; 28 cm. :
Includes bibliographical references. :
2724706412
9782724706413 :
Noura
Les representations architecturales dans l'iconographie Neo-Assyrienne /
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In this book Nicolas Gillmann provides scholars as well as non-specialists with a comprehensive study of architectural representations in Neo Assyrian iconography. The author answers three important questions: How are Mesopotamian images conceived? What rules are presiding over them and how are they to be interpreted by modern viewers? Can the architectural representations be of some use to archaeologists or are they merely schematic depictions of given building types? Nicolas Gillmann shows that new conclusions can be reached once the reader is given the right reading keys and interpretation framework.
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1 online resource. :
Includes bibliographical references and index. :
9789004324015 :
Available to subscribing member institutions only.
Manières de penser dans l'antiquité mediterranéenne et orientale : mélanges offerts à Francis Schmidt par ses élèves, ses collègues et ses amis /
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Francis Schmidt's works in various fields of religious studies (mainly ancient Judaism), can be characterized by three words: historiography, anthropological history, and comparatism. In that respect he placed himself in the continuation of previous French scholars, such as Maurice Halbwachs or Pierre Vidal-Naquet. Francis Schmidt also played an essential role in transmitting to a new generation of scholars the complex issues and debates concerning the Dead Sea scrolls and Qumranic research. The papers offered in this volume share all the same interest in ancient religions and the methodological devices previously mentioned. They offer a rare example of a large comparatism between Assyrian, Greek, Roman, Jewish, and Christian approaches of some essential social or intellectual issues, by some of the most competent specialists in each field.
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1 online resource. :
Includes bibliographical references and index. :
9789047428633 :
Available to subscribing member institutions only.
La representation du divin dans les récits du Pentateuque : mediations syntaxiques et narratives /
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Though several studies have already been devoted to biblical representations of God, the present research considers the position towards the divine they imply, on the basis of syntactic and narrative analysis. The book examines, in the stories of the Pentateuch, different appearances of the divine character: his speeches, as well as their modes of reporting; his actions, their mediations, and the points of view from which they are told; his perceptions and emotions, as well as the so-called omniscient narration; and some interpretations and distortions of his words. It appears that the Pentateuch presents the divine in an essentially mimetic way, mainly from the perspectives of other characters, portraying different human experiences and interpretations of divinity.
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Slight revision of the author's thesis (doctoral)--Université Catholique de Louvain, 2007. :
1 online resource. :
Includes bibliographical references (p. [497]-509) and index. :
9789047443704 :
Available to subscribing member institutions only.