first printing » first writing (توسيع البحث), first printed (توسيع البحث), first drafting (توسيع البحث)
script first » scripture first (توسيع البحث), script from (توسيع البحث), script its (توسيع البحث)
de script » _ script (توسيع البحث), de scribe (توسيع البحث), 4 script (توسيع البحث)
The Plays of Alma de Groen /
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Alma De Groen is a New Zealand born playwright who came to Australia in 1964, married the artist Geoffrey De Groen and began writing plays in 1968. Twenty-four years after the performance of her first play she has made a formidable contribution to contemporary drama with stage plays and with television, film and radio scripts, each of which is distinguished by her unique dramatic vision and her unusual insight to human life and society. Each play is distinct from the others, beginning with her first performed stage play, The Joss Adams Show (1970), through to the controversial and highly acclaimed The Rivers of China (1987), and the compassionate The Girl Who Saw Everything (1991). The importance of her work has been recognised by awards which include two AWGIEs and the New South Wales State Award and the Victorian Premier's Award for Drama in 1988.
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1 online resource (184 pages) : illustrations. :
Includes bibliographical references and index. :
9789004647435
Mani in Dublin : selected papers from the Seventh International Conference of the International Association of Manichaean Studies in the Chester Beatty Library, Dublin, 8-12 Septem...
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In 2009 the Seventh International Conference of Manichaean Studies was held at the Chester Beatty Library in Dublin. The 22 selected papers of this volume offer a deep insight into the faith of Manichaean communities ranging from the very beginning of the Third century up to the last traces of worship today. Among others the authors deal with sources from Augustin, John the Grammarian, Ephrem the Syrian and further sources written in Coptic, Sogdian, Middle Persian, Parthian and Chinese. Several studies about Manichaean art and iconography offer a visual impression, which gives a new opportunity for understanding the religion of Light.
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Includes indexes. :
1 online resource (xviii, 459 pages) : illustrations (mostly color) :
Includes bibliographical references and indexes. :
9789004289123 :
0929-2470 ; :
Available to subscribing member institutions only.
Codex Amrensis 1 /
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Codex Amrensis 1 , the first volume of the series Documenta Coranica contains images and Arabic texts of four sets of fragments (seventy-five sheets) of the Qurʾān codex, once kept in the ʿAmr ibn al-ʿĀṣ Mosque at Al-Fusṭāṭ, and now in the collections of the National Library of Russia, the Bibliothèque Nationale de France, The Museum of Islamic Art, Doha and the Nasser D. Khalili Collection of Islamic Art. It includes an extensive introduction, the facsimile of the original, and the full text with annotations.The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% of the letters, without any signs for short vowels. It varies from today's reference editions of the Qurʾān in verse numbering and has a different orthography. Essential reading for students and scholars of the history of the Qurʾān and its written transmission. Le Codex Amrensis 1 rassemble quatre fragments manuscrits, aujourd'hui dispersés dans les collections de la Bibliothèque nationale de France, de la Bibliothèque nationale de Russie, du Musée d'art islamique à Doha et dans la collection de Nasser D. Khalili. Ces fragments appartiennent à un même manuscrit, le Codex Amrensis 1 , qui était autrefois conservé dans la mosquée de ʿAmr ibn al-ʿĀṣ à Fusṭāṭ. Ses caractéristiques physiques et textuelles en font un témoin essentiel pour l'histoire du texte coranique et de sa transmission écrite au cours des deux premiers siècles de l'islam. Le présent volume propose aux lecteurs, étudiants et chercheurs, le fac-similé des folios, des annotations concernant son texte ainsi qu'une introduction à l'étude du manuscrit.
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"'Codex Amrensis 1', the first volume of the series 'Documenta Coranica', contains images and Arabic texts of four fragments from the Qurʼan codex once kept in the ʻAmr-ibn-al-ʻĀṣ-Mosque in Fusṭāṭ (Old Cairo). The manuscript, copied during the first half of the 8th century and written in ḥiǧāzī script, contains diacritical signs for about 20% or the letters, without any signs for short vowels. It varies from today's reference editions of the Qurʼan in verse numbering and has a different orthography. This volume contains the facsimile of the original (all images are 90% original size), annotations and an introduction to the research involved with this manuscript." -- Abstract.
Added title page in Arabic. :
1 online resource (xii, 319 pages) : facsimiles. :
Includes bibliographical references. :
9789004375499 :
Available to subscribing member institutions only.
The trade in papers marked with non-Latin characters :documents and history.
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The nine contributions in The Trade in Papers Marked with non-Latin Characters initiated by Anne Regourd (edition) approach global history through the paper trade. They cover, in addition to a paper used in 14th C Persia, papers used in Africa (Ethiopia, Nigeria, Tunisia) and Asia (the Ottoman Levant, Mecca, Persia, Russia, and Yemen) during the 19th-20th C. Primarily based on paper examination and quantitative data, the book invites us to treat papers as a source, and provides tools to determine the production of manuscripts in space and time for the area of interest. This methodology offers new insights on the competition between suppliers to the various markets particularly in respect of the emergence of import-export trading companies. Le commerce des papiers à marques à caractères non-latins , dont Anne Regourd (éd.) est à l'initiative, a pour projet de traiter d'histoire globale par le commerce du papier. Les neuf contributions réunies ici font apparaître un premier exemple de ce papier, persan, dès le xive s. sous les Moẓaffarides et, principalement, des papiers utilisés en Afrique (Éthiopie, Nigéria, Tunisie) et en Asie (Levant ottoman, La Mecque, Perse, Russie et Yémen), aux xixe et xxe s. S'appuyant sur l'observation des papiers et des données quantitatives, le livre invite à prendre le support de l'écrit comme source de l'histoire du commerce et donne des instruments pour déterminer la production de manuscrits dans l'espace et le temps pour une aire définie. Cette méthode renouvelle notre connaissance de l'approvisionnement des marchés, avec, en particulier, l'apparition de compagnies d'import-export. Contributors are: Michaelle Biddle, Evyn Kropf, Anne Regourd, Francis Richard, Alice Shafi-Leblanc, Jan Just Witkam, Olga Yastrebova. Foreword by Anna-Grethe Rischel.
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1 online resource. :
Includes bibliographical references and index. :
9789004360877 :
1877-9964 ; :
Available to subscribing member institutions only.
In the shadow of Bezalel : Aramaic, biblical, and ancient Near Eastern studies in honor of Bezalel Porten /
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Twenty nine scholars from Israel, Europe and the Americas came together to honor and celebrate Prof. Bezalel Porten's (Emeritus, Dept. of History of the Jewish People, Hebrew University of Jerusalem) academic career. Covering a wide variety of topics within Aramaic, Biblical, and ancient Near Eastern Studies, In the Shadow of Bezalel offers new insights and proposals in the areas of Aramaic language, paleography, onomastica and lexicography; ancient Near Eastern legal traditions, Hebrew Bible, and social history of the Persian period.
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1 online resource (l, 429 pages) :
Includes bibliographical references and index. :
9789004240841 :
Available to subscribing member institutions only.
Shakespeare and religio mentis: A Study of Christian Hermetism in Four Plays /
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Have you ever wondered why Cordelia has to die? Or how Alonso talks and walks about the isle while his body lies 'full fathom five' on the sea floor? Ever wondered why the monument to Shakespeare in the Church of the Holy Trinity in Stratford-upon-Avon names three pagans: Nestor, Socrates, and Virgil - king, philosopher, and poet? Or why Shakespeare is on Olympus, home of the Greek gods? This interdisciplinary study, the first to interpret the plays of Shakespeare in the light of the esoteric religious doctrines of the Corpus Hermeticum, holds answers to these and other puzzling questions.
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This landmark interdisciplinary study shines the light of religious Hermetism on Love's Labour's Lost, King Lear, Othello and The Tempest and reveals the 'religion of the mind' found in the Corpus Hermeticum to be a source of Shakespeare's understanding of human psychology. :
1 online resource. :
Includes bibliographical references and index. :
9789004520608
9789004516328
Shakespeare and religio mentis: A Study of Christian Hermetism in Four Plays /
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Have you ever wondered why Cordelia has to die? Or how Alonso talks and walks about the isle while his body lies 'full fathom five' on the sea floor? Ever wondered why the monument to Shakespeare in the Church of the Holy Trinity in Stratford-upon-Avon names three pagans: Nestor, Socrates, and Virgil - king, philosopher, and poet? Or why Shakespeare is on Olympus, home of the Greek gods? This interdisciplinary study, the first to interpret the plays of Shakespeare in the light of the esoteric religious doctrines of the Corpus Hermeticum, holds answers to these and other puzzling questions.
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This landmark interdisciplinary study shines the light of religious Hermetism on Love's Labour's Lost, King Lear, Othello and The Tempest and reveals the 'religion of the mind' found in the Corpus Hermeticum to be a source of Shakespeare's understanding of human psychology. :
1 online resource. :
Includes bibliographical references and index. :
9789004520608
9789004516328