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Machines intimes : de Baudelaire à Barthes (en passant par Proust et Bataille) /
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Le retour spectaculaire du refoulé est l'un des déterminants du rythme particulier de la modernité. La machine y a aussi sa part. Quand les désirs et les peurs liés à la machine, abandonnés, silencieux, cachés derrière le voile du progrès, émergent, ils créent une sorte de phénoménologie de la machine, qui pendant de nombreuses décennies constitue un point de référence pour des activités littéraires et artistiques. La machine s'y trouve, pour ainsi dire, intériorisée ; inextricablement liée aux affects et aux désirs, elle devient ce que je me propose d'appeler machine intime. Ce processus est étudié ici à travers les œuvres de Baudelaire, Proust, Bataille, Barthes, et quelques autres, dont Roussel, Artaud, Didi-Huberman, ainsi que dans la littérature érotique contemporaine. The spectacular return of the repressed is one of the determinants of the particular rhythm of modernity. The machine also plays its part. When the desires and fears linked to the machine, abandoned, silent, hidden behind the veil of progress, emerge, they create a kind of phenomenology of the machine, which for many decades constituted a point of reference for literary and artistic activities. The machine is, so to speak, interiorised; inextricably linked to affects and desires, it becomes what I propose to call an intimate machine. This process is explored here through the works of Baudelaire, Proust, Bataille, Barthes and others, including Roussel, Artaud and Didi-Huberman, as well as in contemporary erotic literature.
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1 online resource (315 pages) : illustrations. :
Includes bibliographical references and index. :
9789004742734
Tombes d'époque parthe : chantiers de la ville des artisans /
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Among the hundred or so tombs of post-Alexander date excavated by Roman Ghirshman between 1947 and 1952 on the mound of the "Ville des Artisans" at Susa, six are remarkable for their construction and burial contents. Shortly before his death in 1979, Ghirshman, director of the French "Mission de Suse" from 1946 until 1968, had started to write up his final report. Based on his notes, the authors have engaged to publish these tombs, together with the original plans, drawings and photographs of the burial goods. The grave contents consisted mainly of pottery, but also included glass vessels, figurines, metal objects and other small finds. The study of the material from these large vaulted subterranean structures indicates that they were most likely intended as family tombs, thus remaining in use for several decades and should be dated in the first or second century AD. Similar tombs are known at other sites in the region of Susa, and even in Mesopotamia, e.g. at Seleucia on the Tigris. A synthesis of the evolution in tomb architecture and typology, as well as the burial practices, for the whole site of Susa between the Seleucid and early Sasanian periods (third century BC to third century AD), is also presented, based on the short reports and unpublished excavation notes of Ghirshman, in addition to unpublished reports by his predecessors at the site.
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1 online resource (91 pages, 35 pages of plates) : illustrations. :
Includes bibliographical references (p. 87-91). :
9789004229365 :
Available to subscribing member institutions only.
A Jewish Archaeology : The Christian Discovery of Jewish Catacombs in Rome /
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This study examines how various catacomb networks in Rome were eliminated and subsequently restored to the historical record as specifically Jewish sites. By exploring the evolution, interpretation and presentation of these catacombs from ancient times to the present, it offers fresh insights into their historical significance and the impact they have had on later generations. Understanding how this situation relates to the broader context of archaeological activity in Rome also highlights important changes in the study of catacombs during the nineteenth century that led to the identification of additional Jewish catacombs and other material evidence of Jews in Ancient Rome.
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1 online resource (295 pages) : illustrations. :
Includes bibliographical references and index. :
9789004735385
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Shakespeare and religio mentis: A Study of Christian Hermetism in Four Plays /
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Have you ever wondered why Cordelia has to die? Or how Alonso talks and walks about the isle while his body lies 'full fathom five' on the sea floor? Ever wondered why the monument to Shakespeare in the Church of the Holy Trinity in Stratford-upon-Avon names three pagans: Nestor, Socrates, and Virgil - king, philosopher, and poet? Or why Shakespeare is on Olympus, home of the Greek gods? This interdisciplinary study, the first to interpret the plays of Shakespeare in the light of the esoteric religious doctrines of the Corpus Hermeticum, holds answers to these and other puzzling questions.
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This landmark interdisciplinary study shines the light of religious Hermetism on Love's Labour's Lost, King Lear, Othello and The Tempest and reveals the 'religion of the mind' found in the Corpus Hermeticum to be a source of Shakespeare's understanding of human psychology. :
1 online resource. :
Includes bibliographical references and index. :
9789004520608
9789004516328
Shakespeare and religio mentis: A Study of Christian Hermetism in Four Plays /
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Have you ever wondered why Cordelia has to die? Or how Alonso talks and walks about the isle while his body lies 'full fathom five' on the sea floor? Ever wondered why the monument to Shakespeare in the Church of the Holy Trinity in Stratford-upon-Avon names three pagans: Nestor, Socrates, and Virgil - king, philosopher, and poet? Or why Shakespeare is on Olympus, home of the Greek gods? This interdisciplinary study, the first to interpret the plays of Shakespeare in the light of the esoteric religious doctrines of the Corpus Hermeticum, holds answers to these and other puzzling questions.
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This landmark interdisciplinary study shines the light of religious Hermetism on Love's Labour's Lost, King Lear, Othello and The Tempest and reveals the 'religion of the mind' found in the Corpus Hermeticum to be a source of Shakespeare's understanding of human psychology. :
1 online resource. :
Includes bibliographical references and index. :
9789004520608
9789004516328