structures perception » structural conception (توسيع البحث), structures function (توسيع البحث)
perception within » conception within (توسيع البحث), perception again (توسيع البحث), perception ii (توسيع البحث)
de structures » des structures (توسيع البحث), de structure (توسيع البحث), deep structures (توسيع البحث)
Silence et langage : genese de la phenomenologie de Merleau-Ponty au seuil de l'ontologie /
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Dans Silence et langage Stephen A. Noble propose une relecture de la genèse de la phénoménologie de Merleau-Ponty qui analyse la place centrale du langage au sein d'une philosophie de la perception élaborée sur une solidarité du voir et du discours. En partant de La structure du comportement , et par l'intermédiaire notamment des travaux de Goldstein, l'étude situe le contexte dans lequel le langage apparaît comme thème majeur dans la pensée de Merleau-Ponty au sein d'un débat sur le vivant qui remonte à la philosophie kantienne. Sont réexaminées alors l'influence de la phénoménologie allemande sur Merleau-Ponty, ainsi que sa réflexion sur la littérature, la linguistique, et l'art, en s'appuyant aussi bien sur des écrits publiés que sur des textes inédits. In Silence et langage Stephen A. Noble offers a new interpretation of the development of Merleau-Ponty's phenomenology which analyses the central position of language within a philosophy of perception predicated upon the interdependence of seeing and speaking. Beginning with The Structure of Behaviour , and particularly through the work of Goldstein, the study situates the context in which language appears as a dominant theme in Merleau-Ponty's thought within a philosophical debate concerning the living organism which can be traced back to the writings of Kant. The work then re-examines the influences of German phenomenology on Merleau-Ponty, as well as the philosopher's reflections on literature, linguistics, and art, basing its arguments on both published and unpublished texts.
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1 online resource. :
Includes bibliographical references and index. :
9789004266858 :
1875-2470 ;
The technique of Islamic bookbinding : methods, materials and regional varieties /
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The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
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1 online resource (xi, 428 pages) : illustrations (chiefly color) :
Includes bibliographical references (p. 413-423), appendices, glossary, and index. :
9789004291119 :
1877-9964 ; :
Available to subscribing member institutions only.