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Tombes d'époque parthe : chantiers de la ville des artisans /
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Among the hundred or so tombs of post-Alexander date excavated by Roman Ghirshman between 1947 and 1952 on the mound of the "Ville des Artisans" at Susa, six are remarkable for their construction and burial contents. Shortly before his death in 1979, Ghirshman, director of the French "Mission de Suse" from 1946 until 1968, had started to write up his final report. Based on his notes, the authors have engaged to publish these tombs, together with the original plans, drawings and photographs of the burial goods. The grave contents consisted mainly of pottery, but also included glass vessels, figurines, metal objects and other small finds. The study of the material from these large vaulted subterranean structures indicates that they were most likely intended as family tombs, thus remaining in use for several decades and should be dated in the first or second century AD. Similar tombs are known at other sites in the region of Susa, and even in Mesopotamia, e.g. at Seleucia on the Tigris. A synthesis of the evolution in tomb architecture and typology, as well as the burial practices, for the whole site of Susa between the Seleucid and early Sasanian periods (third century BC to third century AD), is also presented, based on the short reports and unpublished excavation notes of Ghirshman, in addition to unpublished reports by his predecessors at the site.
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1 online resource (91 pages, 35 pages of plates) : illustrations. :
Includes bibliographical references (p. 87-91). :
9789004229365 :
Available to subscribing member institutions only.
Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinne /
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"In Der Ṭarab der Sängersklavinnen gibt Yasemin Gökpinar einen Einblick in Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) über Hofmusik von den Abbasiden bis zu den Mamluken mit Schwerpunkt auf den Sängersklavinnen (qiyān). Die interdisziplinäre Studie stellt Autor und Werk vor und etabliert das Liederbuch als historische Quelle. Zudem werden unterschiedliche strukturelle und inhaltliche Aspekte kombiniert: eine Untersuchung der Liedtextüberlieferer und des soziokulturellen Kontextes des Hoflebens im Lichte von Thomas Bauer's Ambiguitätstheorie, eine musikwissenschaftliche Analyse des Verhältnisses zwischen poetischem Metrum der Lieder und ihren musikalischen Rhythmen, schliesslich eine Betrachtung des Handlungsspielraumes der Sängerinnen und ihrer (relativen) Macht über ihre Besitzer durch ihre hervorragende Ausbildung und natürlichen Anlagen. In this volume Yasemin Gökpinar provides insight into Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) about court music from the Abbasids to the Mamluks, with special emphasis on the subject of high ranking singing slave-girls (qiyān). Her interdisciplinary study focuses on the author and his work, and presents the songbook as a historical source. Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education".
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1 online resource. :
Includes bibliographical references and index. :
9789004417649