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L'énigme du bonheur : étude sur le sujet du bien dans le livre de Qohélet /
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This study deals with the question of happiness in the book of Qoheleth, starting with the contemporary debate among modern writers concerning the status of various encouraging statements that emerge out of a general context in which "all is vanity". The first part of this study describes the current position of research, examining the debated questions. The second part proposes an exegetical and contextual inquiry of the words for happiness, drawn up by these authors. The third part suggests a way of resolving the enigma of happiness, based upon an additional formula of happiness, located at the beginning of the second half of the book. Gradually, a conviction takes shape: happiness does not have the same status in the two parts of the book. If, at first, happiness is presented as the only alternative given by God to help man to hold on when faced with the fleetingness of things in life, it later becomes an art of living, apt to be taught to future generations.
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1 online resource. :
Includes bibliographical references (p. 271-279) and indexes. :
9789047443315 :
Available to subscribing member institutions only.
The book of Psalms : composition and reception /
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Written by leading experts in the field as well as some younger scholars, The Book of Psalms: Composition and Reception offers a wide-ranging treatment of the main aspects of Psalms study. The almost 30 essays consist of two overall sections. The first section contains studies of a more general nature; commentary on or interpretation of specific Psalms; social setting; and the Psalter as book. The second section contains essays on the literary context of the Psalter (including Qumran texts); textual history and reception in Judaism and Christianity; and the theology of the Psalter. The volume ends with a cumulative bibliography and several useful indices.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047414797 :
0083-5889 ; :
Available to subscribing member institutions only.
L'œuvre de David l'Invincible et la transmission de la pensée grecque dans la tradition arménienne et syriaque /
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David, a member of the Platonic school in Alexandria in the sixth century, is credited with several commentaries on Aristotle's logic: those commentaries, and their Armenian translations, form the subject of this book. An introduction, which discusses David and his place in the Greek and the Armenian traditions, is followed by a series of studies of the relations between the Greek texts and their Armenian translations: the aims are, first, to assess the value of the translations for the constitution of the original Greek, and secondly, to consider the ways in which the Armenian translations adapted the texts to suit their new readership. More generally, the book is concerned with the ways in which Greek thought was exported abroad-to Armenia and to Syria: it is required reading for anyone who is interested in the circulation of ideas between east and west. Contributors include: Sen Arevshatyan, Jonathan Barnes, Valentina Calzolari, Henri Hugonnard-Roche, Gohar Muradyan, Michael Papazian, Manea Shirinian, Clive Sweeting, Albert Stepanyan, Aram Topchyan.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047442035 :
Available to subscribing member institutions only.
Das Konzil von Chalcedon und die Kirche : Konflikte und normierungsprozesse im 5. und 6. Jahrhundert /
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In Das Konzil von Chalcedon und die Kirche Sandra Leuenberger-Wenger offers a new perspective on the council of Chalcedon, analyzing the rich material of its acts. Leuenberger-Wenger shows the entanglement of the Christological debate with other fields of conflict concerning the status and authority of different episcopal sees and of monasticism in the church. The study emphasizes the importance of the traditionally neglected second part of the council with its canons and resolutions and argues that these regulations had a deep impact on the structures of the church as well as on the reception of the council and its definition of faith. The evaluation of a wide range of sources places the refusal of the definition of faith in the broader context of the transformation processes of the Roman Empire in Late Antiquity and the rejection of an increasingly institutionalized Byzantine Church. In Das Konzil von Chalcedon und die Kirche entwirft Sandra Leuenberger-Wenger anhand der Konzilsakten ein neues Bild von der Bedeutung dieses Konzils für die Kirche. Sie zeigt die Verknüpfung des christologischen Streits mit weiteren kirchlichen Konfliktfeldern wie dem Status und der Autorität einzelner Bischofssitze und des Mönchtums. Die Untersuchung betont die Bedeutung des zweiten Konzilsteils für die Entwicklung der Kirche und macht deutlich, wie die Regulierungen auf kirchenpolitischer und struktureller Ebene die Rezeption des Konzils entscheidend mitbestimmten. Die Auswertung eines breiten Quellenmaterials verortet das Konzil und seine schwierige Rezeption in den spätantiken Transformationsprozessen des Römischen Reichs im Übergang zum Mittelalter und deutet die Konflikte um die Glaubensdefinition im Horizont der umfassenderen Ablehnung einer zunehmend institutionalisierten byzantinischen Reichskirche.
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1 online resource. :
9789004406582
Silence et langage : genese de la phenomenologie de Merleau-Ponty au seuil de l'ontologie /
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Dans Silence et langage Stephen A. Noble propose une relecture de la genèse de la phénoménologie de Merleau-Ponty qui analyse la place centrale du langage au sein d'une philosophie de la perception élaborée sur une solidarité du voir et du discours. En partant de La structure du comportement , et par l'intermédiaire notamment des travaux de Goldstein, l'étude situe le contexte dans lequel le langage apparaît comme thème majeur dans la pensée de Merleau-Ponty au sein d'un débat sur le vivant qui remonte à la philosophie kantienne. Sont réexaminées alors l'influence de la phénoménologie allemande sur Merleau-Ponty, ainsi que sa réflexion sur la littérature, la linguistique, et l'art, en s'appuyant aussi bien sur des écrits publiés que sur des textes inédits. In Silence et langage Stephen A. Noble offers a new interpretation of the development of Merleau-Ponty's phenomenology which analyses the central position of language within a philosophy of perception predicated upon the interdependence of seeing and speaking. Beginning with The Structure of Behaviour , and particularly through the work of Goldstein, the study situates the context in which language appears as a dominant theme in Merleau-Ponty's thought within a philosophical debate concerning the living organism which can be traced back to the writings of Kant. The work then re-examines the influences of German phenomenology on Merleau-Ponty, as well as the philosopher's reflections on literature, linguistics, and art, basing its arguments on both published and unpublished texts.
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1 online resource. :
Includes bibliographical references and index. :
9789004266858 :
1875-2470 ;
Psalmen- und Psalter-Rezeption im Frühjudentum : Rekonstruktion, Textbestand, Struktur und Pragmatik der Psalmenrolle 11QPsa aus Qumran /
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This volume is concerned with the great Psalms Scroll from cave 11 at Qumran as an example for the reception (\'Fortschreibung\') of biblical texts and books in early judaism. After methodological considerations the scroll is examined and reconstructed entirely in its material and textual extent for the first time. Detailed analyses of the text and the structure of this work show that 11QPsᵃ developed from the final redaction of the biblical book of Psalms. In its unique text form and arrangement of Psalms it was composed in a qumranic milieu and functions as a work for a davidic figure.
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On t.p. the "a" in "11QPsa" is superscript.
Originally presented as the author's Habilitationsschrift--Bonn, 2002. :
1 online resource (x, 360 pages) :
Includes bibliographical references (p. 319-340) and index. :
9789004350472 :
0169-9962 ; :
Available to subscribing member institutions only.
Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinne /
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"In Der Ṭarab der Sängersklavinnen gibt Yasemin Gökpinar einen Einblick in Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) über Hofmusik von den Abbasiden bis zu den Mamluken mit Schwerpunkt auf den Sängersklavinnen (qiyān). Die interdisziplinäre Studie stellt Autor und Werk vor und etabliert das Liederbuch als historische Quelle. Zudem werden unterschiedliche strukturelle und inhaltliche Aspekte kombiniert: eine Untersuchung der Liedtextüberlieferer und des soziokulturellen Kontextes des Hoflebens im Lichte von Thomas Bauer's Ambiguitätstheorie, eine musikwissenschaftliche Analyse des Verhältnisses zwischen poetischem Metrum der Lieder und ihren musikalischen Rhythmen, schliesslich eine Betrachtung des Handlungsspielraumes der Sängerinnen und ihrer (relativen) Macht über ihre Besitzer durch ihre hervorragende Ausbildung und natürlichen Anlagen. In this volume Yasemin Gökpinar provides insight into Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) about court music from the Abbasids to the Mamluks, with special emphasis on the subject of high ranking singing slave-girls (qiyān). Her interdisciplinary study focuses on the author and his work, and presents the songbook as a historical source. Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education".
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1 online resource. :
Includes bibliographical references and index. :
9789004417649