design structures » design structural (توسيع البحث), des structures (توسيع البحث), medinan structures (توسيع البحث)
structures part » structure part (توسيع البحث), structures east (توسيع البحث), structures report (توسيع البحث)
Studies in Matthew's gospel : literary design, intertextuality, and social setting /
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These Studies in Matthew's Gospel by Wim J.C. Weren are the result of scholarly work carried out using recent methods in Biblical exegesis such as structural analysis, text semantics and intertextuality. Part One presents a new proposal regarding the macrostructure of Matthew's Gospel and discusses meanings of textual units from this Gospel on the basis of synchronic research. In Part Two, intertextual theories are described and practical tools are developed that enable us to identify various types of relations between texts from Matthew's Gospel and co-generic or co-thematic textual units from the Hebrew Bible, the Septuagint and early Jewish and early Christian writings. Part Three answers the question to what extent the ways in which the disciples are portrayed in Matthew is related to 'real' groups in the Matthean communities. The three successive steps are deliberately chosen and are in a complementary relationship to each other.
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1 online resource (x, 345 pages) :
Includes bibliographical references (p. 303-326) and index. :
9789004280519 :
0928-0731 ; :
Available to subscribing member institutions only.
Leonardo da Vinci and Architecture /
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Found scattered among his numerous manuscripts, Leonardo's studies on architecture were conceived during an artistic journey of close to fifty years while their author was in the service of the most prestigious patrons. Dealing with churches, ephemeral monuments, urban reconstruction, fortifications, palaces and villas, and painted architecture-mostly ideal in nature-they are part of the architectural evolution of the late quattrocento and early cinquecento. Leonardo's drawings assimilate the ideas of the pioneers of Renaissance architecture and focus on particular aspects, such as interventions on existing structures, classical orders, staircases, and decoration. Leonardo's analysis sheds light on dialogues with Bramante, Francesco di Giorgio, Giuliano da Sangallo, Michelangelo, Baldassare Peruzzi and Antonio da Sangallo the Younger and allows us to better understand whether his contributions were innovative, or singular interpretations of the achievements of his time. This is an augmented translation of Leonardo e l'architettura (Modena: Franco Cosimo Panini, 2019)
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1 online resource (302 pages) : illustrations. :
Includes bibliographical references and index. :
9789004537279
A Companion to Mester de Clerecía Poetry /
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Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints' lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004698048
Ancient Egyptian Image-Writing: Between the Unspoken and Visual Poetics /
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This article highlights the significance of considering the visual mediums of the ancient Egyptian (henceforth AE) writing system, in reading and translating AE literary texts. Despite their importance for understanding the internal mechanism of AE literary expressions, modern scholarship has not assimilated these visual mediums into its exploration. A possible theoretical framework for AE morphology structure may identify two input systems,, one visual for visually presented materials that are more related to visual comprehension, and the other phonological for material presented using the auditory modality. The studied examples confirm that the AE writers had the opportunity to invite their receivers to take part in two experiential tasks (visual and phonological) to provoke two different behaviours, to get the right meaning intended by the resourceful writer. The article is divided into two parts. The first part is concerned with the role of innovative imagination in forming both the “eloquent content” and its inseparable “poetic vocal form,” with full consideration of the creative relationship between these two elements. The second part is related to the ancient and modern reader’s reception of such visual-verbal interactions. The article demonstrates the significance of looking into such visual aesthetics—which were mainly designed to stimulate the eyes of the indigenous readers—to shape any theory related to the literary nature of ancient Egyptian writing. http://dx.doi.org/10.5913/jarce.55.2019.a009