process form » process art (Expand Search), process cook (Expand Search), process fix (Expand Search)
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a process » _ process (Expand Search), d process (Expand Search), a progress (Expand Search)
The Nadars of Tamilnad : The Political Culture of a Community in Change /
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Among the various communities of South India, the Nadars have perhaps most clearly evidenced the impact of change over the past 200 years. Considered by high-caste Hindus in the early nineteenth century to be of extremely low status, the Nadars-toddy-tappers, climbers of the palmyra palm-suffered severe social disabilities and were among the most depressed communities in the Tamil country. Because of their sensitive response to social and economic change over the past century and a half, the Nadars have today become one of the most successful groups in the South, in both economic and political terms, and considerable command respect. From among their numbers have come leaders in business, industry, and the professions; and in politics, Kamaraj, their illustrious son, brought fame to the caste as Chief Minister of Madras and as President of the Indian National Congress. The Nadars have had a turbulent and colourful history. Their struggle to rise above their depressed condition assumed dramatic forms in a series of escalating confrontations between the caste and its antagonists. From the breast-cloth controversy through the sack of Sivakasi to the Nadar Mahajana Sangam, the Nadars' rise, exemplifying the processes of mobilization in Indian society, provides rich material for an analysis of the political life of a community in change. When the book was first published in 1969, Lloyd Rudolph wrote, 'Hardgrave illuminates in ways hitherto unexplored the processes of social and political change that have so profoundly affected India. I judge his book to be one of the most important and exciting studies in the Indian field in recent years'. With this reissue, The Nadars of Tamilnad is again available, and its compelling portrayal of a caste in transition stands as, one reviewer wrote, 'one of the landmarks in South Indian social history'.
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1 online resource (352 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753952
Faire théâtre contemporain des textes littéraires (XVIe-XIXe siècles) : Regards croisés sur les pratiques au Québec et en Europe /
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Les classiques continuent de fasciner les artistes de la scène, qui ne cessent de s'interroger sur la manière dont ces œuvres sont susceptibles de rejoindre le public. En inscrivant ce livre à l'enseigne de la célèbre formule « faire théâtre de tout » du metteur en scène français Antoine Vitez, nous désirons montrer la persistance d'une problématique qui oblige à tenir compte de l'évolution des formes dramatiques mais aussi du régime culturel plus vaste, numérique en ce qui concerne le XXIe siècle, au sein duquel s'insère la transposition de ces œuvres sur la scène. Les études rassemblées dans ce volume jettent un regard croisé sur les pratiques scéniques contemporaines qui recourent à des textes littéraires au Québec et en Europe, tout en éclairant plusieurs enjeux théoriques et méthodologiques. Classics from prior centuries continue to fascinate theatre artists. They never stop thinking of ways to stage these works to reach actual audiences. By referring, in the title of our book, to French director Antoine Vitez's famous quote "make theatre with everything", we want to point out the persistence of a problematic causing artists to not only take into account the evolution of dramatic forms, but also the broader cultural regime, digital for the 21st Century, within which these transpositions take place. The studies gathered in this volume bring a fresh perspective to the contemporary performing practices in Quebec and in Europe using literary texts, and illuminate many theoretical and methodological issues in the process.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004726178
