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Inscriptional records for the dramatic festivals in Athens : IG II2 2318-2325 and related texts /
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IG II2 2318-2325 represent the most substantial surviving body of evidence for the institutional history of the Athenian dramatic festivals from their establishment at the end of the 6th century BCE to their disappearance sometime in the mid- to late 100s. Millis and Olson offer a completely updated text of the inscriptions, based on a close study of the stones themselves; detailed explanations of the restorations of the dimensions and organization of the original records, with numerous redatings and the like; and new - and in some cases radically different - reconstructions of the monuments on which they were inscribed. The volume also includes substantial interpretative essays on each set of records, a full epigraphic and prosopographic commentary, and several indices.
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1 online resource (xii, 238 pages) :
9789004232013 :
Available to subscribing member institutions only.
Representation in Religion, Studies in Honor of Moshe Barasch.
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The role of representation in religion is complex. While often perceived as essential, it is also associated in many traditions with the liability of idolatry and provokes iconoclasm. The essays in this volume examine the nuances of representation in religion and the debate concerning its place across a variety of traditions from the three Abrahamic faiths, to those of antiquity and the East. This volume consists of presentations made at an international conference held in honor of Moshe Barasch, art historian and cultural critic, who has done much to elucidate the light which representation and religion shed on each other. It pays tribute to Barasch by expanding the base of understanding and insight he has erected. It should be of interest to students of religion and of art history.
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1 online resource. :
9789004379121
Performing the Sacred: Christian Representation and the Arts /
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What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
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1 online resource. :
Includes bibliographical references and index. :
9789004522183
9789004517462
Lorenzo Gambara's Caprarola and On Poetic Composition : Text, Translation and Commentary /
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In 1569, Lorenzo Gambara published a long verse description of the Farnese palace at Caprarola, which was dedicated to Cardinal Alessandro Farnese. Twelve years later, this poem was thoroughly revised and considerably lengthened. In the meantime, the aged poet had repudiated the compositions of his youth and repented his lascivious verse. This dramatic change of heart is documented in a Latin treatise in which poets are encouraged to eschew pagan and classical themes in favor of Christian subject matter. This volume presents the first English translation with commentary of the revised poem and the treatise, which is newly ascribed to the Jesuit polymath Antonio Possevino.
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1 online resource (390 pages) : illustrations. :
Includes bibliographical references and index. :
9789004126671
Faire théâtre contemporain des textes littéraires (XVIe-XIXe siècles) : Regards croisés sur les pratiques au Québec et en Europe /
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Les classiques continuent de fasciner les artistes de la scène, qui ne cessent de s'interroger sur la manière dont ces œuvres sont susceptibles de rejoindre le public. En inscrivant ce livre à l'enseigne de la célèbre formule « faire théâtre de tout » du metteur en scène français Antoine Vitez, nous désirons montrer la persistance d'une problématique qui oblige à tenir compte de l'évolution des formes dramatiques mais aussi du régime culturel plus vaste, numérique en ce qui concerne le XXIe siècle, au sein duquel s'insère la transposition de ces œuvres sur la scène. Les études rassemblées dans ce volume jettent un regard croisé sur les pratiques scéniques contemporaines qui recourent à des textes littéraires au Québec et en Europe, tout en éclairant plusieurs enjeux théoriques et méthodologiques. Classics from prior centuries continue to fascinate theatre artists. They never stop thinking of ways to stage these works to reach actual audiences. By referring, in the title of our book, to French director Antoine Vitez's famous quote "make theatre with everything", we want to point out the persistence of a problematic causing artists to not only take into account the evolution of dramatic forms, but also the broader cultural regime, digital for the 21st Century, within which these transpositions take place. The studies gathered in this volume bring a fresh perspective to the contemporary performing practices in Quebec and in Europe using literary texts, and illuminate many theoretical and methodological issues in the process.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004726178
Myth, History and Archaeology : Essays and Reviews, 2000-2025 /
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A bronze mirror of the fourth century BC shows a she-wolf suckling infant twins. You may think that's a familiar story, but who are the other figures in the scene, and why is there a lion so prominent in the foreground? The image typifies the problems involved in studying the history and evolution of mythic stories in the ancient world. This collection of studies, prompted by a famous archaeologist's quasi-historical reinterpretation of the Romulus legend, seeks to achieve greater clarity by avoiding abstract concepts like 'oral tradition' or 'cultural memory' and paying close attention to what the primary sources presuppose.
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1 online resource (344 pages) : illustrations. :
Includes bibliographical references and index. :
9789004742901
The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
Narratives at Play in Aeschylus : Perspectives on Genre and Poetics /
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So little happens in the earliest surviving plays that their dramatic status almost escapes the reader. This calls for a revision of traditional views and historiographies of dramatic literature: for example, how did action come to define drama, and how did these genre developments influence reception? Above all, what constitutes drama when action is as optional as it apparently was in the 470s-460s BCE? This book rethinks Aeschylean theatre as a practice that combines elements of storytelling with enacted responses to them, and reads the literary remains of this practice from cross-generic perspectives (ancient, modern, and transhistorical). Recognizing the importance of embedded narratives in Aeschylus helps us adapt our poetological frameworks to his art at last, rather than vice versa.
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1 online resource (312 pages) : illustrations. :
Includes bibliographical references and index. :
9789004715806
Herodian's World : Empire and Emperors in the III Century /
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The History of the Empire from the Death of Marcus of Herodian in eight books, written in Greek, is a key source for the period from the reign of Commodus (AD 180) to that of Gordian III (238). Herodian is an eyewitness and the only contemporary historian whose work has come down to us in full. His point of view is all the more valuable because he is an outsider with respect to both court historiography, whose flattery he stigmatized, and to senatorial historians, represented mainly by Cassius Dio and by the biographies in the Historia Augusta . Nonetheless, Herodian has often been harshly criticized as a historian. This volume aims to shed light on the different areas and themes in which his historical work moves - literary technique, political lexicon, religious conception, geographical space, economic, political, cultural and military themes - to better understand the relevance of his historiographical approach and his historical thought.
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1 online resource. :
Includes bibliographical references and index. :
9789004500457
9789004500235
Towards a revival of analytical philosophy of history : around Paul A. Roth's vision of historical sciences /
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Towards a Revival of Analytical Philosophy of History: Around Paul A. Roth's Vision of Historical Sciences presents the state of the art in the philosophy of history. The purpose of this book is to discuss the revival of analytical philosophy of history proposed by Paul A. Roth, a world-known analytical philosopher of the social sciences and the humanities. The first four papers outline the reasons for the decline of philosophy of history, its present phase of development, and its possible future. The other authors discuss important questions of this field of research including: the ontological status of the past, the epistemological assumptions of historical research, the explanatory dimensions of the narrative. In the last group of papers, the authors apply some of Roth's theoretical ideas within their own fields of research. Contributors are: Krzysztof Brzechczyn, Nancy D. Campbell, Serge Grigoriev, Géza Kállay, Piotr Kowalewski, Jouni-Matti Kuukkanen, Chris Lorenz, Herman Paul, Dawid Rogacz, Paul A. Roth, Laura Stark, Stephen Turner, Rafał Paweł Wierzchosławski, and Eugen Zeleňák.
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1 online resource. :
Includes bibliographical references and index. :
9789004356900 :
0303-8157 ; :
Available to subscribing member institutions only.
Socio-Poiesis: A Theory on Liberation and Suffering : Toward a New Ethics of Shared Creation and Emancipation /
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Socio-Poiesis is a neologism coined to integrate and intersect theory and practice across several branches of the humanities, including social sciences, psychoanalysis, practical wisdom, Eastern philosophies, ethics, household management, and political philosophy. In this theory, there is a significant point of convergence with the ideas of thinkers like Erich Fromm, Adam Schaff, Adam Blaner, Jacob Moreno, Robin George Collingwood, and others.
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1 online resource (252 pages) : illustrations. :
Includes bibliographical references and index. :
9789004746527
Qur'ans of the Umayyads : a first overview /
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For the first time, the dramatic changes the Qur'anic code underwent during the Umayyad period (660-750 C.E.) are analysed and presented on the basis of a selection of material in good part unpublished. In Qur'ans of the Umayyads , François Déroche offers a chronology of the various developments which marked the period, in an approach combining philology, art history, codicology and palaeography. The conclusions he reaches challenge the traditional account about the writing down of the Qur'an and throw a new light on the role of the Umayyads in its handwritten diffusion. Winner of 23rd I.R. Iran World Award for the Book of the Year 2016!
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1 online resource (x, 155 pages, [45] pages of plates) : facsimile (some color) :
Includes bibliographical references and index. :
9789004261853 :
Available to subscribing member institutions only.