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Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Brill's companion to the reception of Aristophanes /
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Brill's Companion to the Reception of Aristophanes provides a substantive account of the reception of Aristophanes (c. 446-386 BC) from Antiquity to the present. Aristophanes was the renowned master of Old Attic Comedy, a dramatic genre defined by its topical satire, high poetry, frank speech, and obscenity. Since their initial production in classical Athens, his comedies have fascinated, inspired, and repelled critics, readers, translators, and performers. The book includes seventeen chapters that explore the ways in which the plays of Aristophanes have been understood, appropriated, adapted, translated, taught, and staged. Careful attention has been given to critical moments of reception across temporal, linguistic, cultural, and national boundaries.
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1 online resource. :
Includes bibliographical references and index. :
9789004324657 :
2213-1246 ; :
Available to subscribing member institutions only.
Religion without Ulterior Motive /
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The awareness of the potential for abuse of religion has risen dramatically in the West since 9/11. We all seem to agree that the abuse of religion should be averted, and condemnation of the abuse of religion is almost universal. Bram van de Beek, systematic theologian at Vrije Universiteit Amsterdam, has radicalised this discourse by claiming that religion should not be allied to any cause, not even to a good cause. He illustrates this by the way theology has been instrumentalized within the Reformed tradition in e.g. apologetic theology, liberation theology, theocraty, and pietism. His thesis provokes fervent discussions. Twelve prominent theologians react on issues such as public theology, evangelical activism, Christian life, the relevance of reasons for faith, the unity of the church, and contextualization of religion in various parts of the world. At stake is the assertion that precisely religion without ulterior motive is the best guarantee for relevant religion.
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1 online resource :
9789047411574
9789004155091