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The treasures of Alexander the Great : how one man's wealth shaped the world /
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"War, the most profitable economic activity in the ancient world, transferred wealth from the vanquished to the victor. Invasions, sieges, massacres, annexations, and mass deportations all redistributed property with dramatic consequences for kings and commoners alike. No conqueror ever captured more people or property in so short a lifetime than Alexander the Great in the late fourth century BC. For all its savagery, the creation of Alexander's empire has generally been hailed as a positive economic event for all concerned. Even those harshly critical of Alexander today tend to praise his plundering of Persia as a means of liberating the moribund resources of the East. To test this popular interpretation, The Treasures of Alexander the Great investigates the kinds and quantities of treasure seized by the Macedonian king, from gold and silver to land and slaves. It reveals what became of the king's wealth and what Alexander's redistribution of these vast resources can tell us about his much-disputed policies and personality. Though Alexander owed his vast fortune to war, battle also distracted him from competently managing his spoils and much was wasted, embezzled, deliberately destroyed, or idled unprofitably. The Treasures of Alexander the Great provides a long-overdue and accessible account of Alexander's wealth and its enormous impact on the ancient world"--
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xvii, 295 pages ; 23 cm. :
Includes bibliographical references and index. :
9780199950966
The letter of Mara bar Sarapion in context : proceedings of the symposium held at Utrecht University, 10-12 December 2009 /
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The Letter of Mara bar Sarapion to his son - preserved in a single Syriac manuscript (7th. century CE) - still speaks to its readers, evocatively depicting the dramatic situation of a nobleman imprisoned after the Roman capture of Samosata, capital of Commagene. The letter is best known today for a passage on the "wise king of the Jews," which may be one of the earliest pagan testimonies concerning Jesus Christ. Ongoing controversy over the letter's date, nature, and purpose has, however, led to the widespread neglect of this intriguing document. In the present volume, Merz and Tieleman have brought together cutting-edge research from an interdisciplinary team of leading experts that significantly advances our appreciation of the letter and its historical context.
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1 online resource (xiv, 245 pages) : illustrations, maps. :
Includes bibliographical references and index. :
9789004233010 :
Available to subscribing member institutions only.
Myth, History and Archaeology : Essays and Reviews, 2000-2025 /
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A bronze mirror of the fourth century BC shows a she-wolf suckling infant twins. You may think that's a familiar story, but who are the other figures in the scene, and why is there a lion so prominent in the foreground? The image typifies the problems involved in studying the history and evolution of mythic stories in the ancient world. This collection of studies, prompted by a famous archaeologist's quasi-historical reinterpretation of the Romulus legend, seeks to achieve greater clarity by avoiding abstract concepts like 'oral tradition' or 'cultural memory' and paying close attention to what the primary sources presuppose.
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1 online resource (344 pages) : illustrations. :
Includes bibliographical references and index. :
9789004742901
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Groaning tears : ethical and dramatic aspects of suicide in Greek tragedy /
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Groaning Tears examines suicide in Greek tragedy in light of the fifth-century ethical climate. No full-scale work has previously been devoted to this pervasive topic. The particular focus of identifying suicide as a response to the expectations of popular ethics and social demands makes it useful for scholars and students of drama, ethics and sociology. Chapter one establishes the ethical background of audiences in the fifth century while chapters two through five examine suicide in the context of whole plays based on motivational distinctions: to avoid disgrace and preserve an honorable reputation; to avoid further suffering; to end grief; and to sacrifice oneself for a greater good. The final chapter considers a drama of lighter tone that presents suicide in all of its ethical and theatrical aspects.
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1 online resource (x, 210 pages) :
Includes bibliographical references (p. 186-199) and index. :
9789004329522 :
0169-8958 ; :
Available to subscribing member institutions only.
The fourth Gospel and the manufacture of minds in ancient historiography, biography, romance, and drama /
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The Fourth Gospel and the Manufacture of Minds in Ancient Historiography, Biography, Romance, and Drama is the first book-length study of genre and character cognition in the Gospel of John. Informed by traditions of ancient literary criticism and the emerging discipline of cognitive narratology, Tyler Smith argues that narrative genres have generalizable patterns for representing cognitive material and that this has profound implications for how readers make sense of cognitive content woven into the narratives they encounter. After investigating conventions for representing cognition in ancient historiography, biography, romance, and drama, Smith offers an original account of how these conventions illuminate the Johannine narrative's enigmatic cognitive dimension, a rich tapestry of love and hate, belief and disbelief, recognition and misrecognition, understanding and misunderstanding, knowledge, ignorance, desire, and motivation.
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"This book is a revision of my 2016 PhD dissertation"-- Author's acknowledgements. :
1 online resource. :
Includes bibliographical references and index. :
9789004396043 :
0928-0731 ;
The ancients and Shakespeare on time : some remarks on the war of generations /
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In The Ancients and Shakespeare on Time Piotr Nowak depicts a world where tradition - devoid of gravity, "Sans teeth, sans eyes, sans taste, sans everything" - attempts to curb the young and new, while youth resists with all its power, vitality and characteristic insolence. The wars of generations, which Nowak explores in the works of Plato, Aristophanes and Shakespeare, pertain to the essence and meaning of time. They make up the dramatic tensions in the transgenerational dialogue between the old and the young.
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1 online resource (xiv, 106 pages) :
Includes bibliographical references (p. 97-101) and index. :
9789401210676 :
Available to subscribing member institutions only.
Sociology of religion in America : a history of a secular fascination with religion /
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Sociology of Religion in America tells the story of the controversies involved in the development of a scientific specialty that often makes news in America. The evidence it presents runs contrary to the many myths about the field. Sometimes viewed by scholars as a backwater, actual evidence from the 1890s to the 1980s shows that sociology of religion had a steady presence in sociology all along. Seen as a force alien to religion by some, it was actually in a mutually supportive relationship with religious organizations. Examining dissertations dating from 1895 to 1959 and scientific articles from the 1960s to the 1980s, Anthony J. Blasi discovers who the major sociologists of religion were and what they did. He traces the field's previously unknown tradition in community studies, the exigencies of the research institutes, and dramatic changes in the professional associations.
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1 online resource. :
Includes bibliographical references and index. :
9789004271036 :
0169-8834 ;
Nazis, Islamists, and the making of the modern Middle East /
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"During the 1930s and 1940s, a unique and lasting political alliance was forged among Third Reich leaders, Arab nationalists, and Muslim religious authorities. From this relationship sprang a series of dramatic events that, despite their profound impact on the course of World War II, remained secret until now. In this groundbreaking book, esteemed Middle East scholars Barry Rubin and Wolfgang G. Schwanitz uncover for the first time the complete story of this dangerous alliance and explore its continuing impact on Arab politics in the twenty-first century. Rubin and Schwanitz reveal, for example, the full scope of Palestinian leader Amin al-Husaini's support of Hitler's genocidal plans against European and Middle Eastern Jews. In addition, they expose the extent of Germany's long-term promotion of Islamism and jihad. Drawing on unprecedented research in European, American, and Middle East archives, many recently opened and never before written about, the authors offer new insight on the intertwined development of Nazism and Islamism and its impact on the modern Middle East"-- Provided by publisher.
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xiii, 340 pages : illustrations, maps ; 25 cm. :
Includes bibliographical references and index. :
9780300140903 :
shimaa
The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
Towards a revival of analytical philosophy of history : around Paul A. Roth's vision of historical sciences /
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Towards a Revival of Analytical Philosophy of History: Around Paul A. Roth's Vision of Historical Sciences presents the state of the art in the philosophy of history. The purpose of this book is to discuss the revival of analytical philosophy of history proposed by Paul A. Roth, a world-known analytical philosopher of the social sciences and the humanities. The first four papers outline the reasons for the decline of philosophy of history, its present phase of development, and its possible future. The other authors discuss important questions of this field of research including: the ontological status of the past, the epistemological assumptions of historical research, the explanatory dimensions of the narrative. In the last group of papers, the authors apply some of Roth's theoretical ideas within their own fields of research. Contributors are: Krzysztof Brzechczyn, Nancy D. Campbell, Serge Grigoriev, Géza Kállay, Piotr Kowalewski, Jouni-Matti Kuukkanen, Chris Lorenz, Herman Paul, Dawid Rogacz, Paul A. Roth, Laura Stark, Stephen Turner, Rafał Paweł Wierzchosławski, and Eugen Zeleňák.
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1 online resource. :
Includes bibliographical references and index. :
9789004356900 :
0303-8157 ; :
Available to subscribing member institutions only.
Usages of the Past in Roman Historiography /
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"Usages of the Past in Roman Historiography contains 11 articles on how the Ancient Roman historians used, and manipulated, the past. What did they seek to accomplish by participating in its re-creation, what tools did they have at their disposal to do so, and which underlying conceptualisations of history can we glimpse behind their efforts? Key themes include the impact of the transformation from Republic to Empire on the production of history, the nature of intertextuality in historical writing, and the frontiers between history and other literary genres. The volume, edited by Aske Damtoft Poulsen and Arne Jönsson, encompasses diverse approaches to the study of Roman history and historiography, with contributors from the UK, US, Sweden, Germany, Denmark, and Italy. Contributors are: Rhiannon Ash, Roberto Cristofoli, Aske Damtoft Poulsen, Kyle Khellaf, Christopher B. Krebs, Christina Shuttleworth Kraus, Anne-Marie Leander Touati, Rachel Lilley Love, Ulrike Roth, Kai Ruffing & Johan Vekselius"--
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These questions formed the backbone of a conference entitled "Usages of the Past in Roman Historiography", which took place at Lund University 11-12 January 2018--Preface. :
1 online resource. :
Includes bibliographical references and index. :
9789004445086
9789004445024
Faire théâtre contemporain des textes littéraires (XVIe-XIXe siècles) : Regards croisés sur les pratiques au Québec et en Europe /
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Les classiques continuent de fasciner les artistes de la scène, qui ne cessent de s'interroger sur la manière dont ces œuvres sont susceptibles de rejoindre le public. En inscrivant ce livre à l'enseigne de la célèbre formule « faire théâtre de tout » du metteur en scène français Antoine Vitez, nous désirons montrer la persistance d'une problématique qui oblige à tenir compte de l'évolution des formes dramatiques mais aussi du régime culturel plus vaste, numérique en ce qui concerne le XXIe siècle, au sein duquel s'insère la transposition de ces œuvres sur la scène. Les études rassemblées dans ce volume jettent un regard croisé sur les pratiques scéniques contemporaines qui recourent à des textes littéraires au Québec et en Europe, tout en éclairant plusieurs enjeux théoriques et méthodologiques. Classics from prior centuries continue to fascinate theatre artists. They never stop thinking of ways to stage these works to reach actual audiences. By referring, in the title of our book, to French director Antoine Vitez's famous quote "make theatre with everything", we want to point out the persistence of a problematic causing artists to not only take into account the evolution of dramatic forms, but also the broader cultural regime, digital for the 21st Century, within which these transpositions take place. The studies gathered in this volume bring a fresh perspective to the contemporary performing practices in Quebec and in Europe using literary texts, and illuminate many theoretical and methodological issues in the process.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004726178