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Representation in Religion, Studies in Honor of Moshe Barasch.
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The role of representation in religion is complex. While often perceived as essential, it is also associated in many traditions with the liability of idolatry and provokes iconoclasm. The essays in this volume examine the nuances of representation in religion and the debate concerning its place across a variety of traditions from the three Abrahamic faiths, to those of antiquity and the East. This volume consists of presentations made at an international conference held in honor of Moshe Barasch, art historian and cultural critic, who has done much to elucidate the light which representation and religion shed on each other. It pays tribute to Barasch by expanding the base of understanding and insight he has erected. It should be of interest to students of religion and of art history.
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1 online resource. :
9789004379121
Performing the Sacred: Christian Representation and the Arts /
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What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
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1 online resource. :
Includes bibliographical references and index. :
9789004522183
9789004517462
The Diachrony of Ditransitives in Late Modern Swedish /
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This book presents the first major study of ditransitives in Swedish. Using a combination of well-established and innovative corpus-based methods, the book reveals considerable changes in the constructional behaviour of ditransitive verbs over the course of the last 200 years. The key finding is that the use of the so-called double object construction has decreased dramatically in terms of frequency, lexical richness and semantic range. This development is parallelled by a decisive increase in prepositional object constructions. The results are of high relevance to the ongoing debate within construction grammar on constructional productivity and on the nature of horizontal links.
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1 online resource (328 pages) : illustrations. :
Includes bibliographical references and index. :
9789004686410
The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
Narratives at Play in Aeschylus : Perspectives on Genre and Poetics /
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So little happens in the earliest surviving plays that their dramatic status almost escapes the reader. This calls for a revision of traditional views and historiographies of dramatic literature: for example, how did action come to define drama, and how did these genre developments influence reception? Above all, what constitutes drama when action is as optional as it apparently was in the 470s-460s BCE? This book rethinks Aeschylean theatre as a practice that combines elements of storytelling with enacted responses to them, and reads the literary remains of this practice from cross-generic perspectives (ancient, modern, and transhistorical). Recognizing the importance of embedded narratives in Aeschylus helps us adapt our poetological frameworks to his art at last, rather than vice versa.
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1 online resource (312 pages) : illustrations. :
Includes bibliographical references and index. :
9789004715806
Lorenzo Gambara's Caprarola and On Poetic Composition : Text, Translation and Commentary /
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In 1569, Lorenzo Gambara published a long verse description of the Farnese palace at Caprarola, which was dedicated to Cardinal Alessandro Farnese. Twelve years later, this poem was thoroughly revised and considerably lengthened. In the meantime, the aged poet had repudiated the compositions of his youth and repented his lascivious verse. This dramatic change of heart is documented in a Latin treatise in which poets are encouraged to eschew pagan and classical themes in favor of Christian subject matter. This volume presents the first English translation with commentary of the revised poem and the treatise, which is newly ascribed to the Jesuit polymath Antonio Possevino.
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1 online resource (390 pages) : illustrations. :
Includes bibliographical references and index. :
9789004126671
Faire théâtre contemporain des textes littéraires (XVIe-XIXe siècles) : Regards croisés sur les pratiques au Québec et en Europe /
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Les classiques continuent de fasciner les artistes de la scène, qui ne cessent de s'interroger sur la manière dont ces œuvres sont susceptibles de rejoindre le public. En inscrivant ce livre à l'enseigne de la célèbre formule « faire théâtre de tout » du metteur en scène français Antoine Vitez, nous désirons montrer la persistance d'une problématique qui oblige à tenir compte de l'évolution des formes dramatiques mais aussi du régime culturel plus vaste, numérique en ce qui concerne le XXIe siècle, au sein duquel s'insère la transposition de ces œuvres sur la scène. Les études rassemblées dans ce volume jettent un regard croisé sur les pratiques scéniques contemporaines qui recourent à des textes littéraires au Québec et en Europe, tout en éclairant plusieurs enjeux théoriques et méthodologiques. Classics from prior centuries continue to fascinate theatre artists. They never stop thinking of ways to stage these works to reach actual audiences. By referring, in the title of our book, to French director Antoine Vitez's famous quote "make theatre with everything", we want to point out the persistence of a problematic causing artists to not only take into account the evolution of dramatic forms, but also the broader cultural regime, digital for the 21st Century, within which these transpositions take place. The studies gathered in this volume bring a fresh perspective to the contemporary performing practices in Quebec and in Europe using literary texts, and illuminate many theoretical and methodological issues in the process.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004726178
Brill's companion to the reception of Aristophanes /
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Brill's Companion to the Reception of Aristophanes provides a substantive account of the reception of Aristophanes (c. 446-386 BC) from Antiquity to the present. Aristophanes was the renowned master of Old Attic Comedy, a dramatic genre defined by its topical satire, high poetry, frank speech, and obscenity. Since their initial production in classical Athens, his comedies have fascinated, inspired, and repelled critics, readers, translators, and performers. The book includes seventeen chapters that explore the ways in which the plays of Aristophanes have been understood, appropriated, adapted, translated, taught, and staged. Careful attention has been given to critical moments of reception across temporal, linguistic, cultural, and national boundaries.
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1 online resource. :
Includes bibliographical references and index. :
9789004324657 :
2213-1246 ; :
Available to subscribing member institutions only.
Between Worlds : Forging an African Mission Church in Southern Africa /
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Between Worlds expands beyond the focus of the previous volume-the British colony of Natal-to the more challenging framework of the American Zulu Mission and its Congregational churches in southeastern Africa between the 1880s and 1920s. This study rejects arguments by many critical scholars, who see Western missionaries at best as adjuncts of the colonial project, imposing an understanding of Western Christianity that inevitably clashes with alien and resistant African cultures. The mission-church relationship in this era also changes dramatically especially in urban environments. The church in South Africa becomes the dominant partner from the 1880s and by 1900 the mission has become an adjunct of the church-an understanding with far-reaching consequences elsewhere in the subcontinent.
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1 online resource (292 pages) : illustrations. :
Includes bibliographical references and index. :
9789004733701
The Rise of the Covenant of Redemption in the Theology of Samuel Rutherford /
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The Church of Scotland divine Samuel Rutherford (1600-61) was among the first theologians to say that Christ's saving work took place to fulfill an agreement between God and Christ that had been made in eternity. By placing Rutherford's major statements of this new doctrine in their various social, political, polemical, and pastoral contexts, this book provides a fresh explanation for the dramatic rise of the eternal covenant of redemption to become the cornerstone of Reformed federal theology and offers a case-study in the development of doctrine.
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1 online resource (274 pages) : illustrations. :
Includes bibliographical references and index. :
9789004727212
Hearing Kyriotic sonship : a cognitive and rhetorical approach to the characterization of Mark's Jesus /
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In Hearing Kyriotic Sonship Michael Whitenton explores first-century audience impressions of Mark's Jesus in light of ancient rhetoric and modern cognitive science. Commonly understood as neither divine nor Davidic, Mark's Jesus appears here as the functional equivalent to both Israel's god and her Davidic king. The dynamics of ancient performance and the implicit rhetoric of the narrative combine to subtly alter listeners' perspectives of Jesus. Previous approaches have routinely viewed Mark's Jesus as neither divine nor Davidic largely on the basis of a lack of explicit affirmations. Drawing our attention to the mechanics of inference generation and narrative persuasion, Whitenton shows us that ancient listeners probably inferred much about Mark's Jesus that is not made explicit in the narrative.
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1 online resource. :
Includes bibliographical references and index. :
9789004329652 :
0928-0731 ; :
Available to subscribing member institutions only.
What's in a Name? A Grammar of Pluralism and Foundations of the Vernacular /
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Would it be possible to overcome the dualism of universalism and relativism that the story of the Tower of Babel portends, and modernity perpetuates? Between the dominant paradigms of the dualism of the classical and the vernacular, of universal grammar of Chomskian bio-linguistics and hermeneutic relativism of Steiner, of the ideal and ordinary language theories of Wittgensteinian socio-linguistics, this dichotomy plays itself out, again and again. Tracing the genealogy of the fundamental difference between the presuppositions of a grammar of pluralism and of universal grammar to the disagreement between Plato and Aristotle on the theory of forms, this book brings into focus the dramatic and crucial changes wrought in the liturgy of the Eucharist, in the 13th century, that consolidated Aristotelianism as the dominant regime of the Christian Church and laid the foundations of universal grammar both of the European modernity and of the modern world at large. It argues that it is the vernacular traditions however, that continually challenge this regime within different religious orthodoxies and in modernity with the reiteration and re-affirmation of the theory of the true name as the basis of a grammar of pluralism.
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1 online resource (202 pages) : illustrations. :
Includes bibliographical references and index. :
9789004739130
The Jewish Neo-Aramaic dialect of Challa /
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Aramaic has been spoken uninterruptedly for more than 3000 years, yet a generation from now most Aramaic dialects will be extinct. The study of the Northeastern Neo-Aramaic (NENA) dialects has increased dramatically in the past decade as linguists seek to record these dialects before the disappearance of their last speakers. This work is a unique documentation of the now extinct Jewish Neo-Aramaic dialect of Challa (modern-day Çukurca, Turkey). It is based on recordings of the last native speaker of the dialect, who passed away in 2007. In addition to a grammatical description, it contains sample texts and a glossary of the dialect. Jewish Challa belongs to the cluster of NENA dialects known as 'lishana deni' and reference is made throughout to other dialects within this group.
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1 online resource. :
Includes bibliographical references (p. [307]-314). :
9789047430261 :
Available to subscribing member institutions only.