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Groaning tears : ethical and dramatic aspects of suicide in Greek tragedy /
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Groaning Tears examines suicide in Greek tragedy in light of the fifth-century ethical climate. No full-scale work has previously been devoted to this pervasive topic. The particular focus of identifying suicide as a response to the expectations of popular ethics and social demands makes it useful for scholars and students of drama, ethics and sociology. Chapter one establishes the ethical background of audiences in the fifth century while chapters two through five examine suicide in the context of whole plays based on motivational distinctions: to avoid disgrace and preserve an honorable reputation; to avoid further suffering; to end grief; and to sacrifice oneself for a greater good. The final chapter considers a drama of lighter tone that presents suicide in all of its ethical and theatrical aspects.
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1 online resource (x, 210 pages) :
Includes bibliographical references (p. 186-199) and index. :
9789004329522 :
0169-8958 ; :
Available to subscribing member institutions only.
Critical reflections on religion and media in contemporary Bali /
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Scholars of religion have always worked closely with media of one kind or another, from sacred books and archaic languages to cassette-sermons and the Internet. Yet comparatively little attention has been paid to the ways we actually use these and other media in the pursuit of historical inquiry. Drawing on ethnographic and archival research conducted on the Indonesian island of Bali, this book offers a critique of the media-related assumptions underpinning fields as diverse in their subject matter and approach as the history of religions, British cultural studies and Old Javanese philology. Its central contention is that more nuanced attention to problems of media will have serious implications for how we think about the study of religions, past and present.
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1 online resource. :
Includes bibliographical references and index. :
9789047429937 :
0169-8834 ; :
Available to subscribing member institutions only.
Brill's companion to the reception of Aristophanes /
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Brill's Companion to the Reception of Aristophanes provides a substantive account of the reception of Aristophanes (c. 446-386 BC) from Antiquity to the present. Aristophanes was the renowned master of Old Attic Comedy, a dramatic genre defined by its topical satire, high poetry, frank speech, and obscenity. Since their initial production in classical Athens, his comedies have fascinated, inspired, and repelled critics, readers, translators, and performers. The book includes seventeen chapters that explore the ways in which the plays of Aristophanes have been understood, appropriated, adapted, translated, taught, and staged. Careful attention has been given to critical moments of reception across temporal, linguistic, cultural, and national boundaries.
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1 online resource. :
Includes bibliographical references and index. :
9789004324657 :
2213-1246 ; :
Available to subscribing member institutions only.
Euripides' Bacchae : the play and its audience /
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The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.
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Originally presented as the author's thesis (doctoral)--Free University of Amsterdam. :
1 online resource (200 pages) :
Includes bibliographical references (p. 192-198) and index. :
9789004328051 :
Available to subscribing member institutions only.