dramatic presentation » dramatic representation (توسيع البحث), dramatic representationof (توسيع البحث), demande presentation (توسيع البحث)
presentation chapter » representation chapter (توسيع البحث), argumentation chapter (توسيع البحث), fragmentation chapter (توسيع البحث)
chapter rage » chapter one (توسيع البحث), chapter five (توسيع البحث), chapter nine (توسيع البحث)
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Groaning tears : ethical and dramatic aspects of suicide in Greek tragedy /
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Groaning Tears examines suicide in Greek tragedy in light of the fifth-century ethical climate. No full-scale work has previously been devoted to this pervasive topic. The particular focus of identifying suicide as a response to the expectations of popular ethics and social demands makes it useful for scholars and students of drama, ethics and sociology. Chapter one establishes the ethical background of audiences in the fifth century while chapters two through five examine suicide in the context of whole plays based on motivational distinctions: to avoid disgrace and preserve an honorable reputation; to avoid further suffering; to end grief; and to sacrifice oneself for a greater good. The final chapter considers a drama of lighter tone that presents suicide in all of its ethical and theatrical aspects.
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1 online resource (x, 210 pages) :
Includes bibliographical references (p. 186-199) and index. :
9789004329522 :
0169-8958 ; :
Available to subscribing member institutions only.
The collected biblical writings of T.C. Skeat /
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A high proportion of the many articles published by the papyrologist T.C. Skeat (1907-2003), a former Keeper of Manuscripts at the British Museum, concerns the New Testament. This present collection gathers together papers on Biblical and related matters contributed by Skeat for over sixty years to various publications. The book divides these into three sections: ancient book production, studies on particular Biblical manuscripts and textual criticism. In his Introduction J.K. Elliott assesses the importance of Skeat's work and he incorporates from personal correspondence some of Skeat's later thinking on these topics. A full Bibliography of Skeat's writings is included.
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1 online resource (xxxiv, 298 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789047405658 :
0167-9732 ; :
Available to subscribing member institutions only.
The reception of the legend of Hero and Leander /
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This book is a study of the literary reception of the originally Greek love-story of Hero and Leander, examining the nature of the tale and demonstrating its longevity and huge popularity from classical times to the present, in a great variety of different genres. Chapters consider the classical versions (Ovid, Musaios, Martial), medieval and renaissance versions in various European languages, folk and literary ballads (and even a pop song), the lyric, dramatic versions, settings to music, burlesques and travesties in all genres, modern reflections of the story in (experimental) literary forms.
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1 online resource. :
Includes bibliographical references. :
9789004400948
Die Unfähigkeit, sich zu erkennen : Sophokles' Tragödien /
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This book interprets all seven Sophoclean tragedies (5th century B.C.) as a whole, focussing on the aspect of individuals being guilty of not reaching proper conclusions about their own selves and their situation, although they possess the means and ability to do so. Chapter I offers exact definitions of the concepts employed in analyzing the tragedies. Chapters II-VIII each contain a detailed interpretation of one of Sophocles' seven tragedies. Chapter IX ('Tableau') presents the dramatic works within the context of Greek history of thought and politics of their time, while Chapter X sheds some light on how Sophoclean concepts were continued in the comedies of Menander. This study should not only prove helpful to scholars in the field of literary studies, but also to historians, philosophers and all those interested in history of thought and cultural history, since it examines in a fundamental way the thought of one of the most important poets of ancient Europe.
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1 online resource (xi, 320 pages) :
Includes bibliographical references (p. 289-303) and indexes. :
9789004350953 :
0169-8958 ; :
Available to subscribing member institutions only.
The Diachrony of Ditransitives in Late Modern Swedish /
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This book presents the first major study of ditransitives in Swedish. Using a combination of well-established and innovative corpus-based methods, the book reveals considerable changes in the constructional behaviour of ditransitive verbs over the course of the last 200 years. The key finding is that the use of the so-called double object construction has decreased dramatically in terms of frequency, lexical richness and semantic range. This development is parallelled by a decisive increase in prepositional object constructions. The results are of high relevance to the ongoing debate within construction grammar on constructional productivity and on the nature of horizontal links.
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1 online resource (328 pages) : illustrations. :
Includes bibliographical references and index. :
9789004686410
Euripides' Bacchae : the play and its audience /
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The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.
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Originally presented as the author's thesis (doctoral)--Free University of Amsterdam. :
1 online resource (200 pages) :
Includes bibliographical references (p. 192-198) and index. :
9789004328051 :
Available to subscribing member institutions only.