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Groaning tears : ethical and dramatic aspects of suicide in Greek tragedy /
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Groaning Tears examines suicide in Greek tragedy in light of the fifth-century ethical climate. No full-scale work has previously been devoted to this pervasive topic. The particular focus of identifying suicide as a response to the expectations of popular ethics and social demands makes it useful for scholars and students of drama, ethics and sociology. Chapter one establishes the ethical background of audiences in the fifth century while chapters two through five examine suicide in the context of whole plays based on motivational distinctions: to avoid disgrace and preserve an honorable reputation; to avoid further suffering; to end grief; and to sacrifice oneself for a greater good. The final chapter considers a drama of lighter tone that presents suicide in all of its ethical and theatrical aspects.
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1 online resource (x, 210 pages) :
Includes bibliographical references (p. 186-199) and index. :
9789004329522 :
0169-8958 ; :
Available to subscribing member institutions only.
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
A decade of Ghana : politics, economy and society, 2004-2013 /
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This chronology for 2004 to 2013 compiles the chapters on Ghana previously published in the Africa Yearbook. Politics, Economy and Society South of the Sahara . Political stability in Ghana in the last few years contrasted with dramatic developments in other West-African countries. Ghana has a relatively high growth-rate, and also plays a role in regional security issues.
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1 online resource (vi, 148 pages) :
Includes bibliographical references and index. :
9789004310940 :
Available to subscribing member institutions only.
The ancients and Shakespeare on time : some remarks on the war of generations /
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In The Ancients and Shakespeare on Time Piotr Nowak depicts a world where tradition - devoid of gravity, "Sans teeth, sans eyes, sans taste, sans everything" - attempts to curb the young and new, while youth resists with all its power, vitality and characteristic insolence. The wars of generations, which Nowak explores in the works of Plato, Aristophanes and Shakespeare, pertain to the essence and meaning of time. They make up the dramatic tensions in the transgenerational dialogue between the old and the young.
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1 online resource (xiv, 106 pages) :
Includes bibliographical references (p. 97-101) and index. :
9789401210676 :
Available to subscribing member institutions only.
