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Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
The ancients and Shakespeare on time : some remarks on the war of generations /
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In The Ancients and Shakespeare on Time Piotr Nowak depicts a world where tradition - devoid of gravity, "Sans teeth, sans eyes, sans taste, sans everything" - attempts to curb the young and new, while youth resists with all its power, vitality and characteristic insolence. The wars of generations, which Nowak explores in the works of Plato, Aristophanes and Shakespeare, pertain to the essence and meaning of time. They make up the dramatic tensions in the transgenerational dialogue between the old and the young.
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1 online resource (xiv, 106 pages) :
Includes bibliographical references (p. 97-101) and index. :
9789401210676 :
Available to subscribing member institutions only.
Ens primum cognitum in Thomas Aquinas and the tradition : the philosophy of being as first known /
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Ens Primum Cognitum in Thomas Aquinas and the Tradition presents a reading of Thomas Aquinas' claim that "being" is the first object of the human intellect. Blending the insights of both the early Thomistic tradition (c.1380-1637AD) and the Leonine Thomistic revival (1879-present), Brian Kemple examines how this claim of Aquinas has been traditionally understood, and what is lacking in that understanding. While the recent tradition has emphasized the primacy of the real (so-called ens reale ) in human recognition of the primum cognitum , Kemple argues that this misinterprets Aquinas, thereby closing off Thomistic philosophy to the broader perspective needed to face the philosophical challenges of today, and proposes an alternative interpretation with dramatic epistemological and metaphysical consequences.
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1 online resource (viii, 376 pages) :
Includes bibliographical references and index. :
9789004352568 :
Available to subscribing member institutions only.