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dramatic » pragmatic (توسيع البحث)
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Myth, History and Archaeology : Essays and Reviews, 2000-2025 /
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A bronze mirror of the fourth century BC shows a she-wolf suckling infant twins. You may think that's a familiar story, but who are the other figures in the scene, and why is there a lion so prominent in the foreground? The image typifies the problems involved in studying the history and evolution of mythic stories in the ancient world. This collection of studies, prompted by a famous archaeologist's quasi-historical reinterpretation of the Romulus legend, seeks to achieve greater clarity by avoiding abstract concepts like 'oral tradition' or 'cultural memory' and paying close attention to what the primary sources presuppose.
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1 online resource (344 pages) : illustrations. :
Includes bibliographical references and index. :
9789004742901
Narratives at Play in Aeschylus : Perspectives on Genre and Poetics /
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So little happens in the earliest surviving plays that their dramatic status almost escapes the reader. This calls for a revision of traditional views and historiographies of dramatic literature: for example, how did action come to define drama, and how did these genre developments influence reception? Above all, what constitutes drama when action is as optional as it apparently was in the 470s-460s BCE? This book rethinks Aeschylean theatre as a practice that combines elements of storytelling with enacted responses to them, and reads the literary remains of this practice from cross-generic perspectives (ancient, modern, and transhistorical). Recognizing the importance of embedded narratives in Aeschylus helps us adapt our poetological frameworks to his art at last, rather than vice versa.
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1 online resource (312 pages) : illustrations. :
Includes bibliographical references and index. :
9789004715806
Influences on Peripatetic rhetoric : essays in honor of William W. Fortenbaugh /
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There has recently been a great deal of scholarship on the origins of rhetoric, as well as on important 4th-century figures, such as Isocrates and Alcidamas. This volumes focuses particularly on the generation before Aristotle wrote his Rhetoric, the central text of ancient Greek rhetorical theory. Individual papers concentrate on different aspects of the Peripatetics' writings, both of Aristotle and Theophrastus, their thoughts on character, emotion, logos, style, and metaphor, the influences of dramatic writings, the relationship with Plato and with the Rhetorica ad Alexandrum , and the historical contexts. Some papers offer close readings of individual passages, while others tease out information based on fragmentary references. All of the papers offer original insights based on a thorough knowledge of the original texts.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047419525 :
0079-1687 ; :
Available to subscribing member institutions only.
Departure and consolation : the Johannine farewell discourses in light of Greco-Roman literature /
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In contrast to the common opinion that the Johannine Farewell Discourses represent solely the Jewish genre of the Testament, George Parsenios argues that features of the discourses are misread or missed completely apart from Greco-Roman literature. Evidence from classical drama, for instance, assists in reading Jesus' return to the Father as a dramatic exit and, further, accounts for the puzzling delay of Jesus at 14:31 without recourse to redaction theories. Consolation literature and the literary symposium emphasize Jesus' continuing and consoling presence, with particular attention to the Paraclete's role as doppelgänger. The thread that binds the various chapters into a coherent whole, therefore, is the utility of classical literature in clarifying Jesus' consoling presence even after his departure to the Father.
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Revision of the author's thesis (doctoral)--Yale University, 2002. :
1 online resource (x, 174 pages) :
Includes bibliographical references (p. [155]-164) and indexes. :
9789047407010 :
0167-9732 ; :
Available to subscribing member institutions only.