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Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Voice and voices in antiquity /
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Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.
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1 online resource. :
9789004329737 :
Available to subscribing member institutions only.
The rabbinic conversion of Judaism : the unique perspective of the Bavli on conversion and the construction of Jewish identity /
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In this volume, Moshe Lavee offers an account of crucial internal developments in the rabbinic corpus, and shows how the Babylonian Talmud dramatically challenged and extended the rabbinic model of conversion to Judaism. The history of conversion to Judaism has long fascinated Jews along a broad ideological continuum. This book demonstrates the rabbis in Babylonia further reworked former traditions about conversion in ever more stringent direction, shifting the focus of identity demarcation towards genealogy and bodily perspectives. By applying a reading-strategy that emphasizes late Babylonian literary developments, Lavee sheds critical light on a broader discourse regarding the nature and boundaries of Jewish identity.
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1 online resource. :
Includes bibliographical references and index. :
9789004352056 :
1871-6636 ; :
Available to subscribing member institutions only.