dramatic setting » dramatic reading (توسيع البحث), domestic setting (توسيع البحث), artistic setting (توسيع البحث)
setting e » setting _ (توسيع البحث), setting 2 (توسيع البحث), setting a (توسيع البحث)
e book » e books (توسيع البحث), _ book (توسيع البحث)
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Inscriptional records for the dramatic festivals in Athens : IG II2 2318-2325 and related texts /
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IG II2 2318-2325 represent the most substantial surviving body of evidence for the institutional history of the Athenian dramatic festivals from their establishment at the end of the 6th century BCE to their disappearance sometime in the mid- to late 100s. Millis and Olson offer a completely updated text of the inscriptions, based on a close study of the stones themselves; detailed explanations of the restorations of the dimensions and organization of the original records, with numerous redatings and the like; and new - and in some cases radically different - reconstructions of the monuments on which they were inscribed. The volume also includes substantial interpretative essays on each set of records, a full epigraphic and prosopographic commentary, and several indices.
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1 online resource (xii, 238 pages) :
9789004232013 :
Available to subscribing member institutions only.
Dialogue in the Book of signs : a polyvalent analysis of John 1:19-12:50 /
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Dialogue in the Book of Signs offers a polyvalent analysis of John 1:19-12:50 at the micro-, meso-, and macro-levels. With the help of several synchronic methods, including genre, narrative, rhetorical, and dramatic studies, the author analyzes the content, form, and function of John's dialogue. Thus, the divine-human dialogue, which is interwoven within the text, provides a key to the understanding of the dialogue between the narrator and the reader. In this volume, after setting a background and a theoretical framework, an extensive exploration of dialogue at the exchange, episode, and narrative levels is offered. The connection of dialogue with other literary aspects such as monologues, signs, I AM sayings, and metaphors is also established. Thus, this study provides a comprehensive understanding of dialogue in John 1-12.
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1 online resource (xviii, 542 pages) :
Includes bibliographical references and index. :
9789004301610 :
0928-0731 ; :
Available to subscribing member institutions only.
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Augustine and Manichaean Christianity : selected papers from the first South African Conference on Augustine of Hippo, University of Pretoria, 24-26 April 2012 /
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Based on several newly discovered texts, Augustine and Manichaean Christianity provides groundbreaking discussions of the relationship between the most influential church father of the West and the religion of his formative years. Augustine's connection with Manichaean Christians was not only intense, but also enduring. This book unearths the essential background of writings such as Augustine's Confessiones , De ordine and De vera religione , and discloses many a hidden Manichaean source of his powerful concepts of memory and the vision of God. Contributions by, among others, Iain Gardner, Therese Fuhrer, Jason BeDuhn, Majella Franzmann, Josef Lössl, Annemaré Kotzé and Nils Arne Pedersen.
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1 online resource (xv, 236 pages) :
Includes bibliographical references and index. :
9789004255067 :
Available to subscribing member institutions only.
The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
The reception of the legend of Hero and Leander /
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This book is a study of the literary reception of the originally Greek love-story of Hero and Leander, examining the nature of the tale and demonstrating its longevity and huge popularity from classical times to the present, in a great variety of different genres. Chapters consider the classical versions (Ovid, Musaios, Martial), medieval and renaissance versions in various European languages, folk and literary ballads (and even a pop song), the lyric, dramatic versions, settings to music, burlesques and travesties in all genres, modern reflections of the story in (experimental) literary forms.
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1 online resource. :
Includes bibliographical references. :
9789004400948
Hardships and Downfall of Buddhism in India /
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Buddhism originated as an antinomial system, facing the opposition of both vaidika and theistic Brahmans, who socially identified themselves with the agrarian world. The two models of society generated in early historical India never merged, and Buddhism was gradually and often violently reduced to impotence. It was Gupta rule that first checkmated the antinomial model of the Buddhists. Whereas in the open society traders, landowners and 'tribals' coexisted, from Gupta times onwards pressure on kings and direct Brahmanical rule led to the requisition of land and the imposition of a varna state society. Doctrinal debates, which soon turned into ordeals, were instrumental in the suppression of the Buddhist elite, mainly formed by intellectuals of Brahmanical descent, this being proof of a dramatic rift in the brahmanavarna. The Vajrayana, which was the Buddhist response to this state of affairs, originated and grew under Pala rule and expansionism, and was characterized by a decisive opening towards the outcast and the theorization of violence. This set off a conflict whose scope and significance are still poorly understood. It was eventually the compromise between the orthodox powers and the Muslims that caused the final downfall of Buddhism. The former were obliged to transfer political power to the latter but had a free hand in social repression. The book draws mainly on Brahmanical sources, both literary and iconographic, which are abundant and insufficiently exploited, as well as or archaeological evidence, hardly every resorted.
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1 online resource (524 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752740