dramatic setting » dramatic reading (توسيع البحث), domestic setting (توسيع البحث), artistic setting (توسيع البحث)
setting e » setting _ (توسيع البحث), setting 2 (توسيع البحث), setting a (توسيع البحث)
e den » en den (توسيع البحث), _ den (توسيع البحث), e del (توسيع البحث)
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Augustine and Manichaean Christianity : selected papers from the first South African Conference on Augustine of Hippo, University of Pretoria, 24-26 April 2012 /
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Based on several newly discovered texts, Augustine and Manichaean Christianity provides groundbreaking discussions of the relationship between the most influential church father of the West and the religion of his formative years. Augustine's connection with Manichaean Christians was not only intense, but also enduring. This book unearths the essential background of writings such as Augustine's Confessiones , De ordine and De vera religione , and discloses many a hidden Manichaean source of his powerful concepts of memory and the vision of God. Contributions by, among others, Iain Gardner, Therese Fuhrer, Jason BeDuhn, Majella Franzmann, Josef Lössl, Annemaré Kotzé and Nils Arne Pedersen.
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1 online resource (xv, 236 pages) :
Includes bibliographical references and index. :
9789004255067 :
Available to subscribing member institutions only.