dramatic setting » dramatic reading (توسيع البحث), domestic setting (توسيع البحث), artistic setting (توسيع البحث)
setting fast » setting a (توسيع البحث), writing fast (توسيع البحث), reading fast (توسيع البحث)
fast book » fasti book (توسيع البحث), east book (توسيع البحث), fact book (توسيع البحث)
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.