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Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Handbook of Christian Prophetism in Africa /
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More than half a century has passed since the first monographs on African Christian prophetism were published. The prophetic element was only the most dramatic and prominent part of developments that sought to bring the biblical material alive in ways that had not been experienced in the ecclesiology of Western mission Christianity. The ministries of African charismatic figures of the early 20th century were oriented towards the biblical phenomenon of the prophetic, and the related issue of divine or faith healing, sometimes even to the neglect of the use of bio-medical resources. The developments have been interrogated in religious studies, theology, and the sociology and psychology of religion showing how important these churches have been in the African public sphere.
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1 online resource (796 pages) : illustrations. :
Includes bibliographical references and index. :
9789004734012
The Battle of Mohács /
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The story of the battle of Mohács and of King Louis II's dramatic escape, only to meet his end by falling from his horse and drowning in the stream of Csele, is well-known. These traumatic events have been seen as symbolizing the fall of the independent Hungarian Kingdom and the dawn of an age of oppression. This volume presents new research on these events and their interpretation, focusing on topics such as battlefield reconstruction, troop involvement, firearm use, and later political use and abuse of the memory of the battle. Contributors are Pál Fodor, Péter Gyenizse, Erika Hancz, Máté Kitanics, Sándor Konkoly, Dénes Lóczy, Tamás Morva, Norbert Pap, Júlia Papp, Gábor Szalai, and Gábor Varga.
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1 online resource (624 pages) : illustrations. :
Includes bibliographical references and index. :
9789004707498
Herodian's World : Empire and Emperors in the III Century /
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The History of the Empire from the Death of Marcus of Herodian in eight books, written in Greek, is a key source for the period from the reign of Commodus (AD 180) to that of Gordian III (238). Herodian is an eyewitness and the only contemporary historian whose work has come down to us in full. His point of view is all the more valuable because he is an outsider with respect to both court historiography, whose flattery he stigmatized, and to senatorial historians, represented mainly by Cassius Dio and by the biographies in the Historia Augusta . Nonetheless, Herodian has often been harshly criticized as a historian. This volume aims to shed light on the different areas and themes in which his historical work moves - literary technique, political lexicon, religious conception, geographical space, economic, political, cultural and military themes - to better understand the relevance of his historiographical approach and his historical thought.
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1 online resource. :
Includes bibliographical references and index. :
9789004500457
9789004500235
Euripides' Bacchae : the play and its audience /
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The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.
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Originally presented as the author's thesis (doctoral)--Free University of Amsterdam. :
1 online resource (200 pages) :
Includes bibliographical references (p. 192-198) and index. :
9789004328051 :
Available to subscribing member institutions only.