dramatic taking » dramatic reading (توسيع البحث), dramatic setting (توسيع البحث)
taking study » dancing study (توسيع البحث), taking stock (توسيع البحث), taking stalk (توسيع البحث)
Faire théâtre contemporain des textes littéraires (XVIe-XIXe siècles) : Regards croisés sur les pratiques au Québec et en Europe /
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Les classiques continuent de fasciner les artistes de la scène, qui ne cessent de s'interroger sur la manière dont ces œuvres sont susceptibles de rejoindre le public. En inscrivant ce livre à l'enseigne de la célèbre formule « faire théâtre de tout » du metteur en scène français Antoine Vitez, nous désirons montrer la persistance d'une problématique qui oblige à tenir compte de l'évolution des formes dramatiques mais aussi du régime culturel plus vaste, numérique en ce qui concerne le XXIe siècle, au sein duquel s'insère la transposition de ces œuvres sur la scène. Les études rassemblées dans ce volume jettent un regard croisé sur les pratiques scéniques contemporaines qui recourent à des textes littéraires au Québec et en Europe, tout en éclairant plusieurs enjeux théoriques et méthodologiques. Classics from prior centuries continue to fascinate theatre artists. They never stop thinking of ways to stage these works to reach actual audiences. By referring, in the title of our book, to French director Antoine Vitez's famous quote "make theatre with everything", we want to point out the persistence of a problematic causing artists to not only take into account the evolution of dramatic forms, but also the broader cultural regime, digital for the 21st Century, within which these transpositions take place. The studies gathered in this volume bring a fresh perspective to the contemporary performing practices in Quebec and in Europe using literary texts, and illuminate many theoretical and methodological issues in the process.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004726178
Left-dislocation in Republican Latin.
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In the construction known as left-dislocation, an element appears in a fronted position, before the clause to which it belongs, usually introducing the topic of the sentence. Based on a detailed analysis of syntax, information structure and pragmatic organization, this study explores how left-dislocation is used in republican Latin comedy, prose and inscriptions as a device to introduce topics or other pragmatically prominent elements. Taking into consideration especially relative clause syntax and constraints of each text type, Hilla Halla-aho shows that, in the context of early Latin syntax and the evolving standards of the written language, left-dislocation performs similar functions in dramatic dialogue, legal inscriptions and archaic prose.
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1 online resource. :
9789004357464
Saint Olav's Axe: Norwegian Church Treasures, Diplomacy and Exile during the Early Reformation /
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Embark on a thrilling journey into one of Norway's greatest historical mysteries! In 1537, amidst a power struggle and religious upheaval, Norway's last Catholic archbishop flees to the Habsburg Netherlands, taking treasures from Nidaros Cathedral-St. Olav's axe, crowns, golden chalices, and sacred relics. Some vanish in diplomatic disputes, others are lost at sea or seized by pirates. But where did they all end up? Drawing on rare archival discoveries, this book uncovers a riveting tale of exile, diplomacy, and lost heritage. Packed with vivid storytelling and fresh insights, it reveals the dramatic fate of Norway's sacred treasures at the dawn of the Reformation.
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1 online resource (248 pages) : illustrations. :
Includes bibliographical references and index. :
9789004737839
Die Dramatische Zeit in Senecas Tragodien /
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In four separate studies, Andreas Heil shows that Seneca, in his tragedies Thyestes , Hercules furens , Troas ( Troades ) and Medea , handles dramatic time less experimentally than has been assumed before. In all of these plays, taking into consideration the accompanying action on the stage and the characters' respective points of view, a gradually developing plot can be reconstructed. Thus, the survey considerably deepens our understanding of Seneca's dramatic technique. In vier Einzelstudien zeigt Andreas Heil, daß Seneca mit der dramatischen Zeit in seinen Tragödien Thyestes , Hercules furens , Troas ( Troades ) und Medea weniger experimentell verfährt, als bislang angenommen wurde. In allen untersuchten Stücken läßt sich - berücksichtigt man die begleitende Bühnenhandlung und die jeweilige Figurenperspektive - eine sukzessive sich entwickelnde Handlung rekonstruieren. Die Untersuchung leistet somit einen wichtigen Beitrag zum besseren Verständnis der dramatischen Technik Senecas.
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1 online resource (vii, 250 pages) :
Includes bibliographical references and index. :
9789004251441 :
0169-8958 ; :
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