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Cassius Dio's Speeches and the Collapse of the Roman Republic : The Roman History, Books 3-56 /
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In Cassius Dio's Speeches and the Collapse of the Roman Republic, Christopher Burden-Strevens provides a radical reinterpretation of the importance of public speech in one of our most significant historical sources for the bloody and dramatic transition from Republic to Principate. Cassius Dio's Roman History, composed in eighty books early in the 3rd century CE, has only recently come to be appreciated as a sophisticated work of history-writing. In this book, Burden-Strevens demonstrates the central role played by speeches in Dio's original analysis of the decline of the Republic and the success of the emperor Augustus' regime, including a detailed study of their possible sources, themes, methods of composition, and their distinctiveness within the traditions of Roman historiography.
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1 online resource. :
9789004431362
9789004373600
Usages of the Past in Roman Historiography /
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"Usages of the Past in Roman Historiography contains 11 articles on how the Ancient Roman historians used, and manipulated, the past. What did they seek to accomplish by participating in its re-creation, what tools did they have at their disposal to do so, and which underlying conceptualisations of history can we glimpse behind their efforts? Key themes include the impact of the transformation from Republic to Empire on the production of history, the nature of intertextuality in historical writing, and the frontiers between history and other literary genres. The volume, edited by Aske Damtoft Poulsen and Arne Jönsson, encompasses diverse approaches to the study of Roman history and historiography, with contributors from the UK, US, Sweden, Germany, Denmark, and Italy. Contributors are: Rhiannon Ash, Roberto Cristofoli, Aske Damtoft Poulsen, Kyle Khellaf, Christopher B. Krebs, Christina Shuttleworth Kraus, Anne-Marie Leander Touati, Rachel Lilley Love, Ulrike Roth, Kai Ruffing & Johan Vekselius"--
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These questions formed the backbone of a conference entitled "Usages of the Past in Roman Historiography", which took place at Lund University 11-12 January 2018--Preface. :
1 online resource. :
Includes bibliographical references and index. :
9789004445086
9789004445024
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Brill's companion to the reception of Socrates /
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Brill's Companion to the Reception of Socrates , edited by Christopher Moore, provides almost unbroken coverage, across three-dozen studies, of 2450 years of philosophical and literary engagement with Socrates - the singular Athenian intellectual, paradigm of moral discipline, and inspiration for millennia of philosophical, rhetorical, and dramatic composition. Following an Introduction reflecting on the essentially "receptive" nature of Socrates' influence (by contrast to Plato's), chapters address the uptake of Socrates by authors in the Classical, Hellenistic, Roman, Late Antique (including Latin Christian, Syriac, and Arabic), Medieval (including Byzantine), Renaissance, Early Modern, Late Modern, and Twentieth-Century periods. Together they reveal the continuity of Socrates' idiosyncratic, polyvalent, and deep imprint on the history of Western thought, and witness the value of further research in the reception of Socrates.
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1 online resource. :
9789004396753 :
2213-1426 ;