fabrics asia » fabrics africa (توسيع البحث), fabrics india (توسيع البحث), fabrics nubia (توسيع البحث)
asia part » avila part (توسيع البحث), massa part (توسيع البحث), asian art (توسيع البحث)
Ganga to Mekong : A Cultural Voyage through Textiles. Foreword by Kapila Vatsyayan /
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Textiles have been the binding factor in the cultural history of India and Southeast Asia from times immemorial. As the foremost currency they were carried by the traders from the banks of river Ganga to the fertile areas around the river Mekong and to the rich spice islands of Suvarnadwipa, Indonesia. Over the centuries, these textiles turned into vehicles of culture that built the foundation for an enduring multi-layered and multi-coloured relationship. The painted textiles from the Coromandel coast, the block-printed fabrics and the doubleikat patola from Gujarat enticed Southeast Asian royalty and masses alike. These trade textiles, considered ritually powerful and imbued with magical qualities played an integral role in binding India with Southeast Asia while becoming a part of the regional folklore, ceremonies and rituals. Over time they were seamlessly assimilated into the local culture. This cultural amalgam was here to stay as solid as the rocks of Borobudur and Konark and as intricately woven as the double-ikat patola which is the cultural legacy of India in Southeast Asia.
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1 online resource (220 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752498
L'art du livre en Asie centrale de la fin du xvie siècle au début du xxe siècle : Étude des manuscrits coraniques de l'Institut d'orientalisme Abu Ray?an Biruni /
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Dans L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou met en lumière le riche patrimoine manuscrit de cette région encore mal connue. Traditionnellement rattaché au seul monde iranien, il apparaît au confluent de riches transferts culturels et de vastes circuits d'échanges, où émerge le rôle majeur de l'Inde du Nord et d'importantes spécificités locales. Grâce à l'analyse méticuleuse des manuscrits coraniques de l'Institut Al Bīrūnī, Marie Efthymiou décrit les mutations des techniques de fabrication du livre, renouvelant la connaissance du papier de Samarcande et révélant le dynamisme de Kokand comme centre de production. Un questionnement novateur des usages du livre en restitue la place dans la société et les pratiques de dévotion. In L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou sheds light on the rich cultural heritage of Central Asia, a still relatively unknown region. Traditionally considered part of a single Persian cultural domain, it in fact bears witness to a rich convergence of cultural transmissions and trade routes, with strong external influences from North India as well as strong local characteristics. By a meticulous analysis of the Quranic manuscripts of the Al Bīrūnī Institute of Oriental Studies, Marie Efthymiou depicts the technical changes of bookmaking, providing new evidence on Samarcand paper and revealing Kokand as a major centre of production. An innovative approach of the manuscripts' uses traces their place in society and in the everyday life of worshippers.
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1 online resource (271 pages) : color illustrations, photographs. :
Includes bibliographical references and index. :
9789004284012 :
1877-9964 ;
1877-9964 :
Available to subscribing member institutions only.