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History, Archaeology and Ideology : Essays on Intellectual and Social History of Early India /
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In a country as vast and varied as India and that too with an extraordinary long and continuous history spanning over several millennia, historical processes of its development just cannot be unilinear. Since such diversi-fied processes are being presented in this monograph in a broad material background, it becomes imperative that the simultaneous presence of varied production processes in different parts of the subcontinent is recognised and underlined. In fact, modes of production and productive forces as factors behind historical transformations through the centuries have been stressed in most of the contributions here. Be it the issue of social formations and their dynamism, or of the analysis of the so-called 'feminist' writings; comprehending the ground realities of the lowest orders of the social fabric, or of providing fresh insights for delineating the developmental stages of Indian arts; construction of the apparatus of knowledge systems in early India, or of establishing the true identity of common Indian human being; the central focus has always been on the ordinary toiling people of the country. Even archaeologists have been exhorted to make them the real subjects of enquiry and data retrieval in their diggings and excavation reports. Long tradition of questioning going back to the Ṛgveda, social bases of knowledge systems, construction of 'heritage' and its sustenance in the face of challenges of 'development', ideological confrontations with neo-colonialist strains and incessant concern about communalisation of writings on Indian history and archaeology are other themes that have been highlighted here. Sixteen essays of this anthology cover almost the whole gamut of five millennia of Indian history.
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1 online resource (564 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753037
L'art du livre en Asie centrale de la fin du xvie siècle au début du xxe siècle : Étude des...
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Dans L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou met en lumière le riche patrimoine manuscrit de cette région encore mal connue. Traditionnellement rattaché au seul monde iranien, il apparaît au confluent de riches transferts culturels et de vastes circuits d'échanges, où émerge le rôle majeur de l'Inde du Nord et d'importantes spécificités locales. Grâce à l'analyse méticuleuse des manuscrits coraniques de l'Institut Al Bīrūnī, Marie Efthymiou décrit les mutations des techniques de fabrication du livre, renouvelant la connaissance du papier de Samarcande et révélant le dynamisme de Kokand comme centre de production. Un questionnement novateur des usages du livre en restitue la place dans la société et les pratiques de dévotion. In L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou sheds light on the rich cultural heritage of Central Asia, a still relatively unknown region. Traditionally considered part of a single Persian cultural domain, it in fact bears witness to a rich convergence of cultural transmissions and trade routes, with strong external influences from North India as well as strong local characteristics. By a meticulous analysis of the Quranic manuscripts of the Al Bīrūnī Institute of Oriental Studies, Marie Efthymiou depicts the technical changes of bookmaking, providing new evidence on Samarcand paper and revealing Kokand as a major centre of production. An innovative approach of the manuscripts' uses traces their place in society and in the everyday life of worshippers.
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1 online resource (271 pages) : color illustrations, photographs. :
Includes bibliographical references and index. :
9789004284012 :
1877-9964 ;
1877-9964 :
Available to subscribing member institutions only.