pictures bibliography » figures bibliography (توسيع البحث), plates bibliography (توسيع البحث), principles bibliography (توسيع البحث)
female pictures » female figures (توسيع البحث), make pictures (توسيع البحث), simple pictures (توسيع البحث)
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242
The Woman Jesus Loved : Mary Magdalene in the Nag Hammadi Library and Related Documents /
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This is the first comprehensive study on Mary Magdalene in those second and third century Gnostic texts in which Jesus' most famous female follower gains a prominent position. Special attention is paid to the way Mary is presented in relation to other disciples, and to how her portrait pertains to gender imagery used in the writings. Detailed text analyses, based on a careful philological study, show that no uniform picture and use of the figure of Mary can be traced. Contrary to a common supposition, the book also demonstrates that the positive view of Mary displayed in the texts does not automatically imply a positive attitude towards women in general. The work provides a basis for all further discussion of Mary Magdalene in the Nag Hammadi and related documents.
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1 online resource. :
Includes bibliographical references and index. :
9789004439696
9789004106581